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ONE NITER

Eela Craig

Jazz Rock/Fusion


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Eela Craig One Niter album cover
3.87 | 46 ratings | 7 reviews | 20% 5 stars

Excellent addition to any
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Studio Album, released in 1976

Songs / Tracks Listing

1. Circles: (13:59)
a) The mighty (5:41)
b) The nude (2:00)
c) The curse (5:05)
d) The blessed (1:13)
2. Loner's rhyme (9:23)
3. One niter medley: (11:03)
a) Benedictus (1:54)
b) Fuge (0:47)
c) U.A.T (3:17)
d) Morning (1:47)
e) One Niter (3:18)
4. Venezuela (3:30)
5. Way Down (7:16)

Total Time: 45:11

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Hubert Bognermayr / keyboards, vocals
- Raoul Burnet / congas (2-4)
- Gerhard Englisch / bass, percussion
- Frank Hueber / drums, percussion
- Alois Janetschko / live mixing
- Fritz Riedelberger / guitars, piano, vocals
- Hubert Schnauer / keyboards, flute
- Harald Zuschrader / keyboards, flute, guitar

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ESOTERIC 2010
Audio CD$10.56
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EELA CRAIG One Niter ratings distribution


3.87
(46 ratings)
Essential: a masterpiece of progressive rock music(20%)
20%
Excellent addition to any prog rock music collection(52%)
52%
Good, but non-essential (17%)
17%
Collectors/fans only (7%)
7%
Poor. Only for completionists (4%)
4%

EELA CRAIG One Niter reviews


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Collaborators/Experts Reviews

Review by loserboy
PROG REVIEWER
4 stars "One Niter" is widely regarded as their best album and stands up IMHO as one tremendous pieces of symphonic progressive rock. This album was actually their second release and followed a 5 year delay after the release of their classic debut album. This album is essentially made up of two side-long conceptual tracks ("Circles" and "One Niter Medley"). The music of EELA CRAIG is very much keyboard centric featuring a wide host of keyboards with lots of mellotron. EELA CRAIG play serene yet majestic and hauntingly beautiful themes with lots of Mellotron, flute, symphonic string synths and killer guitar work. The vocals are also well done and float along with the music in a very similar vein to that of CAMEL. On "One Niter", EELA CRAIG also blend in some slight funk-like themes into the symphonic fog and gives the listener something quite original to listen to.

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Send comments to loserboy (BETA) | Report this review (#1865) | Review Permalink
Posted Saturday, March 20, 2004

Review by Proghead
PROG REVIEWER
5 stars It took EELA CRAIG five years between full blown LPs. They did release a single in 1974 ("Stories"/"Cheese") that totally turned away from the bluesy/jazzy psych and prog of their debut, and was to define their symphonic prog sound of the late '70s (specifically "Hats of Glass" as both were re-recorded for that album). By 1976, they were finally recording for Vertigo Records in Germany, giving them exposure outside of Austria. The band now started going hog-wild on all sorts of equipment. The original LP shows the band members with all their gear on the back cover (an analog keyboard lover's dream come true). There's vocalist/keyboardist Hubert Bognermayr (hard to miss him since he was partially bald, although he was always like that, and he was still in his 20s when "One Niter" came out) with a Hammond organ, two VCS-3 synthesizers, a Wurlitzer electric piano, and a couple keyboards I can't recognize (looks like I see an RMI electric piano, but can't be sure). Bassist Gerhard Englisch is standing next to an amplifier, and two bass guitars are standing by it (including a Rickenbacker). Frank Hueber is seen playing his drum set. Vocalist and guitarist Fritz Riedelberger is seen holding a Gibson "The Les Paul", keyboardist/flautist Hubert Schnauer is seen standing next to a vibraphone, and a custom made Mellotron 400 courtesy of EMI, with a black top, and Harald Zuschrader is seen playing his Mini Moog, and although hard to see, I think it's a Hohner D-6 clavinet (as plent is used throughout the album). This photo is taken in some place in the countryside (I wouldn't mind living), with some overgrown vegetation, and some small valley down below. Love the picture of giant sculpture of a telephone, makes me wonder where that is, and if it's still there?

Well, not only was the band going hog-wild on their equipment, it also shows they now had three guys handling keyboard duty as well as the usual other prog rock gear. They were going for a more funky-brand of prog rock, often dominated by the clavinet. "Circles" is a four movement suite that starts off with some really loud and startling Mellotron brass, before things quiet down with some synthesizer and very pleasant flute. Then they go in to a killer jam dominated by clavinet and Moog. Then they go in to a gentle ballad. This is where the vocals first appear, courtesy of guitarist Fritz Riedelberger. Then they go back to the Mellotron and pick up speed. "Loner's Rhyme" is the track Hubert Bognermayer handles the vocal duties. The band goes in to an extended solo, including some great Moog solos and funky clavinet, as well as Hammond organ. "One Niter Medley" is a five movement suite, starts off with synthesizer and Mellotron, before you hear a short song from Bach with an experiment in phasing. After that the band goes in to funky jam, before mellowing out with string synths. "Venezuela" is a nice acoustic song with Fritz Riedelberger handling vocals. "Way Down" starts off with some really nice flute and some droning keyboard in the background. Once again they go in to a funky jam before mellowing out and the vocals kick in.

You need to get the original LP or the CD reissue from Si-Wan in Korea, because the Symphonic Rock CD is missing "Venezuela" (because they also crammed "Hats of Glass" on that disc, with that album's "Caught on the Air" ommited as well, due to lack of space).

A totally wonderful album to have in your collection.

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Send comments to Proghead (BETA) | Report this review (#1866) | Review Permalink
Posted Sunday, May 02, 2004

Review by stefro
PROG REVIEWER
4 stars A wonderfully inventive slice of Austrian symphonic prog, 'One Niter' is in fact the second full- length studio album from the oddly-monikered Eela Craig. Released in 1976, a full five years after their self-titled debut, 'One Niter' is a step-up in class over it's predecessor in just about every way possible, showcasing a talented group who obviously have a penchant for 1970's Pink Floyd, 'Wind & Wuthering'-era Genesis and German symphonic rockers Grobschnitt. The album is mainly instrumental, featuring several lengthy tracks that are helpfully split into several concisely-labelled and easily-identifiable sections, with polished keyboards, soaring guitars, shrill flutes and glossy synthesizers coating 'One Niter' in a slick melodic glaze. What vocals there are fit nicely, with singer Hubert Bognermeyr(who also doubles on keyboards) singing in a high-tempo, Jon Anderson-ish pitch, but in reality it is the wonderfully-layered, lushly-realised sound the group achieve that makes 'One Niter' so enjoyable. The influences may be obvious, but Eela Craigs' fulsome sound is not, and nor is it derivative, instead fusing carefully-selected prog ingredients with tasteful aplomb and instrumental verve. To pick a favourite track is, for this reviewer at least, a very difficult task. 'One Niter' is one of those rare beasts that can be listened to all the way through without the need to skip various tracks, with each piece segueing delicately - and, at times, brilliantly - into the next carefully constructed section. Austria may not be known for it's progressive rock, but in Eela Craig at least, they have yet another example of the pure originality and beauty to be found in the European end of the genre. A highly impressive symphonic album. STEFAN TURNER, LONDON, 2010

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Send comments to stefro (BETA) | Report this review (#330043) | Review Permalink
Posted Monday, November 22, 2010

Review by Mellotron Storm
PROG REVIEWER
4 stars This is an impressive recording. Certainly the keyboards dominate and these guys had lots of them. Three of the band members played keyboards along with other instruments. Mellotron is very prominant but what is significant is the abundance of mellotron brass. I've never heard it so often on one record. Now I admit it's not my favourite mellotron sound by a long shot but it makes for an interesting listen.This album is quite spacey and symphonic as well.

Two long suites make up the bulk of this record. First up is he 14 minute "Circles" suite which is divided into five parts. It begins with "The Almighty" where we get those mellotron brass outbursts before it settles then it kicks in with the mellotron again. A calm takes over with flute then it kicks back in late with drums and mellotron to end it. "The Nude" is kind of funky with clavinet and it's uptempo. Mellotron sweeps across the soundscape. An explosion ends it. "The Curse" opens with piano and flute.Vocals for the first time after a minute. Drums, bass and organ eventually join in as it becomes more passionate. Check out the Gilmour-like guitar before 4 1/2 minutes. Nice. "The Blessed" sounds excellent as the tempo picks up with guitar still leading. Mellotron brass ends it. That ends the "Circles" suite.

"Loner's Rhyme" opens with keys, flute and a light beat as reserved vocals join in.The guitar replaces the vocals before 2 minutes. It's more dynamic after 2 1/2 minutes. Some impressive keyboard work follows.Vocals are back just before 8 minutes. Next up is the five part "One Niter Medley" suite. "Benedictus" opens with what sounds like harpischord then these spacey sounds come in including mellotron. Is that theremin? "Fuge" is classical sounding. "V.A.T." is eventually led by the guitar and a funky groove. Nice bass too. "Morning" is where they slow it down some but the sound is actually richer. "One Niter" ends the suite with guitar, mellotron, drums and piano all standing out in a positive way. "Venezuela" is a relaxed tune with acoustic guitar. "Way Down" is spacey to start as flute comes in then random drum patterns.Very cool sound here. It kicks in at 2 minutes and again it's funky with guitar playing over top. It settles as vocals come in after 5 minutes.

A low 4 stars for me only because my enjoyment level isn't that high for this one. I actually get more of a kick out of the followup "Hats Of Glass". It's more dynamic and easier to digest I suppose, but above all I connect with it emotionally.

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Send comments to Mellotron Storm (BETA) | Report this review (#423361) | Review Permalink
Posted Saturday, March 26, 2011

Review by apps79
SPECIAL COLLABORATOR Neo Prog Team
3 stars Heading to a second album, Eela Craig's leading figures Hubert Bognermayr and Harald Zuschrader were determined to push the group into a more Classical-oriented sound.This fact led to several departures and new entries in the line-up and the fresh direction of Eela Craig could be heard in the 74' single ''Stories / Cheese''.From the original line-up only bassist Gerhard Englisch remained within the formation.The new Eela Craig included another keyboardist, Hubert Schnauer, drummer Frank Hueber and guitarist/pianist Fritz Riedelberger, while Zuschrader performed also on keyboards.The second album of the group ''One niter'' was finally released in 1976 on Vertigo.

There is indeed a dramatic turn in Eela Craig's sound in this release, leaving all Psychedelic and Jazz influences in the past and offering a grandiose Symphonic Rock with some spacey and Fusion touches, quite old-fashioned for the time.The group delivers some nice musicianship in four long tracks, opening with the 14-min. ''Circles'', split in four parts.Echoes of ELOY, BARCLAY JAMES HARVEST, PINK FLOYD and MANDALABAND are evident in this track, which combines a decent Orchestral Rock with spacey and keyboard-driven textures, led by synths, harsichord, piano and clavinets.The atmosphere of the track is pretty grandiose with an exceptional last part, led by Riedelberger's powerful guitar moves.The 9-min. ''Loner's Rhyme'' is another story.A very THE ENID-like Classical-oriented symphonic section opens and closes this composition, which however has a long and frenetic instrumental middle-part in a Fusion style with obvious funky vibes, characterized by strong clavinet and organ exercises, not far from GENTLE GIANT's sound.With the 11-min. ''One niter'' Eela Craig return to the opening MANDALABAND/THE ENID style with romantic, instrumental Classical textures, based mostly on mellotron, flutes, piano and harsichord, creating a delightful atmosphere.Again some funky moves are evident in the third part of this epic.The short ''Venezuela'' is a beautiful instrumental cut with acoustic guitars and flutes driving the music into more medieval ages, while the 7-min. closing ''Way Down'' follows a style between instrumental Fusion and synth-drenched Symphonic/Space Rock, featuring some nice changing climates.

''One niter'' contains some pretty fascinating music throughout, the mix of Symphonic Rock and Fusion stylings is not always succesful, cohesive or conveincing, but the tremendous instrumental work is sure to reward the listener.Strongly recommended...3.5 stars.

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Send comments to apps79 (BETA) | Report this review (#955770) | Review Permalink
Posted Wednesday, May 08, 2013

Latest members reviews

4 stars Esoteric's Reactive label continues to unearth forgotten European gems at a steady and welcome rate, and while Germany is usually regarded as the hotbed of creativity there was much activity elsewhere on the mainland. Eela Craig were an Austrian outfit formed in 1970 from the ashes of various ... (read more)

Report this review (#300862) | Posted by beebfader | Wednesday, September 29, 2010 | Review Permanlink

3 stars I am just hearing this (as i write) for the first time. Nice 'Pink-Floysh' type of space prog (lots of Keyboard), Also nice voices (very laid back and sweet in a good way) and some funked out sections. Weird mix of styles, really. Nice addition to any collection. ... (read more)

Report this review (#35924) | Posted by | Thursday, June 09, 2005 | Review Permanlink

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