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John McLaughlin

Jazz Rock/Fusion

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John McLaughlin To The One (with the 4-th Dimension) album cover
3.68 | 24 ratings | 2 reviews | 29% 5 stars

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Studio Album, released in 2010

Songs / Tracks Listing

1. Discovery (6:19)
2. Special Beings (8:38)
3. The Fine Line (7:44)
4. Lost and Found (4:27)
5. Recovery (6:22)
6. To the One (6:34)

Total Time: 40:04

Line-up / Musicians

- Gary Husband / keyboards, drums
- Etienne M'Bappe / electric bass
- John McLaughlin / guitars
- Mark Mondesir / drums

Releases information

CD: Abstract Logix

Thanks to snobb for the addition
and to Rune2000 for the last updates
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JOHN MCLAUGHLIN To The One (with the 4-th Dimension) ratings distribution

(24 ratings)
Essential: a masterpiece of progressive rock music(29%)
Excellent addition to any prog rock music collection(42%)
Good, but non-essential (25%)
Collectors/fans only (4%)
Poor. Only for completionists (0%)

JOHN MCLAUGHLIN To The One (with the 4-th Dimension) reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by snobb
SPECIAL COLLABORATOR Honorary Collaborator
4 stars After great McLaughlin return to energetic fusion of his Five Piece Band (with Chick Corea) I really enjoyed both seeing them live and listening on double live album, I waited for this new release with special interest. What will be the next John's turn?

So, after few listenings I have my first impressions from "To The One" album. This album is not heavy guitar-based one. Melodic, very elegant, warm, even soft in places, it is full of jazzy tunes, pleasant sounds ( happily you will hardly find cheesy moments there), down and mid tempo compositions, strongly influenced by contemporary jazz music. Still few fusion songs are presented as well.

In fact, John made a step on Pat Metheny territory there, but McLaughlin guitar is still very recognizable in common sound. Not his electric jazz-rock age's work at all, more similar to his albums from late 80-s and 90-s, but successfully balancing on the edge of non-commercial jazz and fusion.

In whole - I like this album, even if it is not John's greatest work. Some kind of good contemporary fusion.

My rating ? 3+.

Review by Easy Money
SPECIAL COLLABORATOR Honorary Collaborator / Retired Admin
3 stars There was a time when John McLaughlin was one of the more interesting up and coming guitar players out there. In his early work with Miles and Tony Williams, plus on his solo album 'Extrapolation', he sounded like a cross between Barney Kessel's risk taking speed and Larry Coryell's rockin blues roots. Although his subsequent projects, Mahavishnu and Shakti, showed a tendency to get a bit heavy handed, he was still one of the more happening guitarists out there. Then something happened to John, the fuzak movement of the 80s seemed to sap all his creativity and take all the fire out of his playing. After a while I mostly lost touch with what McLaughlin was up to. Except for attending an excellent trio date he had with Dennis Chambers and Joey DeFrancesco in the 90s, I hadn't listened to much McLaughlin at all until a friend sent this new CD of his.

'To the One' is a very pleasant surprise. A lot of the fire has returned to McLaughlin's playing, although it is dulled somewhat by today's overly digital sound and production, still long time fans of his will find a lot to enjoy on here. CD opener 'Discovery' delivers the goods right off the bat with a high speed fusion number that has McLaughlin burning up the neck of his guitar with far more precision and accuracy then he had in his youth. Elsewhere on the album, "The Fine Line' uses some heavy odd-metered guitar riffs that might remind some of the old Mahavishnu days and 'Recovery' is an excellent piece of high speed hyper-funk that bassist Etennne M'Bappe uses as a showcase for his ample skills. The other songs on here have that modern jazz style that is a cross between swing based post bop and Latin based fusion.

If I had one complaint about this album it would be the overly digital sound that plagues so much of modern fusion. The old fusion cats need to take a tip from their younger brothers and sisters in the acid jazz scene and ditch the compressor and digital effects board and get a real Fender Rhodes, a Gibson with natural distortion and a slightly out of tune old school analog synthesizer.

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