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Jean Louis


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Jean Louis Morse album cover
2.85 | 15 ratings | 3 reviews | 40% 5 stars

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Studio Album, released in 2010

Songs / Tracks Listing

1. Lady Crash (0:53)
2. Schaerbeek (8:43)
3. Tartaglia (3:44)
4. Doom (8:09)
5. Junky Clown (2:01)
6. 5 Tournant (5:20)
7. Morses from Mars (1:51)
8. Morse (6:42)
9. Milwaukee (2:00)
10. Sapiens (8:02)
11. Doomus (1:07)

Total time: 48:32

Line-up / Musicians

- Aymeric Avice / trumpet, slide trumpet
- Joachim Florent / double bass, bass, guitar
- Francesco Pastacaldi / drums

Additional instruments: Korg MS-20 and toys; On Track 9 the musicians swap instruments.

Note : The actual instrumentation could not be fully confirmed at this moment

Releases information

CD Tranchemusic ‎- 4 (2010, France)

FLAC download -

Thanks to ? for the addition
and to Quinino for the last updates
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JEAN LOUIS Morse ratings distribution

(15 ratings)
Essential: a masterpiece of progressive rock music(40%)
Excellent addition to any prog rock music collection(27%)
Good, but non-essential (13%)
Collectors/fans only (13%)
Poor. Only for completionists (7%)

JEAN LOUIS Morse reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Epignosis
1 stars For my first experience with Jean Louis, I cannot say I am awestruck. It's weird, as well it should be, but it's also rather two-dimensional. The drumming is the most appealing aspect of this record. Not to be ugly, but each non-percussive instrument sounds like it could have been produced by one's posterior after a load of pinto beans. The musicians are talented, and the compositions are energetic, but all of this is painful to sit through.

"Lady Crash" This is noise. I do not like it.

"Schaerbeek" This consists of noise, namely wild drums and ridiculous guitar infusions. It is energetic, but frankly sounds like the instruments are out of tune and they just had to make the best of it. The excellent trumpet solo through a Bitches Brew-like delay tries to make sense of the mayhem. The distorted bass could be fun, but becomes wearisome after a while.

"Tartaglia" Initially more of an alternative rock tune (although again with a farting bass), this third track only impresses with the drumming. It does eventually move into directionless avant-jazz-rock.

"Doom" Sputtering bass lands in with hellish sounds. The lead instrument is like an electric guitar run through a Leslie at full speed, but I'm not sure it's in tune. The bassist and trumpeter try to impress with wild runs alongside each other, but they annoy more than astound.

"Junky Clown" The title says it all. It sounds like a man plagued by hemorrhoids is cleaning his affected area with ethanol while broken toys shriek in the bathroom. Okay, maybe the title didn't say it all after all.

"5 Tournant" There is something slightly ELP here. The exotic tones are remarkable, but it's the drumming that is inspired. The distorted bass distracts from what is good on this track.

"Morses from Mars" Like a tribe of evil natives from some distant jungle were wielding a dentist's drill, this makes me plead for an aural anesthetic.

"Morse" There be more noise here. I can't get into it, but the final minute or so is very cool.

"Milwaukee" I suppose this is the slide trumpet, but it's hard to tell with the yippy dog in the background.

"Sapiens" At least the rhythm is simple enough to allow for some decent trumpet action to occur.

"Doomus" At last the bass playing is good.

Latest members reviews

4 stars The masters of Industrial Tech Jazz have returned! Whereas their debut album might have been a little simple and messy, this album is more mature and closer to a masterpiece. The songs lead into each other more fluently and the music is calmer and jazzier. There is also more variety and colour to t ... (read more)

Report this review (#926943) | Posted by twseel | Saturday, March 9, 2013 | Review Permanlink

4 stars I'm sure that Jean Louis is one of the most innovative and surprising RIO bands of the last years. Their debut is really shocking and powerful, full of enjoyable sections that mixes the most wild RIO of the new century, jazzy moods, some chamber rock and freaky syncopated rhythms. With their s ... (read more)

Report this review (#490268) | Posted by progadicto | Monday, July 25, 2011 | Review Permanlink

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