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PRIMORDIAL

Transience

Neo-Prog


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Transience Primordial album cover
3.10 | 11 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2003

Songs / Tracks Listing

CD: (61:45)
1. Heaven & Eareth (11:15)
2. Mind (4:25)
3. Riding the Iron Rooster (9:35)
4. A Stones throw from Nowhere (9:04)
5. Hollow Gardens (3:00)
6. How Lucky they Are (6:35)
7. Blurring the Margins (4:27)
8. For will Alone (4:17)
9. Blurred Beyond Recognition (9:09)

The Mp3 Section (69:51)
1. Two Stations Down (5:36)
2. See it Now (5:38)
3. Aquadream (30:23)
4. Hang it Upside Down (5:30)
5. La Post - Live (3:52)
6. A Stones Throw from Nowhere - Original Mix (18:54)

Total Time: 131:36

Line-up / Musicians

- Mark Lavallee / percussives
- Jeff McFarland / vocals, guitars
- Francisco Neto / guitars
- Steve Ades / saxophone
- Fred Hunter / keyboards, bass, guitars and programming

Releases information

CD-Cyclop-CYCL 133-UK-2003

Thanks to ProgLucky for the addition
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TRANSIENCE Primordial ratings distribution


3.10
(11 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(27%)
27%
Good, but non-essential (73%)
73%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

TRANSIENCE Primordial reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by kev rowland
SPECIAL COLLABORATOR Honorary Reviewer
3 stars This follow-up album to 1999's 'Sliding' has been delayed by Fred Hunter's illness, which he is extremely honest about in the booklet as he tells the story of the album. Happily Fred appears to have recovered enough to again work on this album, the line-up completed by Mark Lavallee (drums), Jeff McFarland (vocals, guitars), Franceso Neto (guitar), and Steve Ades (sax) while Fred provided keyboards, bass and guitar. Of course this band is a side project of Land's End, but they have a valid musical identity in their own right

This is music that is dreamy and reflective, sometimes lacking the edge, but it doesn't manage to drift totally into New Age. It works as background music as well as being listened to intently. There is always the danger of losing sense of everything that is going on around as this music can capture the listener, taking them into a different world. The vocals are just enough to keep attention focussed, and the result is an album that while containing many softer passages a la Floyd, doesn't have as many dynamic shifts as other prog albums. An interesting exercise and hopefully it won't be as long until the next one.

Originally appeared in Feedback #78, April 2004

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