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The Masters Apprentices


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The Masters Apprentices Choice Cuts [Aka: Master's Apprentices] album cover
3.82 | 37 ratings | 5 reviews | 24% 5 stars

Excellent addition to any
rock music collection

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Studio Album, released in 1971

Songs / Tracks Listing

1. Rio De Camero (3:19)
2. Michael (3:52)
3. Easy To Lie (4:30)
4. Because I Love You (4:31)
5. Catty (3:21)
6. Our Friend Owsley Stanley 3 (3:26)
7. Death Of A King (3:37)
8. Song For A Lost Gypsy (2:59)
9. I'm Your Satisfier (3:13)
10. Song For Joey, Part 2 (4:23)

Total time 37:11

Bonus tracks on 2015 CD reissue:
11. Howlin' At The Moon (Live)
12. Turn Up Your Radio (Live)
13. Bedtime Girl (Live)
14. Birth Of The Beat (Live)
15. Because I Love You (Live)

Line-up / Musicians

- Jim Keays / vocals, harmonica
- Doug Ford / acoustic, electric & 12-string guitars, vocals
- Glenn Wheatley / bass, vocals
- Colin Burgess / drums, percussion

- Larry Steel / congas (1)
- Jeff Jarratt / piano (4)
- Claude Lintott / jew's harp (9)

Releases information

Artwork: Hipgnosis

LP Regal Zonophone ‎- SLRZ 1016 (1971, Australia)
LP Lucky Pigs Records ‎- LPR LP 0806-1 (2011, Germany)

CD TRC Records ‎- TRC 003 (1989, Germany)
2xCD EMI ‎- 7243 8 14806 2 5 (1996, Australia) Bundled with album
CD Ascension Records ‎- ANCD 006 (1999, Australia)
CD Hifly Sound Anstalt ‎- HIFLYCD14022 (2015, Liechtenstein) With 5 bonus 1988 Live tracks

Thanks to windhawk for the addition
and to Quinino for the last updates
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THE MASTERS APPRENTICES Choice Cuts [Aka: Master's Apprentices] ratings distribution

(37 ratings)
Essential: a masterpiece of rock music(24%)
Excellent addition to any rock music collection(51%)
Good, but non-essential (22%)
Collectors/fans only (3%)
Poor. Only for completionists (0%)

THE MASTERS APPRENTICES Choice Cuts [Aka: Master's Apprentices] reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by T.Rox
SPECIAL COLLABORATOR Honorary Collaborator
4 stars With Choice Cuts a progressive and psychedelic sound begins to surface for The Masters.

A note: There may be some confusion about this album with European readers. Choice Cuts was released in Europe as 'The Masters Apprentices', sometimes with a heavily cropped version of the Hipgnosis designed cover. It is a totally different album to the Astor release under the name 'The Masters Apprentices' from 1967.

Choice Cuts represents a number of firsts for the Masters Apprentices: the first album the group has recorded where the intention was to go into a studio and record a complete album (the others being collections of work over a few years amalgamated into albums); the first of two albums recorded at the legendary Abbey Road studios; and the first to feature the Masters line-up that would be considered the 'classic line-up' - Jim Keays, Doug Ford, Glenn Wheatley & Colin Burgess.

With the new line-up and the production guidance of Jeff Jarratt (an engineer on a number of The Beatles recordings and Pink Floyd's 'Piper At The Gates Of Dawn') the Masters recorded an album that was influenced by much of the new music they were exposed to while in the UK. These influences included King Crimson, Hendrix and Free from the heavier end of the music spectrum, and Donovan and Van Morrison from the acoustic end.

Choice Cuts is by no means a true progressive album, however it does step away from the beat sound of the past and migrate into progressive areas. "Michael" and "Easy To Lie" are a couple of tracks with a progressive edge. Both make use of some smouldering guitar from Doug Ford that reminds me of Uriah Heep's guitar sound. These are supplemented by the somewhat psychedelic "Our Friend Owsley Stanley III" (a direct reference to the LSD culture of the period), the tribute to the slain Martin Luther King with "Death Of A King", and "Song For A Lost Gypsy".

The hits from the Choice Cuts album are the ballad "Because I Love You" and the Latin- influenced "Rio De Camero". "Because I Love You" features Jeff Jarratt playing piano of the legendary white grand piano belonging to Paul McCartney, and has become an Australian classic over the years. "Rio De Camero" was written at the last minute to give the album another few of minutes playing time, however it did not become a hit until 1974 when it was released as a single to support the Masters "Best Of" album 'Now That It's Over'.

Overall Choice Cuts presents this incarnation of the Masters Apprentices as a competent and cohesive playing unit. It is an important album that showed that Australian artists could venture overseas, learn from their experiences, and translate that into music with a fair level of success.

While not rating high as a progressive album, the Dinosaur is giving Choice Cuts four stars. Why? Because of the influence Choice Cuts had on those artists that followed by giving belief that great albums could be made by Australian artists. This included the next Masters album, an outright progressive album in the form of 'A Toast To Panama Red'.

Review by AtomicCrimsonRush
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Masters Apprentices the Aussie prog 70s icons have created many singles in their illustrious career and of course there are a plethora of compilations, but this studio album is more or less the type of track listing found on compilations such as 'Fully Qualified'. In fact there are only three tracks on this that are not on "Fully Qualified".

'Because I Love You' is a chart topper that is featured on every compilation in existence on the band. It begins with innovative acoustic guitar that is lilting and beautiful, then Keays croons, 'its because I love you not because we're far apart...' and of course it build to the memorable mantra that is recognisable in pop culture, 'Ooh, Do what you wanna do, be what you wanna be yeah'. It repeats over and over at the end of the song and sticks in the brain. Everything about the track works and it will always be synonymous with the band's eclectic style. An indispensable Aussie treasure.

Rio de Camero is a Latin America sound alike with a great instrumental break and a huge hit for the band.

Easy to Lie has a great bass line that drives it along and it sounds psychedelic with filtered vocals and phasing guitars.

Michael is a strange one with excellent guitar work from Ford and emotive vocally.

Death of a King is a tribute to Martin Luther King with a slice of prog.

Our Friend Owlsey Stanley III is an off kilter track with wild phased guitars and a weird structure that is psych prog at its best.

Song for a Lost Gypsy is another strange one that changes time sigs and features an exceptional lead break.

In any case this is one of the best albums with some of their greatest tracks. I recommend this as an excellent starting point but there is so much more the band produced that are as good, if not better, than this album. "Fully Qualified" is the one to get, a compilation certainly, but the best document of the band featuring everything great on "Choice Cuts", 7 tracks, and all their unreleased singles.

Review by Warthur
3 stars The Masters Apprentices play a style of prog-tinged hard rock which borrows from a range of sources - a bit of Jethro Tull there, a dash of Deep Purple there - but to my ears never quite convincingly work these together into a cohesive sound of their own. Production values are decent thanks to the group having access to Abbey Road Studios for the recording this time, and it has a more or less cohesive sound thanks to being recorded consciously as an album rather than being a compilation of tracks from singles like the group'd previous releases, so it's a competent enough affair, but not interestingly so.

Latest members reviews

4 stars A remarkable album from this band from Australia. This album brings me lots of memories. I was introduced to this band by a friend of mine when I was at college. At the time I had no idea who they were. As soon as I listened to this album I knew it would be a favourite of mine. I like heavy prog sou ... (read more)

Report this review (#1555902) | Posted by billwilly | Monday, April 25, 2016 | Review Permanlink

4 stars It's hard to believe this is the same band that recorded "Undecided", or even the same band that recorded Masterpiece just a year earlier - the development is just astonishing. The band are so much more fluent in their playing, and so much more ambitious in their compositions. Seems the time they sp ... (read more)

Report this review (#722281) | Posted by sl75 | Wednesday, April 11, 2012 | Review Permanlink

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