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SONGS FOR A TAILOR

Jack Bruce

Jazz Rock/Fusion


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Jack Bruce Songs for a Tailor album cover
3.53 | 29 ratings | 4 reviews | 10% 5 stars

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Studio Album, released in 1969

Songs / Tracks Listing



1. Never Tell Your Mother She's Out of Tune (3:41)
2. Theme for an Imaginary Western (3:30)
3. Tickets to Water Falls (3:00)
4. Weird of Hermiston (2:24)
5. Rope Ladder to the Moon (2:54)
6. The Ministry of Bag (2:49)
7. He the Richmond (3:36)
8. Boston Ball Game 1967 (1:45)
9. To Isengard (5:28)
10. The Clearout (2:35)
11. The Ministry of Bag (demo version) (3:47)
12. Weird of Hermiston (alternate mix) (2:33)
13. The Clearout (alternate mix) (3:02)
14. The Ministry of Bag (alternate mix) (2:54)

Total Time 43:32 (?)

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians


- Harry Beckett / trumpet, horn
- Jack Bruce / organ, bass guitar, guitar, piano, cello, keyboards, vocals
- Dick Heckstall-Smith / saxophone, soprano saxophone, tenor saxophone
- Jon Hiseman / drums
- Henry Lowther / trumpet, horn
- John Marshall - drums
- L'Angelo Misterioso (George Harrison's nickname) / guitar
- John Mumford / trombone
- Felix Pappalardi / percussion, vocals
- Chris Spedding / guitar
- Art Themen / saxophone, soprano saxophone, tenor saxophone

Releases information

Tracks 1-10 were on the original Atco records release, while tracks 11-14 were released on the Polydor CD reissue.

Thanks to Blowin Free for the addition
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JACK BRUCE Songs for a Tailor ratings distribution


3.53
(29 ratings)
Essential: a masterpiece of progressive rock music(10%)
10%
Excellent addition to any prog rock music collection(59%)
59%
Good, but non-essential (28%)
28%
Collectors/fans only (3%)
3%
Poor. Only for completionists (0%)
0%

JACK BRUCE Songs for a Tailor reviews


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Collaborators/Experts Reviews

Review by Evolver
SPECIAL COLLABORATOR Crossover & JazzRock/Fusion Teams
4 stars Jack Bruce's first solo album starts out spectacularly, with Never Tell Your Mother She's Out Of Tune, a wonderful, bass heavy, fun song, with wild staccato horns. Is it progressive? Back in nineteen sixty nine it was. Then followed by the now classic Theme From An Imaginary Western, this album promises to be a great ride.

With this set, Bruce seems to be shedding the blues roots he, Eric Clapton and Ginger Baker used as the foundation for Cream, now moving towards the more experimental world of the progressive musician. This album being recorded in 1969, the songs still have somewhat of a simple feel, compared to Bruce's later works, but the foundation is definitely there.

Another highlight for this prog fan is Rope Ladder To The Moon, a spacy song with a hist of eastern themes.

This is a very good album, one that I find myself returning to frequently.

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Send comments to Evolver (BETA) | Report this review (#236173) | Review Permalink
Posted Monday, August 31, 2009

Review by js (Easy Money)
SPECIAL COLLABORATOR Honorary Collaborator / Retired Admin
3 stars Songs for a Tailor was Jack Bruce's first released album after his split with Cream, and although he displays some similar roots in psychedelic rock, blues and RnB/jazz as he did with Baker and Clapton, this album clearly shows that of the three, Bruce was by far the better and more creative writer. At this early point in his career Bruce sounds poised to rival the greats, Paul Simon, Stevie Wonder, Donald Fagen, take your pick, Jack Bruce really had it going on back then with the jazz influences and unique chord structures. Echos of The Beatles, Hendrix, Ceam, Robert Wyatt and Syd Barret are extended with techniques taken from early proto-fusion jazz artists and the new progressive rock scene in London. If Jack had assembled a permanent band playing this material, they would have been one of the best on the scene.

With half of jazz rock pioneers Colosseum on board along with Mountain's Felix Papalardi, and with songs that will show up on Mountain and Colosseum albums, this album takes on an almost 60s 'super group' vibe, possibly an answer to Jack's bandmate's effort in Blind Faith. But it's this lack of a real band that is this album's downfall too. Despite all the clever songwriting and excellent instrumental skills involved here, this still sounds like a 'solo album', which means a little bit better than a demo. There's a rushed unfinished feel to a lot of the production and a certain sameness that makes the songs somewhat numbing over extended plays. Having a real band on board would have pumped some life into these very deserving tunes.

Overall though, this is an excellent freshman effort from Jack Bruce, one of the best songwriters to come from the world of rock music.

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Send comments to js (Easy Money) (BETA) | Report this review (#263608) | Review Permalink
Posted Saturday, January 30, 2010

Review by Sean Trane
SPECIAL COLLABORATOR Prog Folk
3 stars 3.5 stars really!!

Fresh out of Cream, JAcj Bruce went out shopping for heavy friends to make his debut solo album, and one can only be impressed by who he managed to lure back in the studio. Outside Harry Georgesson (only present on the opening track, but remember Goodbye's Badge song?), we also find Swinging London jazz-scene stalwarts jazzers Harry Beckett and Henry Lowther (both on trumpet) and Art Themen (sax). From another side of JB's alumni, Colosseum dudes DHS (sax) and Hiseman (who had replaced Jack and Ginger in Graham Bond's ORGANization), and Chris Spedding (most likely via lyricist Pete Brown's Ornaments), future Nucleus drummer John Marshall (then with Graham Collier) and finally Papparlardi (the Mountain man and Cream producer). Heavy friends, uh?? Gladly the really heavy dude Leslie West was out of reach ;o))). As for the megalomaniac JB, he sings, basses, pianoes, organs and even cellos on one track.

SFAT is actually JB's second album, since TWL was recorded in 68, but only released two years later (after the present), and this "debut" album is filled with songs intended for Cream but unused, due to that band's early demise. And in some ways, despite some sometimes drastically different arrangements, it's clear that some tracks could've been featured on any of the last three Cream releases, but it's hardly a rule of thumb. Take away the brass from the opener Never Tell, and you've got an almost-classic Cream tune. Other Cream-related tunes are Weird Of Hermiston, Boston Ball and Clearout, all three written during the Cream-lifetime, but neither are particularly strong (IMHO), but two of them features the heavy brass section.

You'll also find two of JB/PB tunes that have been most inspirational to loads f musicians (including Colosseum, who used both tracks in their live shows) like Imaginary Western and Rope Ladder, both could've been Cream numbers, but here dramatically changed, the latter featuring Jack's cello talents. Ministry Of Bag and Richmond are average, but don't feel like fillers. Isengard's intro is the album's most acoustic moment and it also features Felix on vocals alongside JB, but halfway in JB's bass comes unleashed and Spedding's guitar follows

The album's title was a dedication to Jeannie Franklin, a hip LA tailor that made clothes for cream and that died in the Fairport Convention van accident that also killed drummer Lamble. SFAT is JB's most emblematic solo album, but don't expect loads of Cream histrionics or even TW's Lifetime delirium. This is a bunch of fairly-short songs (max 3:30, except for the lengthier Isengard), but little space for major solos. The album is relatively uneven (read too diverse to be really cohesive), but has no real weakness either, and is certainly an important release for its time, and has managed to remain in the publics' subconscious ever since.

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Send comments to Sean Trane (BETA) | Report this review (#1156988) | Review Permalink
Posted Thursday, April 03, 2014

Latest members reviews

4 stars Jack Bruce slips out from under the shadow of Cream. The first thing you'll notice on Songs for a Tailor is the way Bruce's unmistakable voice propels the album's short songs into a familiar place. At the same time, he has collected a set of songs that have a decidedly 'pop' feel to their rock, ... (read more)

Report this review (#609102) | Posted by dreadpirateroberts | Friday, January 13, 2012 | Review Permanlink

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