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VENUSIAN SUMMER

Lenny White

Jazz Rock/Fusion


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Lenny White Venusian Summer album cover
3.78 | 21 ratings | 4 reviews | 33% 5 stars

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Studio Album, released in 1975

Songs / Tracks Listing

1. Chicken-Fried Steak (4:33)
2. Away Go Troubles (Down The Drain) (3:21)
3. The Venusian Summer Suite:
Part 1. Sirenes (4:28)
Part 2. Venusian Summer (6:38)
4. Prelude To Rainbow Delta (1:10)
5. Mating Drive (7:40)
6. Prince Of The Sea (11:37)



Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

Bass - Doug Rauch
Electric Piano, Clavinet - Onaje Allan Gumbs (tracks: A2, A4, B2, B3)
Engineer - Dennis MacKay
Guitar - Al Di Meola (tracks: B3) , Doug Rodrigues (tracks: A1, A2, B2) , Larry Coryell (tracks: B3) , Raymond Gomez (tracks: A1, B2)
Keyboards, Synthesizer - David Sancious (tracks: A2, A4)
Organ - Jimmy Smith (tracks: A1) , Larry Young (tracks: B2) , Weldon Irvine (tracks: A2)
Producer, Drums - Lenny White
Synthesizer - Patrick Gleeson (tracks: A3, A4, B1) , Peter Robinson (tracks: A3, A4)
Synthesizer, Flugelhorn - Tom Harrell (tracks: A3, B3)

Releases information

LP : Nemperor Records NE 435 (US),ST-NE-753 475, ATL 50213 Atlantic (Germany), Atlantic K 50213 (UK), Atlantic 50.213 (France)

Re-released on CD by Wounded Bird Records WOU 435 (US)

Recorded June and August 1975, Electric Lady Studios, New York.
Orchestra sequences recorded at Different Fur, San Francisco

Thanks to snobb for the addition
and to snobb for the last updates
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Buy LENNY WHITE Venusian Summer Music


Venusian SummerVenusian Summer
Wounded Bird Records 1999
Audio CD$171.70
$69.99 (used)
LENNY WHITE venusian summer LP Mint- Promo NE 435 Nemperor 1975 USA Jazz FunkLENNY WHITE venusian summer LP Mint- Promo NE 435 Nemperor 1975 USA Jazz Funk
Nemperor Records
Vinyl$40.00 (used)
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LENNY WHITE Venusian Summer ratings distribution


3.78
(21 ratings)
Essential: a masterpiece of progressive rock music(33%)
33%
Excellent addition to any prog rock music collection(38%)
38%
Good, but non-essential (24%)
24%
Collectors/fans only (5%)
5%
Poor. Only for completionists (0%)
0%

LENNY WHITE Venusian Summer reviews


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Collaborators/Experts Reviews

Review by Logan
SPECIAL COLLABORATOR Forum Moderator
4 stars Men are from Mars, sexy women are from Venus ... it being summer, they can forego clothes... I've always been interested in astronomy and have often trained my telescope on Venus, beats looking at Uranus, so I do know what I'm talking about, butt I digress.

Speaking of Venusians, what a beautiful album cover. It's the kind of imagery that I would like to paint on the side of my van cum love-mobile. It has wall-to-wall carpeting by the way -- I better stop this train of thought now before this review, I use the term loosely, gets completely off the wall and I get put up against the wall.

Lenny White is the drummer who played on the seminal album by Miles Davis, "Bitches Brew", and also played on the most excellent, musically better than "Bitches Brew" in my opinion, "Red Clay" by Freddie Hubbard. He also performed on Eddie Henderson's masterpiece, and I believe one of the greatest albums in JRF, "Realization" (which is what initially drew me to explore Lenny White albums). In fact, Lenny White has played with a great many of the jazz, and jazz fusion greats such as Freddie Hubbard, Miles Davis, Herbie Hancock, Buster Williams, Eddie Henderson, Billy Hart, Benny Maupin, Ron Carter, Joe Henderson, various Return to Forever guys obviously, but we forgive him ;), and Larry Coryell. This album and "Adventures of Astral Pirates" are my favourites under his name.

What particularly makes this album special is the "Venusian Summer Suite", and how sweet it is! It ranks amongst my favourite pieces of music in the jazz-rock universe, and this is the heart of the album. It starts off in an electronic, cosmic, and beautiful manner that is reminiscent of western art music composers such as Holst and Debussy (in fact, I thought I recognised the specific theme -- maybe not that original but still so wonderful). It is very much a Dr. Patrick Gleeson slice and it is his contribution that makes the opening so superb. It transitions fantastically into stirring, exciting, exhilarating (now I'm being really exasperating) jazz-funk. What a great track; one of the best in jazz-rock/electronic, and it should appeal to those who love music such as Herbie Hancock's "Sextant" and "Crossings" as well as Bennie Maupin albums -- adding this suite to a cosmic funk session (playlist) with tracks such as Bennie Maupin's 'Quasar' (the version from "Slow Traffic to the Right"), Eddie Henderson's 'Galaxy' off "Sunburst", 'Languidity' from Sun-Ra, and similar funky cosmic excursions is an epic thing to do.

If the whole album was up to the standards of the "Venusian Summer Suite" this album would get a five from me. It's not, but there is more to get pretty excited about.

"Chicken Fried Steak" and "Away Goes Trouble Down the Train" is good, fun and enjoyable, but nothing terribly remarkable. Pretty standard bluesy jazz-rock and rather boring for me. If you like electric guitar-oriented music and pretty bog-standard blues and rock-and-roll, this might hold considerable appeal. I still find it fun, but while these these pieces have their moments, I have tended to skip them. Still, it presents another side to the music and gives contrast, so as part of the album package, it makes the album better. Erm, sort of. Still, not the greatest start for an album for me. Of course things soon improve with the 'suite' that follows.

"Prelude to a Rainbow Delta", another very Gleesonish work (I'm pretty sure Gleeson composed it as well as performed), is a wonderful and short ambient electronic piece. It's reminiscent of Tangerine Dream and ilk (also hear such forays with Art Zoyd and Patricia Dallio's electronic work).

"Mating Drive" is terrific, driving JRF which starts off in the electronic world like "Venusian Summer Suite" then picks up steam -- strong technical drumming by White if not terribly imaginative (his drumming, though good technically does generally fail to particularly appeal as I don't find him to be a very creative drummer). Still, a damned fine "rockin" piece with enough jazz-funk to satisfy.

The final track, "Prince of the Sea" is also very good and rockin' jazz-rock (maybe a little too rockin'/ electric guitar oriented for me). Hardly a favourite track in jazz-rock fusion, but well-done. I wish it had more of an experimental edge, but very good never-the-less for what it is. I do wish it had more subtlety; however, it is still an excellent piece of jazz-rock and definitely enjoyable for me. I expect this would be the highlight of the album for quite a few. If you love Al Di Meola's electric guitar style, and like shredding or whatever you'd call this guitar-style. then you'll love this. This is the track I'd recommend to those into power metal and guitar hero music since the guitar style is reminiscent of shredding and hints of Eddie van Halen et cetera. I love the way it ends with a gong and seagulls -- pretty Zen (and maybe a touch cliché)

I'm giving this album a four because I do think it's very well-executed and it has some great music on it. Just for the "Venusian Summer Suite" alone I think this is pretty essential. Lowlights for me include guitar-work which is just not altogether my style (Coryell does good work on this, but I feel like Al Di Meola is not that 'elegant' here). The highlights include the electronics, great jazz-funk, and fine keyboard work.

On the whole I prefer "Astral Pirates," but this has such great music included that this is the most essential work I've heard from Lenny White's self-named albums. However, it has too many "mainstream" moments for me to consider this whole work amazing and, as if with a lot of jazz-rock, the compositions can suffer from overdone instrumental showmanship.

One I'd definitely recommend to many, but not so much, considering the bulk of the album, to those who prefer their jazz more experimental (as I often do). If you're more mainstream-oriented, then this could appeal hugely and open up new musical passions, but there's music for most everyone to really enjoy.

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Send comments to Logan (BETA) | Report this review (#270554) | Review Permalink
Posted Monday, March 08, 2010

Review by snobb
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Lenny White recorded his solo debut still being a RTF drummer. But the music there isn't too much connected with RTF works. Yes, it is jazz fusion, but more similar to Herbie Hancock albums from early 70-s.

Lenny White is not a second Billy Cobham, but he is very competent and has great funk feeling. So, the album opener is funky fusion composition. But even if some funk is presented in more places there on the album, very important are both keyboards and guitars ( on few compositions). Spacey synthesizers (not in a manner of many electronic space bands, but very dreamy, atmospheric, heavily influenced by Hancock Mwandishi trilogy sound) build bigger part of album's music. Only final composition is filled with Al Di Meola - Larry Coryell guitars duet (beside keyboards).

Possibly not so deep experimental as Hancock's Trilogy, album sound is more accessible melting light funky rhythms with very innovative (for jazz fusion of mid 70-s) synth's airy constructions."Venusian Summer Suite" and "Prince Of The Sea" are both excellent examples of funky synth fusion from that time.

One of greatest Lenny's recordings, and really one of valuable fusion works from 70-s. Recommended to all jazz fusion fans. Lenny White's solo works has limited popularity, but this album could be a good entrance into his discography.

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Send comments to snobb (BETA) | Report this review (#271184) | Review Permalink
Posted Thursday, March 11, 2010

Review by Warthur
PROG REVIEWER
3 stars Lenny White's debut solo album injects hot, sleazy funk into a sizzling jazz fusion context. It's not quite as polished, cutting-edge, or packed with surprises as, say, Herbie Hancock's Mwandishi albums - or even Hancock's more commercial Head Hunters offerings - but it's a solid listen which vividly evokes its era. You'd never mistake this for music from even a few years earlier or later; it reeks of the mid-1970s so distinctively that if you play it for too long you end up with Gerald Ford in the White House and gas shortages at the pumps. Play when you want accessible jazz fusion which could serve as a porn soundtrack and don't mind if it's a little dated.

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Send comments to Warthur (BETA) | Report this review (#1195708) | Review Permalink
Posted Wednesday, June 18, 2014

Latest members reviews

4 stars Enough talent to sink a battleship here on this exquisite 1976 debut from drummer Lenny White who was at the time fresh out of the recently disbanded Return To Forever. Al DiMeola and Larry Coryell duel it out on the closing track and it is probably the only time that they recorded together in th ... (read more)

Report this review (#421677) | Posted by Vibrationbaby | Thursday, March 24, 2011 | Review Permanlink

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