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TRANSPLANTATION

Djamra

Jazz Rock/Fusion


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Djamra Transplantation album cover
2.76 | 9 ratings | 3 reviews | 0% 5 stars

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Studio Album, released in 2003

Songs / Tracks Listing

1. Time Flies Like An Arrow (2 Horns Version) (4:19)
2. Channeling (0:40)
3. Assassin In Sin (4:23)
4. Neo Skin (4:11)
5. Mood (5:50)
6. Nest (6:43)
7. Time Flies Like An Arrow (3 Horns Version) (4:59)
8. Hz (6:00)
9. Pliable Clockwork (2:08)
10. The Cave (6:20)
11. To India (15:42)

Total Time 61:15

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Masaharu Nakakita / bass
- Shinji Kitamura / saxophone
- Dai Akahani / trumpet
- Akihiro Enomoto / drums

Releases information

Musea/Poseidon Records FGBG4523/PRF-015

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Djamra
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Musea/Poseidon 2006
Audio CD$17.46
$87.14 (used)
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DJAMRA Transplantation ratings distribution


2.76
(9 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(56%)
56%
Good, but non-essential (33%)
33%
Collectors/fans only (0%)
0%
Poor. Only for completionists (11%)
11%

DJAMRA Transplantation reviews


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Collaborators/Experts Reviews

Review by memowakeman
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Great and crazy Japanese stuff!

The first (and last) time I could attend to the Baja Prog Fest (2008) gave me some great discoveries, there were a couple of bands I didn't know and loved since then; one is Platurno from Chile, and the other is Djamra from Japan. I remember when I saw Djamra's performance I was astonished because their music was great, and also because they really managed to get involved with the audience. I remember they had some masks of Mexican wrestlers and cool clothes.

Since then I've been following their music. Honestly the only album I bought from themselves in that Baja Prog was their 2003 album entitled "Transplantation", which I should have reviewed long time ago. One of the main things that caught my attention was their mixture of jazz/fusion with some avant-garde elements that would make you think whether they belong to the fusion or RIO scene? the answer is simple, they belong to the progressive rock scene.

This album features eleven compositions and a total time of 61 minutes. It kicks off with "Time Flies like an Arrow (2 hones version)" and I bet you will be interested since the very first seconds. Wind instruments appear first, then drums, bass, and seconds later a super bass sound prevails showing the skill of Masaharu Nakatira, their bass player. The track has some different passages, while one may be aggressive, other is soft and calm.

"Channelling" is a short track that resumes the crazy sound of this band. It is like the introduction of "Assassin in Sin" whose drums work by Akihiro Enomoto is brilliant, always in the right place and moment. The song has again some changes, all together working in order to create a cool, and challenging song. I like a lot the bass sound, though it is repetitive it creates some tension and makes you wait for something, for what is coming next. Then the sound of winds (sax and trumpets) are always amazing.

"Neo Skin" comes again with superb bass notes creating a crazy sound which will be almost silenced after a minute, when it slows down and the wind instruments appear with a delicate touch. Then the drums make its spot, showing once again that these are trained and of course, talented musicians. After the second minute there is a part in which you may feel like in the chaos zone, great!

"Mood" starts slowly with bass lines, little by little the other instruments join and begin to create a sophomore and eclectic trip. This song is not like the previous ones, I would say it is not the Djamra sound that we already know, but it shows that they can create different moods, as the title suggests.

"Nest" follows the previous song path at the beginning, the first minute sounds like that, but then it returns to the crazy sax/trumpet sound shown in the first tracks. The track shares different textures and sounds, once again they took their "different passages" formula because you can listen the craziness first and the softness later, or vice versa. That combination is cool, though in moments it could turn repetitive: warning.

A second part of the CD could be found in this track "Time Flies like an Arrow (3 hones version)" which is like an alternate version of the first song of the album, it is peculiar to see they put it here in this moment of the album. The following track is "Hz" whose first minute sounds like an explosion, but later it stops and a new structure is being started. I like how they put and create different colors, nuances and even atmospheres in one single track, you can also appreciate to some weird noises here and there, cool.

"Pliable Clockwork" is another short track, which actually does not show anything new, it can be synthesized as a short version of Djamra's music. "The Cave" starts with bass and drums creating a cool sound. Later a minor silence and some changes in time and tempo, there is a moment after minute three when a chaos is created and an ambient of tension appears, giving the listener elements to feel excited. This is a very good song, well and cleverly composed.

And finally the longest track, a fifteen-minute epic entitled "To India". As the title suggests, the first minutes have that Indian-like sound where you can close your eyes and let the music take you there. A couple of minutes later drums and trumpet appear and a new sound is being little by little created, provoking some tension and nervousness until it totally explodes, and when that happens I can only say "woooow" and have a big smile, total satisfaction has come to me. There is a significant amount of minor changes in this long epic, but all together are the pieces that comprehend this one body, all those pieces are necessary to enjoy the whole track.

Djamra are a band whose music is great to me, and I am really happy to know them and very lucky to have seen them on stage. They are coming to Mexico City in a couple of weeks, and I do hope to see them again. If you are a fan of crazy jazzy and avant-garde stuff, you should try Djamra, you know, Japan has always good music to offer, you won't regret. My final grade will be four stars.

Enjoy it!

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Send comments to memowakeman (BETA) | Report this review (#418307) | Review Permalink
Posted Saturday, March 19, 2011

Review by apps79
SPECIAL COLLABORATOR Neo Prog Team
1 stars Although known the last few years Japanese Jazz/RIO progsters Djamra have been around since mid-90's,when bassist Masaharu Nakakita formed the band in Osaka.The band actually performed as a quintet and released an eponymous demo in 1999.The new decade found the band as a quartet of bass/drums/trumpet/sax.In 2003 they release both a live and a studio album.''14 Faces Vol 1'' was a short document of the band's live energy,released on the Poseidon-related Vital Records and ''Transplantation'' was Djamra's official debut,released on Poseidon and distributed by Musea.

The general style of the band incorporates elements from Jazz,Horn Rock and RIO.There are also elements from Balkan and Eastern Music to be found.This daring mix offers some good moments at a few times,but the album suffers from the lack of even a trace of melody,harmony or atmosphere,who will set the listener into its mood.The technique of the band is undoubtful,but actually this is the main problem as well.Too much soloing leads into an explosion of freaky,noisy musicianship,which becomes unbearable with every listening.The meaning of composition is totally sacrificed in the name of endless improvisation.Trumpet and sax dominate the album and are too high in the mix,buring any interesting ideas by the bass player,who is actually quite good.The final result is an abstract summary of sounds trying to be correctly set in my head,but the only thing I got is a light headache...

The musicians of this act are really skilled,no doubt about it.But I wonder where this album heads to.An aggresive,frightening and cloudy soundscape,which is more of a punch in the stomach than a musical experience.Not recommended at all.

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Send comments to apps79 (BETA) | Report this review (#494236) | Review Permalink
Posted Monday, August 01, 2011

Review by kev rowland
SPECIAL COLLABORATOR Crossover Team
3 stars This is an instrumental album by a band with a somewhat unusual line-up (drums, bass, alt sax, trumpet). With a group like that there is only one place to go, and that is jazz. That they do so with so much finesse and style is a credit. The drums fairly drive the music along but they are for the most part the under-stated part of the group, and while the bass plays behind the melody there are sections where it takes the lead. Of course it is the two brass instruments that can be seen to be taking the band on their musical journey but there are times when they themselves are quiet so that the others can be heard, with the bass taking a much more important focus with some different styles of playing.

This isn't music for the faint-hearted conservative, as this is trying to push boundaries so that they are often avant-garde as well as bringing in some more standard progressive tones. It will not be to everyone's tastes but this is a record that I have enjoyed playing a great deal and will be again.

Originally appeared in Feedback #78, April 2004

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Send comments to kev rowland (BETA) | Report this review (#998658) | Review Permalink
Posted Monday, July 15, 2013

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