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JITTERS

Parallel or 90 Degrees

Psychedelic/Space Rock


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Parallel or 90 Degrees Jitters album cover
3.72 | 30 ratings | 4 reviews | 10% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 2009

Songs / Tracks Listing


1.iInterlude 2:48
2. standalone 5:48
3. threesome 4:33
4. enty level 5:23
5. backup 5:27
6. jitters 6:24
7. the dock of the abyss 6:05
8. on the death of jade 7:06

Total Time 43:34

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians


- alex king / drums
- matt clark / bass
- andy tillison / keyboards, guitar, vocals
- dan watts / lead guitar, keyboards, treatments

Releases information

P and C 2009 Omegatunez - OMGTZ000001 http://www.omegatunez.com

Thanks to Bungalow Bill for the addition
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Buy PARALLEL OR 90 DEGREES Jitters Music


A Can of WormsA Can of Worms
PROGROCK 2001
Audio CD$16.98
$9.99 (used)
JittersJitters
Omega Record Group
Audio CD$22.85
$22.99 (used)

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PARALLEL OR 90 DEGREES Jitters ratings distribution


3.72
(30 ratings)
Essential: a masterpiece of progressive rock music(10%)
10%
Excellent addition to any prog rock music collection(53%)
53%
Good, but non-essential (17%)
17%
Collectors/fans only (20%)
20%
Poor. Only for completionists (0%)
0%

PARALLEL OR 90 DEGREES Jitters reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Cesar Inca
SPECIAL COLLABORATOR Honorary Collaborator
4 stars It's been a while since Andy Tillison and co. saw themselves in a situation in which the continuing recording and gigging career of Parallel or 90 Degrees was put on ice until further notice. Now that the final weeks of 2009 are no the run, the return of PO90 is a fact. Despite the fact that the band is no longer a quintet but a quartet, the comeback album "Jitters" shows the band at the most accomplished expression of sonic power so far. Clearly following in the footsteps of "More Exotic Ways To Die" (the somewhat distant precedent) in terms of muscular architecture and aggressive dynamics, Tillison, Watts, Clarck and King have really granted us an excellent prog item in which excitement and energy share the king's throne. It will be enough to listen to the introductory track (called 'Interlude') to fnd out right away what I'm talking about here. This collection of riffs and motifs that we will find later on throughout the album's repertoire is a magnificent tour- de-force in which the catchy enhancement of the linked riffs is elaborated in pure artsy fashion. The first exercise on exhaustive elaboration after the electrifying prelude is 'Standalone', whose 6+ minute timespan displays an overpowering development of exciting melodies and arrangements: do not be fooled by the calm beauty of the brief piano intro. 'Threesome' is far more visceral, electrifying in a Muse-meets-O.S.I. sort of way, plus its touches of contemporary PT all over the place. This is fury dynamically comprised in an intelligent framework. 'Entry Level' goes to softer roads, stated on a funky/soul rhythmic scheme that enables the wilder passages to preserve a relatively constrained mood for good effect. So far, things have gone great and there still some more great stuff in store. 'Backup' insists on the PT pattern under the guise of powerful art-rock on a mid- tempo framework. The interlude gives the band room to expand on their heavier side, in this way generating an implosive psychedelic storm with accentuated connections to the prog-metal standard: Muse-meets-Radiohead with touches of "X"-era Fates Warning?... mmmm? The result is amazing, no doubt in my mind about it. 'The Dock Of The Abyss' is more related to the straightforward dynamics of post-punk and 90s melodic alternative rock, but this is not an indulgent pop song - the synth ornaments have a patently bizarre flair to them, and so do the prog-metal guitar attacks that emerge somewhere in the middle. This is arguably the most agile song in the album, with 'Standalone', 'Threesome' and 'Backup' signifying the epic highlights. The album's last 7 minutes are occupied by 'On The Death Of Jade', a blatantly modernized song that combines space-rock, Indie and shades of krautrock, fluidly solidified within a nostalgic ambience. In many ways, this song might be enjoyed as a reminiscence of pre-"Exotic Ways" PO90. Full frontal energetic rock in a non-mainstream fashion: this is the offering of "Jitters", this is the sort of artistic challenge that PO90 brings to whoever feels ready to experience what a big part of prog rock is all about nowadays.

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Send comments to Cesar Inca (BETA) | Report this review (#256429) | Review Permalink
Posted Wednesday, December 16, 2009

Review by Mellotron Storm
PROG REVIEWER
3 stars This is their seventh studio album but first in seven years. Andy's been busy of course with his main project THE TANGENT. I own 5 of PARALLEL OR 90 DEGREES albums and this one is very different from the others. Lots more energy with these hard hitting tracks, and they certainly sound more modern. I think that was the goal of Andy's though as he added a young drummer and bass player to the lineup. Sam Baine who has been on every album of theirs except "No More Travelling Chess" is gone, but thanked in the liner notes. I miss that experimental and Psychedelic flavour that dominated their earlier albums.

"Interlude" is a top three track for me. This is a high octane instrumental. It's like a high speed chase really. "Standalone" opens with piano but it turns full quickly. Vocals before a minute. The tempo continues to shift. Some ripping guitar 5 minutes in. "Threesome" sounds like the opening of the "Twilight" movie soundtrack. I should know, my daughter used to play it constantly. Contrasts between the aggressive and calm continue. "Entry Level" is another top three. It opens with bass and drums as reserved vocals join in. It's building. I like the guitar before 2 minutes. Interesting lyrics too.

"Backup" opens heavily sounding like PORCUPINE TREE. These higher pictched (processed) vocals come in before a minute. They really give it their all on this one at times. "Jitters" builds to a full sound before 1 1/2 minutes with vocals. This pattern continues. "The Dock Of The Abyss" combines Otis Redding's song "The Dock Of The Bay" and their own composition. I really don't like the vocals here. They're almost punkish (is that a word?). Anyway it ruins it for me. I like the heaviness 3 1/2 minutes in though. "On The Death Of Jade" is my favourite tune on here. It almost sounds like a psychedelic BEATLES track at first. It gets fuller 2 1/2 minutes in as contrasts continue.

I'm sure this will be the most popular PARALLEL OR 90 DEGREES album yet. It's not mine but it's pretty good. 3.5 stars.

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Send comments to Mellotron Storm (BETA) | Report this review (#257176) | Review Permalink
Posted Monday, December 21, 2009

Latest members reviews

4 stars Parallel or 90 Degrees - Jitters (7/10) A lot of people think of Parallel or 90 Degrees as a kind of an alter-ego of the Tangent, but really, they only share the same singer, so they're more of just er... bands with the same singer. Well, my point is, Parallel or 90 Degrees is not a simila ... (read more)

Report this review (#368560) | Posted by Nathaniel607 | Friday, December 31, 2010 | Review Permanlink

5 stars "They wished they'd seen it coming"! That's how it starts, and how i reacted after i heard the first notes of this "in your face" album! This is how the instrumental intro track "Interlude" kicks off. If you are Porcupine Tree lovers,you will relish many of the songs here.This first number is ... (read more)

Report this review (#257231) | Posted by MontrealRick | Monday, December 21, 2009 | Review Permanlink

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