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HEADFIRST INTO THE FLAMES - LIVE IN EUROPE

Last Exit

RIO/Avant-Prog


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Last Exit Headfirst Into The Flames - Live In Europe album cover
3.00 | 1 ratings | 1 reviews | 0% 5 stars

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Live, released in 1993

Songs / Tracks Listing

1. Lizard Eyes (5:30)
2. Don't Be A Cry Baby, Whatever You Do (6:35)
3. So Small, So Weak, This Body Sweat Of Loving (4:25)
4.Headfirst Into The Flames (3:00)
5.A Knight Of Ghosts And Shadows (6:25)
6.Jesus! What Gorgeous Monkeys We Are (11:01)
7. Hanged Men Are Always Naked (10:05)
8.No One Knows Anything (5:15)
9. I Must Confess I'm A Cannibal (10:40)

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Bill Laswell / bass
- Shannon Jackson / drums
- Sonny Sharrock / guitar
- Peter Brotzmann / reeds

Releases information

CD MuWorks Records MUW 1013 (US), DMG/ARC 0701 (US,2008)

Thanks to snobb for the addition
and to NotAProghead for the last updates
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Buy LAST EXIT Headfirst Into The Flames - Live In Europe Music


Last Exit:  Headfirst Into The Flames, Live In EuropeLast Exit: Headfirst Into The Flames, Live In Europe
DMG/ARC
Audio CD$12.99
$25.00 (used)


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LAST EXIT Headfirst Into The Flames - Live In Europe ratings distribution


3.00
(1 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (100%)
100%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

LAST EXIT Headfirst Into The Flames - Live In Europe reviews


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Collaborators/Experts Reviews

Review by snobb
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Last album from avant-prog supergroup. Noisy, sharp and scratchy. All four musicians were high respectable artists of free/avant jazz scene before they founded the band, but there they play a bit different music.

In fact, Last Exit is missing link between Power Tools, excellent progressive jazz rock band (Bill Frisell and Ronald Shannon Jackson both were members) and John Zorn's avant hardcore Naked City (with Frisell on board).

Music there is free form compositions (borrowed from free jazz) played by techniques and methods of punk and heavy metal. Kind of " free punk metal" if you want. All musicians are great, but I especially like Peter Brotzmann sax attacks, not very usual instrument and sound in such kind of music!

I really like innovative sound,that noisy mix of free jazz, punk and metall, but I still think this release is more interesting than excellent. Many sounds and ideas will be used later in different projects and contests, so historically this work is really important.

But in musical sense I more see them as experimental project, than musical masterpiece.

And please note - music there is very load, dissonance,noisy and no way pleasant for listening.

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Send comments to snobb (BETA) | Report this review (#307990) | Review Permalink
Posted Tuesday, November 02, 2010

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