Header

EDEN

Faun

Prog Folk


From Progarchives.com, the ultimate progressive rock music website

Faun Eden album cover
4.63 | 7 ratings | 1 reviews | 43% 5 stars

Write a review
Buy FAUN Music
from Progarchives.com partners
Studio Album, released in 2011

Songs / Tracks Listing


1. Lupercalia (3:15)
2. Zeitgeist (4:02)
3. Iduna (3:21)
4. The Butterfly (1:33)
5. Adam Lay Ybounden (4:36)
6. Hymn to Pan (6:56)
7. Pearl (5:04)
8. Oyneng yar (5:33)
9. Polska fran anderson (4:37)
10. Alba (7:17)
11. Ynis avalach (5:08)
12. Arcadia (7:16)
13. The Market Song (5:51)
14. Golden Apples (7:34)

Total Time 72:03

Lyrics

Search FAUN Eden lyrics

Music tabs (tablatures)

Search FAUN Eden tabs

Line-up / Musicians


Oliver s. Tyr - Vocals, nyckelharpa, bouzouki, celtic harp, guitar, saz, tar, bass harp
Fiona Rüggeberg - Vocals, bagpipe, dombra, rebab, oud, flutes, chalumeaux, pommer & rhythm instruments
Margareta Eibel - Vocals, celtic harp, piano, whistles, recorders, hurdy-gurdy
Rüdiger Maul - Darabuka, framedrums
Niel Mitra - Computer, sampler and synthesizer

Releases information

Al!ve (2011)

Thanks to tendst for the addition
Edit this entry

FAUN MP3, Free Download (music stream)


Open extended player in a new pop-up window | Random Playlist (50) | How to submit new MP3s

Buy FAUN Eden Music


EdenEden
Import
Indie Europe/Zoom 2011
Audio CD$38.91 (used)
Eden -Deluxe- By Faun (2011-11-24)Eden -Deluxe- By Faun (2011-11-24)
Heart of Berlin
Audio CD$52.28
Right Now on Ebay (logo)


More places to buy FAUN music online Buy FAUN & Prog Rock Digital Music online:
  • AmazonMP3: Search for FAUN DRM-Free MP3 Downloads @ AmazonMP3 (USA Only) | AmazonMP3 (UK Only)

FAUN Eden ratings distribution


4.63
(7 ratings)
Essential: a masterpiece of progressive rock music(43%)
43%
Excellent addition to any prog rock music collection(29%)
29%
Good, but non-essential (29%)
29%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

FAUN Eden reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by BrufordFreak
COLLABORATOR Jazz-Rock/Fusion/Canterbury Team
5 stars This is perhaps the best pure folk Prog Folk album I've ever heard. Every song is engaging and so well balanced between gorgeous melodies, amazingly coordinated and complementary instruments and voices interwoven in magical balance, plus there is a great warmth and to the recording and fullness of the sound. There are many songs on Eden that are longer than the band has traditionally recorded, which, due to the mesmerizing weaves and melody lines, is something I enjoy tremendously. The drones, samples, and electronic contributions of computer whiz Neil Mitra are back with a vengeance (after a break from 2009's "acoustic" album, Buch der Balladen) and I have to admit that he's really found his perfect place in the mix: never overpowering but always present, helping to fill the field with warmth and emotion. Band-leader and lead male vocalist Oliver Sa Tyr has truly mastered his gentle but emotional instrument. Sometimes, haunting, others romantic and enticing, he sings as if the heir apparent to the God Orpheus. And the band has finally found in Margareta Eibel the right female vocalist to replace the superb soprano, Lisa Pawelke. Teamed with founding member Fiona Rüggeberg's professional alto voice, the two soar. Plus, Margareta comes with more instrumental diversity than Lisa had (hurdy-gurdy was Lisa's lone instrumental contribution at that time) and Fiona has added a few new instruments to her spectacular repertoire. Eden sounds more full blood Celtic than previous albums but it is a sound that suits FAUN. If there is any "flaw" and I'm not sure if this can be considered a flaw considering the power and beauty of this album's songs, but this album represents quite a departure in linguistic choice as many songs and narrations are done in English, and far less of the songs are gathered from ancient and mediæval tongues as was done on Licht and Renaissance.

1. "Prelude" (2:04) sets the appropriate "ominous industrial" tone for the subject of this album, man's fall from Eden. A Neil Mitra masterpiece. (9/10)

2. "Lupercalia" (3:15) opens with ominous base note, synth wash and treated drums setting the stage for Fiona and Margareta's perfectly timed, sacred/religious-sounding harmonies. Harp, haunting ghost-like background voices and intermittent bursts from a sonorous horn complete the spell cast by this masterpiece. (10/10)

3. "Zeitgeist" (4:03) opens with clock-like harp-bass lines and straight-timed drumming before Oliver's rather thin voice enters. Strings harmonics accompany a sample narration of environmentalist content. Bagpipe and hurry-gurdy play into the mix as well. Another display of Mitra's masterful electronic "glue." The lone acoustic harp accompanying Oliver's voice to song's end is brilliant. I just wish I understood German. (9/10)

4. "Iduna" (3:22) opens with a Celtic bagpipe and hurry-gurdy melody weave accompanied by a throbbing electronic bass line, clapping, and Oliver's bouzouki. Fiona and Magareta weave their voices into the lead vocal followed by "la-la-la-las." Trilling flutes also mix into the mid-song instrumental weave. Quite a rousing jam! (10/10)

5. "The Butterfly" (1:34) opens with Oliver and Fiona (and later Margareta's harp) weaving a very traditional (and familiar) sounding Celtic reel sans percussion. Gorgeous recording. (10/10) The melody line carries forward to become the basis for the vocal weave of:

6. "Adam Lay Ybounden" (4:37) is the album's first song sung in English. Here Margareta displays a high trilling in her vocal approach that is similar to that of early Elisabeth Fraser. Also, the vocal duet is unusual (for Faun) for its alternating timing and different style of harmonizing. The song's highlight is the whistle and bouzouki carried Celtic melody. (8/10)

7. "Hymn to Pan" (6:57) opens with gently picked bouzouki and sequenced percussion setting up for Oliver's low and confiding vocal (again entirely in English). Fiona's harmonizing background voice soon joins in as do full hand percussion and Fiona's wood flute. The song's instruments soften to the extreme as Oliver and Fiona continue singing the chorus. An African/Balinese-sounding marimba weave takes the fore as support to Fiona's flute and Oliver's delicate, almost-nervous solo voice. Amazing vocal performance! At the end of the sixth minute the support of the full band instrumentation rebuilds until again falling away as Oliver and Fiona finish the song's vocal. (10/10)

8. "Pearl" (5:05) opens with a Peter Gabriel computer sequence before Margareta explodes onto the scene with a LOREENA MCKENNITT-like vocal (in English). Full percussion, bagpipes, and strummed bouzouki fill out the rest of the band's contribution but this is Margareta's song to shine on. (10/10)

9. "Oyneng yar" (5:34) tambourine-support is all Fiona needs to open this song with her awesome vocal. Oliver on nyckelharpa, Rüdiger and Neil laying down an awesome percussion weave, Margareta's hurry-gurdy (and background harmonies) and Fiona's flawless recorder play complete this full-bodied, full-spirited song. (10/10)

10. "Polska fran anderson" (4:37) is an instrumental that begins with a gorgeous three-part weave of Oliver's nyckelharpa, Margareta's hurry-gurdy and Fiona's high whistle. Somebody switches into harp (Margareta) while Oliver adds bouzouki (multi-tracking?) in continued support of Fiona and Oliver's solos and weaves. (9/10)

11. "Alba" (7:17) bouzouki and percussives provide background support for another one of Oliver's hypnotic vocals (in German). A quiet song that I wish I knew German for I know that the story being told is the key to really valuing this song. (9/10)

12. "Ynis avalach" (5:09) is another instrumental traditional Celtic weave with full percussion on display, full band playing at first at a rather hypnotic pace before picking up the pace significantly at the three-minute mark. Nice trick to shift into third gear for the last two minutes. (9/10)

13. "Arcadia" (7:16) opens with nyckelharpa, whistles/chalumeaux, hurdy-gurdy, big percussives and electronic drones, all blasting away in a powerful weave before yielding to the lovely and, again, different duet vocals of Fiona and Margareta. Margareta's echoed solo vocal in the second half of the song is almost religious ecstatic. Fiona later takes up the lead with Margareta's angelic soprano supporting her in such a protective way. Brilliant song--so well conceived and constructed.

14. "The Market Song" (5:51) is a rather traditional folk song sung in English by Oliver and Fiona, at first alternately, and then in harmony. Some wonderful soloing from Fiona on her special transverse wooden bass flute (chalumeaux). Also kudos for the standing vertical violin (saz) solo and later bagpipe solos. The band really takes out all the stops on this one! (9/10)

15. "Golden Apples" (7:35) may be the most beautiful and most powerful song on this an album of many powerful and hypnotic songs. The finale is so deliciously and dangerously tranquilizing that I feel I must warn the reader/listener to be on his awares! Set up by a slow, methodically repeated harp arpeggio, soon Fiona is singing like the most seductive siren to grace these ears. I would definitely be tempted by her offer of this apple! Absolutely stunning, gut-wrenchingly emotional song! Neil and Rüdiger's contributions are also very important to this one--they just kind of sneak up on you. What an end to an incredible album! (10/10)

Without doubt one of the finest albums of this genre I've heard, it is also one a handful of albums that I've heard from my lifetime that leave me weak, drained, so well-satisfied and aurally coddled that I call it among my favorites.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

Latest members reviews

No review or rating for the moment | Submit a review

Post a review of FAUN "Eden"

You must be a forum member to post a review, please register here if you are not.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 1.50 seconds