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TINY FRAGMENTS

Tangled Thoughts Of Leaving

Post Rock/Math rock


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Tangled Thoughts Of Leaving Tiny Fragments album cover
3.12 | 5 ratings | 2 reviews | 40% 5 stars

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Singles/EPs/Fan Club/Promo, released in 2008

Songs / Tracks Listing

1. Tiny Fragments : Part 1 (6:47)
2. Tiny Fragments : Part 2 (2:32)
3. Tiny Fragments : Part 3 (8:57)
4. The Banshee (10:21)

Total Time 28:37

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Aaron Pollard / piano,synths,samples,vocals
- Luke Pollard / bass,samples
- Andrew McDonald / guitar
- James Hoey / drums

Releases information

CD Self Released (2008)

Thanks to TheProgtologist for the addition
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TANGLED THOUGHTS OF LEAVING Tiny Fragments ratings distribution


3.12
(5 ratings)
Essential: a masterpiece of progressive rock music(40%)
40%
Excellent addition to any prog rock music collection(20%)
20%
Good, but non-essential (40%)
40%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

TANGLED THOUGHTS OF LEAVING Tiny Fragments reviews


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Collaborators/Experts Reviews

Review by Negoba
PROG REVIEWER
3 stars Expanding the Horizons of Post Rock

Tangled Thoughts of Leaving are an Australian band that are still on the rise and apparently honing their style. I got a gracious request from the band to check out their EP as apparently they will have a full album release in 2011. TINY FRAGMENTS shows us a band well versed in the modern realm of post rock, but working to expand the boundaries by adding jazz, metal elements, and an accelerated sense of movement. One of my least favorite parts of post rock (and post metal) is that despite a great sense of atmosphere, there just isn't enough happening. TToL really have fixed this issue, and their sound is more likely to appeal to prog fans in general while using the sonic palette of post- styles.

The final track of the EP, "The Banshee" is superficially the most true to genre. However, the piece evolves relatively quickly into an area that would best be described as a kind of heavy fusion. The drums are especially jazz-y, but there are also fusion elements heard in chord choice and piano lines. The piece eventually becomes quite heavy with fast, aggressive crashes that are probably found nowhere else in the genre. When the piece drops in intensity, there is still alot going on, and you get the feeling that the drummer is about to burst while playing straight beats. He's quickly let loose again and the intensity rises, but so does the complexity to the point where we're almost in the realm of avant-jazz. If that sounds a little scattered, it's because the band does lose their focus at times. On the mentioned track, everything gels well enough, and in fact I think "The Banshee" is the best part of the EP.

The rest of the album is the three part "Tiny Fragments." The overall sound is similar to what I've described, with the limits stretched further into different genres. Harsh vocals enter at one point, and there are sections that border on straight jazz. The piece (and the album) opens with something that I might call brutal fusion, and weaves in small interludes of piano jazz. Needless to say, this isn't music for a pop fan or even most symphonic proggies. The juxtapositions are certainly stark, but most of the time they work. There are other bands doing heavy jazz fusion, but none seem as deliberate or composed. This suits me fine as I'm not a big fan of recorded jamming. Here we get carefully crafted frameworks that still allow the players freedom to explore.

A few of the multitude of pieces / parts don't work. The vocals in part I of the long piece don't do much for me, though I suppose they fit crazy music like this better than some genres. Part 2 consists partly of a free time electronic interlude which eventually withdraws to accompany come gentle piano. Part 3 returns to the band's base sound (post-rock over amphetaminized jazz drums) with a number of variations. After wandering a bit, the piece finishes with a heavy crash. While still solid (a kind of punch drunk take on the post- sound), this section is the weakest on the EP.

The overall moving force of this band seems very promising. Their goal of whetting my appetite for their upcoming album is easily met. I do hope the band has consolidated their sound a little better, and has a more unified vision for the album as a whole. But this is a great start, a very enjoyable listen. It sits somewhere between 3 and 4 stars overall, but given its short length and the fact that I'm hoping better is on its way, I'm leaving some room for improvement.

Cheers to the band.

P.S. This album is a free download from the band's site as of Jan 2011. Easy to check it out if you're into these kinds of sounds.

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Send comments to Negoba (BETA) | Report this review (#380113) | Review Permalink
Posted Friday, January 14, 2011

Review by memowakeman
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Not that tangled actually!

The name of this band is pretty cool, weird but I like it, I believe it is very original and would like to know what its origin is. Well, they are from Australia, yet another post-rock band which is actually walking their first footsteps, trying to find an own sound and of course, trying to gain some followers. Tangled Thoughts of Leaving have been together since 2004, they are mostly an instrumental band that as I previously said belongs to the post-rock realm, but at their heaviest, being closer to post-metal.

In 2008 they released their EP entitled 'Tiny Fragments' which is their first offering, a four- track EP that shares almost half-an-hour of great, heavy, weird, post-metal-jazz-rock music (haha with the labels). The first three tracks are simply entitled 'Tiny Fragments: Part 1, 2 and 3'. Well, the first part starts quirky, fast and with a notable technique. The piano sound is excellent all over the track, it gives the different texture and moods, of course the other instruments also help, but in my opinion here piano leads. At half the song it becomes heavier, guitars, bass and drums doing their work. After five minutes vocals appear, which was a surprise because I did not expect them; the voice is heavy, totally to the metal side of rock.

'Part 2' is the shortest of the tiny fragments (pun intended), and my least favorite without a doubt. The first minute is full of electronic distant noises, then piano and drums appear and it is like a soft jam, nothing more. 'Part 3' on the other hand, reaches almost nine minutes. It starts slowly but gradually progresses, the guitars sound here is wonderful, and the piano leads once again for some passages. This track has several inner changes, subdivisions that create a puzzle but that can be appreciated as individual fragments. The heavy or metal part is not that evident at least in the first six minutes, it reminds me a bit to 65daysofstatic, which belongs to the heavy-side of post-rock, without being precisely a post- metal band. But later, in the final two minutes the song does turn heavier and metal oriented. Great one!

The EP finishes with 'The Banshee' which is actually the longest song reaching more than ten minutes. It is a well crafted composition that may interest you and may catch your attention since the first moments. It is soft and heavy, jazzy in moments (mainly due to drums and piano), metal in others, but after all an original post-rock composition. Here we can appreciate the band's compositional skills, their creativity to extract all the juice of a single track.

I am happy with this discovery, Tangled Thoughts of Leaving are a worth listening band, and guess what, they offer their music for free, so please, go to their site and do not miss this chance. Now I am looking forward to hear a full-length album. My final grade will be three stars!

Enjoy it!

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Send comments to memowakeman (BETA) | Report this review (#480166) | Review Permalink
Posted Sunday, July 10, 2011

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