THE COTSWOLD GNOMES [AKA: BEYOND EVEN (1992-2006)]

Fripp & Eno

•

Progressive Electronic

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Fripp & Eno The Cotswold Gnomes [Aka: Beyond Even (1992-2006)] album cover

2.88 | 15 ratings | 1 reviews | 0% 5 stars

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Live, released in 2006

Songs / Tracks Listing

1. Ringing Beat (5:14)
2. Gasp (2:06)
3. Sneering Loop (3:11)
4. Tripoli 2020 (6:03)
5. Behold the Child (2:50)
6. Timean Sparkles (2:36)
7. Dirt Loop (4:01)
8. The Idea of Decline (4:19)
9. Deep Indian Long (4:57)
10. Hopeful Timean (4:33)
11. Glass Structure (3:55)
12. Voices (4:52)
13. Cross Crisis in Lust Storm (5:20)

Total Time 53:57

Line-up / Musicians

- Brian Eno (1-9,11,12)
- Robert Fripp (1-9,11,12)

With:
- Tim Harries (10)
- Trey Gunn (13)

Releases information

MP 3 DGMLive 1099

Live album downloadable (with two-fold front and back sleeve) available for purchase only from dgmlive.com

Later was re-released as 2CD Limited Edition, as "Beyond Even (1992-2006)", in 2007, Discipline Global Mobile DGM0702 in Europe and WHD Entertainment, Inc. (IECP-20108/109 in Japan, alternate cover)
- CD 1: previously unreleased segued version.
- CD 2: originally released in 2006 as digital files. Previously unreleased on CD.

Thanks to snobb for the addition
and to projeKct for the last updates
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FRIPP & ENO The Cotswold Gnomes [Aka: Beyond Even (1992-2006)] ratings distribution

2.88
(15 ratings)

Essential: a masterpiece of progressive rock music (0%)
Excellent addition to any prog rock music collection (20%)
Good, but non-essential (40%)
Collectors/fans only (33%)
Poor. Only for completionists (7%)

FRIPP & ENO The Cotswold Gnomes [Aka: Beyond Even (1992-2006)] reviews

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Collaborators/Experts Reviews

Review by Warthur
PROG REVIEWER

Effectively the fourth Fripp and Eno album, this is less cohesive than the others simply because rather than being conceptualised and executed as a whole it's a compilation of short little experiments the duo tried out now and then over the span of a decade and a bit. If you are enthusiastic about what Robert and Brian get up to with each other in their spare time and don't expect them to be radically reinventing ambient music (come on, give them a break, they already radically invented it with No Pussyfooting), this is worth a listen, but if you only want to take in their truly groundbreaking collaborations you need to reach back to the 1970s for that.

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