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Djamra Djamra album cover
3.95 | 2 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1999

Songs / Tracks Listing

1. 17 Dance (2:54)
2. Day Eight (3:48)
3. Assassin In Sin (Ver.5.5) (5:36)
4. Nest (5:28)
5. Neo Skin (4:42)

Total Time 22:28

Line-up / Musicians

- Masaharu Nakakita / bass
- Tomomi Kawabe / djembe
- Shunsuke Tanimoto / drums
- Bunsyo Nishikawa / guitar
- Shinji Kitamura / alto saxophone

Releases information

CD A.M.O. 002 , Japan

Thanks to snobb for the addition
and to DamoXt7942 for the last updates
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DJAMRA Djamra ratings distribution

(2 ratings)
Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(50%)
Good, but non-essential (50%)
Collectors/fans only (0%)
Poor. Only for completionists (0%)

DJAMRA Djamra reviews

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Collaborators/Experts Reviews

Review by DamoXt7942
FORUM & SITE ADMIN GROUP Avant, Crossover & Neo Teams
4 stars This eponymous album, released in the beginning of 1999, is the debut album of DJAMRA, one of Japanese jazz rock prides. This album, that even Masaharu (the leader of DJAMRA) does not possess as a physical matter, has come back to life as a bandcamp album ... very happy to meet such the first storyteller of their music history.

First to say, we cannot help getting surprised at the first track "17dance", that has complicated rhythm prints (created, launched mainly by the bassist Masaharu "Wai" NAKAKITA) and offensive saxophone attacks (by Shinji KITAMURA). Such a distortion under their soundscape has been massive regardless of the poor condition upon the mixing or dubbing for this album. The following "Day Eight", featuring djembe play (anyway, they say this skin-covered drum djembe got to be the origin of the band's name DJAMRA), has a characterized by their "square" play and "lightly-tasted" bass sound (oh cannot imagine currently). Repetitive complex phrases along with their mysterious synchronicity can sound very enjoyable but never danceable obviously lol.

The latter three tracks are their current repertoires, which we Djamra freaks know enough "to sing" (just kidding). Although their play was a tad rough and fuzzy, their strong intention for doing "musical amusement different from other artists" can be heard via this whole album ... no alteration about this attitude of theirs. Of course, djembe sounds would give another taste upon their sound basis, I guess ... but their mischievous creativity must not get shifted eternally. This undeniable fact can be understood via their soundscape now and then. What a pleasure really, and wonder who keeps this strong intention!

There is no words like "cool" or "polished" for this debut shot but it's fine for us to enjoy such a crudeness too ... well done from the beginning.

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