DIES IRAE

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As mentioned in my previous two reviews, Devil Doll's third (full) album is more of the same, and I will not spend a great deal of time describing the music: just read the other reviews I wrote for them. One of the rfrustrating thing with DD is the lack of progression of the music from one album to the other. Still impressive and sometimes grandiose, but at times also, almost ridiculous because of the macabre and laughable vocals. As I said previously, you got one album, you got them all. >> this 50 words, yet? ;-)

After the highly crafted release "Eliogabalus" I felt all later albums were basically a re-hash of this album, but with "Dies Irae" I have been once again blown away... This album definitely has caught my ear kids! As you would expect this album continues to follow that patented DEVIL DOLL formula with rich orchestral and gothic influences contrasted sharply with piano-led passages that feature the sinister, bizarrely twisted voice and antics of "Mr. Doctor" (the band's mastermind). The sound on this album is quite enormous with the addition of full orchestration combined with a wide range of instrumentation highlighted by stunning violin work. Best way to describe the music of DEVIL DOLL is to imagine a dark foreboding horror music soundtrack combined with classical and progressive leanings and you may not be far off this music. DEVIL DOLL contrast heavy searing orchestral strings with grand synth and organ work with the occasional brilliant progressive rock breakout. The musicianship is extremely high with some simply captivating instrumentation. In many ways this album actually runs like a movie soundtrack with full theatrics and animation of imagery. The vocals are as you would expect are quite contorted featuring once again "Mr. Doctor" who sounds more like a specter of macabre than a lead singer. For those unfamiliar with his singing style may find it a bit out of the norm as he tends to talk his way thru the songs instead of singing. The end result is something that only personal taste can really judge... some will love this and find it highly inventive while others will likely not get it. Without a question the music is heavily avante garge and should only be listened to by a mature audience. Overall "Dies Irae" is an excellent album full of innovation and that heavy classical, soundtrack'ish macabre that this music lover loves!

Excellent mix between the style of Peter HAMMILL within "The Fall of the House of Usher" and such a dark heavy metal, but with a touch of classical music, by using an expressive violin, and an incredible vocalist as well, whose pyrotechnical vocal range, under a lyric "opera-style", covering also the contralto and tenor range excursion in the same time, makes this album well worth checking out!!

The guitar riffs sometimes are a little banal, nevertheless the support of the piano is interesting, sometimes giving a dark epic imprinting, in other circumstances according to this strange "Balcanic" mood created by the violin. Well a theatrics' work, suitable for an "Horror- Movie Soundtrack"!!

As for a certain discontinuity you could erase one star, but for me it's a minor question and of course you have to be in the habit with such an horror soundtrack in order to appreciate them!!

I've read so much times reviews saying that this is a fantastic album, Devil Doll being such a fantastic band. I'm still waiting for someone who will be able to tell me why so many people find it fantastic ? I really don't get it. It's extremely boring stuff. Not dark. Not gothic in any way. Just grotesque.

Having recently finished reviewing an album whose music I described as weird, strange, peculiar even deviant, I couldn't help but think that I would describe the music of Devil Doll in much the same way with perhaps a couple more suitable adjectives like perverse and satirical.

Yes, I'm afraid semismart is about to force feed another one of those really weird bands on you. True you don't have to read anymore but Devil Doll is truly an interesting phenomenon, a confluence great and wonderful musical competence with perverse theatrics and macabre absurdity. If you are familiar with either Lacrimosa or Therion, imagine their marvelous music combined with something as over the top as Weird Al Yankovic, Victor Borge or even Dr. Demento. Sound interesting? I invite you to read on. You can stop whenever you want, I promise.

DEVIL DOLL

I'm sure your all familiar with the terms eccentric and hermit. Devil Doll and especially their leader Mr. Doctor seems to be the musical equivalent of an eccentric hermit. One could be forgiven if they never heard of Devil Doll, being one of the most obscure underground bands this side of Jupiter. The inscrutable Mr. Doctor, originally from Slovenia, as in former Yugoslavia, and now based across the Adriatic in Italy, has, until recently, stingily released copies of his five albums on his Hurdy Gurdy label as if a famous artist releasing numbered paintings. This has made the original releases collectors items and I have observed bids on Ebay of upwards of one hundred dollars.

If this is not proof enough of Mr. Doctor's eccentricities, there is a rumor that there is a sixth album - the very first album, of which only a single copy was made and retained by Mr. Doctor himself. Also the original version of 'Dies Irae' that I am reviewing was the official fan club's released box set, a hand numbered release of only 1,500 in the whole universe, including special artwork, lyrics, sheet music, and extensive liner notes, all presented in a leather bound sleeve. Many copies of Devil Doll's early releases often had hand painted covers and liner notes occasionally handwritten, reputedly in Mr. Doctor's blood. (No lie)

Devil Doll has a most unusual musical presentation. Bizarre is perhaps the best description. They have released five albums, the last being this album in 1996 and I could use the same description on all five. The music has been described in numerous ways. Their music has been called Dark Heavy Progressive by some, a Sinister Prog Metal Symphony by others and even Theatrical Goth Rock.

Personally, I find Devil Dolls music to be an odd combination of beautiful melodies with elegant choirs and outrageous vocals of macabre stories. Mr. Doctor, sometimes referred to as the man of a thousand voices, as a vocalist seems more like a carnival barker or master of ceremonies. When you throw in weird sound effects and occasionally strange backing vocals one gets the feeling of listening to some dark ominous theatrical Rock Opera.

DIES IRAE

Dies Irae, the fifth and last of Devil Doll's official releases is the only album that is broken into tracks. Not to get excited though, as each track segues into the next so it is in effect much like the previous releases, one of which, The Sacrilege of Fatal Arms is one track - 79 minutes long.

Dies Irae has the backing of the Slovenian National Orchestra and may be Devil Doll's most accomplished release. There is obviously a large cast and a plethora of sounds from heavy organ to accordion. As to be expected Dies Irae follows that unique Devil Doll recipe of elegant orchestral with some gothic influences contrasted sharply with keyboard-led passages that feature the sinister, bizarrely twisted voice and antics of Mr. Doctor. With the addition of full orchestration combined with a wide range of instrumentation including by stunning violin work, the appeal of this album is compelling. A good way to envision the music of Devil Doll is to imagine an ominous foreboding horror music soundtrack also utilizing classical and progressive nuances. In comparison to previous releases, the vocal sections are better, as Mr. Doctor's unusual vocal style has been perfected, and with the instrumental portions the instrumental background supporting him is more varied and interesting than the simple piano work that used to be his sole accompaniment.

CONCLUSION

Devil Doll's vocals are fairly tortured featuring "Mr. Doctor" who sounds more like an eclectic, specter of macabre than a lead singer. Those unfamiliar with his singing style may find it out of the norm as he tends to talk, mumble, screech or stutter his way through the songs in lieu of singing. The result is something that only one's personal taste can judge... some will love it and find it inventive,as I do, for others it will be too strange to assimilate. However the great thing about Devil Doll is not Mr Doctor but the extremely interesting music. Dies Irae contrasts classical strings with great synth, piano and organ work and the occasional brilliant progressive rock breakout. The musicianship is excellent as is the production, something Devil Doll are noted for. Not surprisingly, this album runs like a movie soundtrack with full theatrics and animation of imagery, imbued within the fine instrumentation. Without a question the music is somewhat avante garde and should only be listened to by a receptive audience. In summary "Dies Irae" is an unusual album full of innovation and heavy classical, macabre soundtrack elements, one that this music lover appreciates!

If you're wondering why, if Dies Irae is such a great album, I didn't give five stars, it's because I hate hidden tracks, especially ones with long blank spaces between songs. They are the work of the Devil or in this case the extremely psychotic and sadistic. Track eighteen has a twenty four minute blank spot and I'm afraid at least some of their other albums do as well.

Scary, beautiful, grotesque, classic, modern, sad, epic, gloomy, strong, bold, innovative, terrific, melancholic, exciting, original, unique, hard, disagreeble, lovely, marvellous, variated, eclectic, cryptic, enjoyable, imaginative, wreck, precious, soft, dark, luminous... Maybe if I knew more english I could give more adjectives trying to describe this album, because it's hard to explain with words what this record can make you feel...

Absolute MASTERPIECE from this unique band.

More normal? Still great.

This is one of the more "normal" Devil Doll records, although I certainly wouldn't call anything here normal. It's less absurd and more symphonic than their previous releases. Mr. Doctor continues to be more a storyteller and "guider" if you will than traditional lead singing. The orchestra is wonderful, and it really helps full out the sound.

As with other albums, there are connections throughout much of the music which repeat, which in the case of Devil Doll, I like to call "notes of sanity" for there ability to bring us back from much of the artistic presence in their music. The organ is perhaps the perfect instrument for the music of Devil Doll, which I would equate to much of the band and this albums style. Dark, mysterious, intriguing, and powerful. My biggest complaint about this album is that they seem to have too much of a comfort zone with the material, and it is notably more plain and less stylistic than some of the others. The playing and musicianship is top notch however.

Those looking to get into the music of Devil Doll might find this as a good starting point, it's their most symphonic release and has a tendency towards more mainstream prog than some of the others. A very artistic and intriguing band, that frankly, needs to release more material.

Devil Doll, enough unique, challenging, operatic and bland-dams in their breakaway from conventionalism and their concordance of powerful dark music, in goth style or in theatrical avant-garde, close in by the mid-90s, in a essence's torment that's half a tired out solution and a slight mishap powder-play, with a fifth concrete album (the actual demise of Devil Doll shouldn't really be spoken, since the band, or part of it, continued soundtracking Mr. Doctor's videos or visions). A fifth creation (and for fans, a fifth mood-planante) that invites to the overall perspective of Devil Doll, a prog moment of its own kind (and of its own denial too), a festive weird music with the powerful conceptual dominant taste and with a singular rule bend in goth-creative composition, fragmented-program music, blizzard music rock, avant-art motives and supporting wicked musicianship and music-"sensibility".Truthfully, Devil Doll adored in a mad progressive manner the Goth pulse, the insipid dark working (or law rule) and the Super Heavy Art Rock, the nausea, the heavy-spanning or the "grobian" slug touches (pardon the dramatic metaphors, but the intensity of the band in the horrid-limes is equal) of spirit, symbol and lyrical adventure existing in superficial impression.

Reaching Dies Irae has at least three confusing meanings: reaching an everlast (and an everglade) in the sophisticated hardened style, reaching a powerless originality over the entire suplex of motives and reaching the well-meandered exclusion from music without great mistakes or emotions without ever concluding suspiciously. Reaching Dies Irae is of a new dimension, nothing more arguable, in a lighter cause-styled Devil Doll and a matching substance in the ammoniac of excelled standards (by so many evolutions and dedications), of continuous characteristic drenches and experiments (by the trusting Devil Doll sticking to a perfect reconnaissance), but also of an exhausted way of definition (by what I believe is the least substantial credit of Devil Doll powerful hysteria in the long line of crafty hedonistic music). High-rating is equitably a full break into the mind-game which Devil Doll aren't using persistently for anything but their own parallel world, dark vision and "goblet of illusion", but it's also a stringe of focus into the best out of the engulfed flagrance, giving music reasons, musical experiments and musicality in concrete shaping, yet evading in a breath of deeper conundrums, lighter sorrow dropping. The great thing in Dies Irae is the power to diverse the grain of depressing music, goth rimer, experimental art, coup rock and sterile functional imagination. But the flowery new nuances or the handicap of too aloud sang pothering are equally diversified. Resulting the very tempered ending time of Devil Doll, a fragile but coherent unique buckle in prog.

In the essence (and always by it), Devil Doll are still the "beautiful" aromatic hard edged goth musicians, this album being another dream with connections to the underground hasty breath, the symphonic small melodies (nothing to comply the genre, it never has) and the experiment of an inner sad vibration. But this album persists less on the better choices Devil Doll's ergodic music usually culminated: the music fragmenting isn't random-sliced anymore, which misses a lot as a feature (given the classic albums having had that art), leaning on clearer outbursts; the essence is lighter, having darkness and the foul voices, but facing an eclectic, endless, melody music, harmony-wrapping, rock groveling and magic-style. The "man of 1000 voices" (interesting way of saying it) Mr. Doctor remains a character of its own dominant chaos, but the vocals of this caliber have 'softer" narrating, powerfully "enticing". The fellow vocalists go in the same grouch-groove, which is remarkable by the second, yet similar orientation changes provoke hollow words, free singing or alternative rehashing - and that's a too departed stress. As far as the instrumental dark passion goes, it's stable, the new motives of macabre moan are complex and stubborn. The loss is the emotion (was there any to begin with?), which frights the mood and grieves the atmosphere, by the dozen parts' serene avant-art, touching hollow pins or reality-mordant conflictive symbols. Being the music heavy advent of the least affordable eccentricity. The sampling ends decisive.

Wishing this fifth and last expression wouldn't end so tiresome, I'll say Devil Doll are of those bands that created a new flow in a least expected time, then a powerful continuous trend through various (achieved) constrict mazedness and a final atmosphere in the same galant goth Hard Prog potency. Alone, this album can be listened and also be courageously adored. In the Devil Doll mist however (an implacable one), Dies Irae is a final opus of two point five stars crenelation.

Spend 72 minutes being serenaded by Gollum

You remember Gollum from the "Lord of the Rings" films? That voice, my preciousssss? Well, imagine that voice singing and speaking in enthusiastic narration for over an hour to orchestration and pseudo-metal music. I understand his intent was to sound like that and he has talent but nonetheless it made for a pretty painful experience.

"Dies Irae" is certainly a unique musical experience and I want to begin with the good stuff. This is a beautiful example of musical construction venturing into many different realms and it deserves points for daring and originality. It's a mixture of rock and classical music that unfolds like a theatrical event, with dark themes and lots of spookiness. Many of the highlights for me involved the orchestrations, the strings, and the gothic soprano vocals that come and go. But the unique qualities and the nice pieces of performance cannot come close to saving this from two factors. First, the vocals as mentioned above. The music is almost never allowed to escape the wicked grip of these ludicrous Gollum vocals for the entire length of the album. Now if you are able to embrace these vocals and even enjoy them you may well have an excellent experience. I was not and it took away all of the enjoyment. Second, the music, while well constructed as mentioned, left me under whelmed and unconvinced. To be clearer I was bored silly by "Dies Irae." I respect very much the risks taken in attempting something like this and I'm glad to have heard it but it falls pretty flat. Even in the rock sections the drums and guitars sound pretty vapid and predictable. There is an album that fans of Devil Doll and dark symphonic/metal simply must hear. It attempts similar things as "Dies Irae" but is much more successful, bathing the listening in not only the splendid dark themes but also in gorgeous black melodies and much more fun. That album came out about a decade later and was called "Switch on Dark" by Antonius Rex. It remains one of my favorite discoveries of recent years.

As for Devil Doll I cannot quite call this a good album. The Japanese mini-lp sleeve edition I have is beautiful of course, a luxurious gatefold with glossy paper and cut openings with an insert of artwork. Also comes with a nice lyrics booklet. I would certainly recommend DD fans give it a shot but newbies should consider the vocal element before dropping big bucks on the import as I did.