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BAROKO V ČECHÁCH

Psi Vojaci

Eclectic Prog


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Psi Vojaci Baroko v Čechách album cover
3.00 | 1 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1993

Songs / Tracks Listing


1 Slunce se bojí noci a měsíc je smrt dne 7:09
2 A tady začíná ten příběh 2:17
3 Slunce vystoupí jen občas 2:14
4 Pane! Jak hluboká je moje touha! 3:42
5 Dnes mé srdce skuté mrazem konečně pochopilo 0:58
6 Znamení od tebe 2:04
7 Pes mne často provází 2:08
8 A vystavujes mne nové kruté zkousce 4:27
9 Pozár se převalil 1:56
10 Probuzení přislo jako odveta mému neklidu 4:02
11 Dnes jsem nevydrzel a povolil svému hladu 4:02
12 Pokračuji v cestě 1:24
13 Ale co jsi udělal lesu 1:55
14 Pane! Vidím jako bych hmatal světlo 2:03
15 Lezím na zádech a nemohu se pohnout 2:41
16 Zase přesla zima 3:07
17 Smrtí se nekončí 1:48
18 Pastýři 4:28
19 Nádherná noc 9:01
20 Transport 3:55
21 Dopis Arturovi 4:05
22 Vzestup 4:29
23 P.S. 4:36


Line-up / Musicians


Filip Topol - vocals, piano
David Skála - drums
Jan Hazuka - bass, violin
Pavel Cigánek - guitar, violin

Releases information

MC Black Point 1993

Thanks to clarke2001 for the addition
and to clarke2001 for the last updates
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PSI VOJACI Baroko v Čechách ratings distribution


3.00
(1 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (100%)
100%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

PSI VOJACI Baroko v Čechách reviews


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Collaborators/Experts Reviews

Review by Evolver
SPECIAL COLLABORATOR Crossover & JR/F/Canterbury Teams
3 stars Where is it written that avant-garde music should have grating, irritating vocals? It seems like far too many times I find myself enjoying the instrumental portion of a song, but the vocalist makes it difficult to listen to. That is the case with this album. While the music is rough, it is still quite compelling. However, Filip Topol tends to shout most of the lyrics (which I don't understand, not knowing the language). And when he shouts, he is often off-key.

Musically, this album is piano driven avant-garde, with some shades of punk. The guitaring is sparse, but when it is there it is mostly aggressive, bringing to my mind Klaus Flouride of the Dead Kennedys at times. For some reason, when the violins come in, it reminds me of Henry Cow. It all makes for an interesting album. Until Topol sings (similarly to the grating sound of Lee Jackson of The Nice), or should I say, shouts.

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