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BRUFORD & BORSTLAP: IN TWO MINDS

Bill Bruford

Jazz Rock/Fusion


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Bill Bruford Bruford & Borstlap: In Two Minds album cover
2.25 | 5 ratings | 1 reviews | 20% 5 stars

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Live, released in 2007

Songs / Tracks Listing

1. Kinship (4:00)
2. In Two Minds (4:55)
3. From The Source, We Tumble Headlong (6:43)
4. Flirt (3:09)
5. Low Tide, Camber Sands (4:12)
6. The Art Of Conversation (7:44)
7. Conference Of The Bees (4:27)
8. Sheer Reckless Abandon (3:31)
9. Duplicity (4:09)
10. Shadow Dance (5:13)
11. The Odd One Out (4:08)
12. All Blues (4:23)

Total Time 56:40

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Michiel Borstlap / piano, keyboards
- Bill Bruford / drums, slit drum, producer

Releases information

Recorded Live:
Tracks 1-3 at The Dokkhuset, Trondheim, Norway, June 1st 2007.
Tracks 4,10 at Punkt Festival, Kristiansand, Norway, August 25th 2006.
Tracks 5-8,11 at The Pavilion, Bath, UK, May 27th 2007.
Tracks 9,12 at The Sage, Gateshead, UK, March 16th 2007.

Artwork: Peter Simcoe

CD Summerfold ‎- BBSF 019CD (2007, Europe)

Thanks to Slavek for the addition
and to Quinino for the last updates
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BILL BRUFORD Bruford & Borstlap: In Two Minds ratings distribution


2.25
(5 ratings)
Essential: a masterpiece of progressive rock music(20%)
20%
Excellent addition to any prog rock music collection(20%)
20%
Good, but non-essential (20%)
20%
Collectors/fans only (40%)
40%
Poor. Only for completionists (0%)
0%

BILL BRUFORD Bruford & Borstlap: In Two Minds reviews


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Collaborators/Experts Reviews

Review by fuxi
PROG REVIEWER
2 stars Is it just me, or were Bruford and Borstlap treading water when they recorded this? Compared to their first album together, a miracle of instant composition, IN TWO MINDS is lacking in excitement. The general principle is the same as before: a drummer and a pianist/keyboardist take the stage without having the faintest idea what they are going to play. All their music evolves spontaneously. But the problem is that little actually EVOLVES. I'll admit it, I'm a dedicated Bruford fan, I admire most of his jazzy material (including virtually all the Earthworks stuff), not to mention the rock bands BB once belonged to, and for me there's no more enjoyable drummer in popular music... It pains me to admit it, but on IN TWO MINDS his music (and Borstlap's) comes dangerously close to "aimless noodling". Especially during the first half of the album, where virtually everything sounds like a bridge between two PROPER tracks, on some half-forgotten live album... (With the exception of "From the Source, We Tumble Headlong: a pastiche of Joseph Zawinul at his most frenetic.) In the second half (from "Duplicity" onwards) there's some improvement. Tension increases and there are moments of magical interplay between pianist and percussionist. Unfortunately, any excitement dies out all too soon, and there's nothing here that equals Earthworks or King Crimson at their best. Of course Bruford completists can't afford to be without this. There will never be another drummer like Bill, so in a sense every beat he lay down was sacred. (Except, perhaps, those horrible electronic drum rolls with which he ruined "Close to the Edge" on that ABHW live album...)

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