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STOLAS: THE BOOK OF ANGELS, VOL. 12 (MASADA QUINTET FEAT. JOE LOVANO)

Masada

RIO/Avant-Prog


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Masada Stolas: The Book of Angels, Vol. 12 (Masada Quintet feat. Joe Lovano) album cover
3.25 | 5 ratings | 1 reviews | 40% 5 stars

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Studio Album, released in 2009

Songs / Tracks Listing


1. Haamiah (4:20)
2. Rikbiel (5:48)
3. Psisya (8:26)
4. Sartael (4:50)
5. Tashriel (4:03)
6. Rahtiel (7:56)
7. Tagriel (13:29)
8. Serakel (5:08)
9. Rigal (8:59)

Total Time 62:59

Line-up / Musicians


- Joe Lovano / Tenor Saxophone
- Dave Douglas / Trumpet
- Uri Caine / Piano
- Greg Cohen / Bass
- Joey Baron / Drums
- John Zorn / Alto Sax (track 6)

Releases information

Tzadik 7375

Thanks to excitedundecided for the addition
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MASADA Stolas: The Book of Angels, Vol. 12 (Masada Quintet feat. Joe Lovano) ratings distribution


3.25
(5 ratings)
Essential: a masterpiece of progressive rock music(40%)
40%
Excellent addition to any prog rock music collection(40%)
40%
Good, but non-essential (20%)
20%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

MASADA Stolas: The Book of Angels, Vol. 12 (Masada Quintet feat. Joe Lovano) reviews


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Collaborators/Experts Reviews

Review by snobb
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Masada's Book Two - release of so-called Masada Quintet (classic Masada plus pianist Uri Cane) and Joe Lovano as guest.

Usually I wait every new Masada's release because you never know, what version of klezmer - jazz will you find on each. Happily, often every such release is pleasant surprise. Don't want to say "Stolas" is unpleasant - great usually piano-less Masada's quartet plays there with pianist and additional sax player (in fact - not additional, but just another, because Zorn himself plays on one song only).

But - I wasn't pleasantly surprised this time at all. Usual klezmer based jazz, but in form of quite conservative bop/cool jazz/post-bop. With nice acoustic piano, melancholic sax and all other genre's attributes. Pleasant acoustic music, but didn't I hear it hundred times before?

Possibly this release is oriented more to avant-jazz haters, with its openly conservative direction? Maybe yes. But as a result we have average vintage klezmer-based album without sparks at all. Not bad but ... let say a bit boring. Zorn himself,Tzadik label and some more artists released endless amount of klezmer based music during last 20 years. Do we need one more standard album of this genre?

Still nice listening for more conservative fans of early modern jazz though.

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