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LXIV

Sébastien Gramond

Eclectic Prog


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Sébastien Gramond LXIV album cover
3.00 | 1 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2002

Songs / Tracks Listing


1 La folle aventure d'Igor Amnedebstnas et d'Anna Gramm
2 Jeu-Thème
3 Mother funker
4 A Jazz à Vienne, c'est tous des pédés
5 La tare-loose
6 Depuis que j'me tape Richard
7 Tu peux fumer la moquette, mais ne gerbes pas sur le tapis
8 A Jazz à Vienne, j'les encule tous
9 OCSID - Le rythme, ma bite
10 Avec Richard, on t'repeint tes chiottes gratos
11 Swing éthylique
12 Je suis vivant, mais j'me soigne

Total Time 52:10

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians


- Sébastien Gramond / all instruments

Releases information

Unlistenable Records 102101

Thanks to clarke2001 for the addition
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SÉBASTIEN GRAMOND LXIV ratings distribution


3.00
(1 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (100%)
100%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

SÉBASTIEN GRAMOND LXIV reviews


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Collaborators/Experts Reviews

Review by Conor Fynes
PROG REVIEWER
3 stars 'LXIV' - S'bastien Gramond (5/10)

Throughout my experiences with French multi-instrumentalist S'bastien Gramond's music, I have found that some of the most professional work he has done has been really rooted in jazz. Keep in mind that this is an artist that has covered the spectrum in terms of genres, but on average, the most authentic sounds he has done have been with jazz. This is not to say that my favourite work of Gramond's is all jazz, but he does have a flair of musicianship that really coincides with the style. 'LXIV' is (as one may guess from the name) the fifty-fourth solo album Gramond has done, and while many of these albums have been unfortunately lost over time, I have become experienced enough through the earlier albums to see that Gramond has really tightened up his playing here. However, while the musicianship for this jazz release is very admirable, the album slips into being pure background music for its lack of melody or tactful composition.

Although Gramond is a guitarist first and foremost, he shows here on 'LXIV' that he is a very well-rounded multi-instrumentalist. The lo-fi drum recording here presents some flashy fills here and there, and keeps the beat steady. It is Gramond's work on the keyboard though that really shines through. Throughout the entire album (which flows as one continuous stream of music) the piano drives the music forth, although while Gramond has a great skill at piano, it rarely feels as if the music is going anywhere.

Instead of melodies and dynamic, what is heard here is instead a long piece that feels largely jammed out. The instruments have a surprising interplay with each other considering that this is the work of only one man recording over himself, but as a rule, no track sticks out, and besides a few moments where it sounds like electric guitars are poking through to liven things up (only to recede once again), the compositions here are listless, making 'LXIV' merely a piece of pleasant mood music.

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Send comments to Conor Fynes (BETA) | Report this review (#426353) | Review Permalink
Posted Friday, April 01, 2011

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