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AGONY

Fleshgod Apocalypse

Tech/Extreme Prog Metal


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Fleshgod Apocalypse Agony album cover
4.03 | 19 ratings | 3 reviews | 32% 5 stars

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Studio Album, released in 2011

Songs / Tracks Listing

1. Temptation (1:47)
2. The Hypocrisy (5:31)
3. The Imposition (4:58)
4. The Deceit (6:03)
5. The Violation (4:18)
6. The Egoism (6:22)
7. The Betrayal (5:31)
8. The Forsaking (5:37)
9. The Oppression (6:04)
10. Agony (3:34)
Total Time 49:50

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Tommaso Riccardi / Lead Vocals, Guitars
- Cristiano Trionfera / Guitars, Vocals, Orchestral Arrangements
- Paolo Rossi - Bass / Clean Vocals
- Francesco Paoli / Drums, Guitars, Vocals
- Francesco Ferrini / Piano

Releases information

Nuclear Blast, 2011

Thanks to coozeevan for the addition
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Buy FLESHGOD APOCALYPSE Agony Music


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Nuclear Blast Americ 2011
Audio CD$6.64
$6.63 (used)
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Import
Columbia Japan/Zoom 2011
Audio CD$24.18
$23.29 (used)
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FLESHGOD APOCALYPSE Agony ratings distribution


4.03
(19 ratings)
Essential: a masterpiece of progressive rock music(32%)
32%
Excellent addition to any prog rock music collection(47%)
47%
Good, but non-essential (21%)
21%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

FLESHGOD APOCALYPSE Agony reviews


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Collaborators/Experts Reviews

Review by Conor Fynes
PROG REVIEWER
5 stars 'Agony' - Fleshgod Apocalypse (9/10)

For me, death metal is a style of music that I can at least respect, but it usually takes an added dimension in the music for me to really enjoy it. Fleshgod Apocalypse are one such band that has managed to take the fury of technical death metal and done something off- center with it, fusing the blistering heaviness with symphonic undertones and neoclassically-derived riffs. 'Oracles' and their subsequent EP 'Mafia' both largely impressed me, and with that, the arrival of 'Agony' was something I was eager to check out. As my intuition may have suggested to me, Fleshgod Apocalypse are continuing to distinguish their sound from the legions of other tech death acts out there, creating an epic suite of music that could be said to be death metal's response to classical music.

'Agony' is a brilliant sophomore in the sense that it not only improves upon what the band was originally doing, but the sound has been tweaked and intensified. As far as technical death metal goes, Fleshgod Apocalypse are at the top of the game. Crushing riffs and some of the most intense drumming I have ever heard have been the core of the band since I first heard them. To steer them away from the sounds of similar acts however is some surprisingly melodic neoclassical guitar solos that soar overtop the brutality, and the vocal duties are shared between the fairly typical growls of Tommaso Riccardi, and the higher register 'power metal' wail of bassist Paolo Rossi, whose highly melodic, quasi-operatic way of singing is always a refreshing change of pace from the rest. There have also been orchestral arrangements in the past, usually twittering around here and there in order to accentuate certain parts and give them that extra dose of class and charm. The symphonic element to Fleshgod Apocalypse has always been appreciated in the past, but at least on the debut, it almost felt more like a gimmick, rather than a full-fledged part of the music.

This is where 'Agony'' comes in.

Not only have the orchestral arrangements been improved greatly, but they are now an integral part of what Fleshgod offers. Virtually the entire course of brutality on 'Agony' is accompanied by gorgeous symphonic arrangements, and here they are far from a gimmick; they easily add a whole new dimension of sound and intensity to the band. Christiano Trionfera's orchestral writing here is on par with that of a neoclassical, or film score writer, and the orchestration manages to capture both an added sense of peril, and beauty to what the band does. Fleshgod Apocalypse would have still contributed a very capable technical death metal album to listeners even were it not for this orchestral angle, but its the brilliant fusion of Italian classical sensibilities that elevates the band to the realm of masters.

The album flows together like a single piece of music; a technical death metal symphony, one might say. The highlights here certainly include most of the parts where the clean vocals are used, as well as the classical orchestrations, as well as where Fleshgod Apocalypse decide to reach their most crushing and heavy. It can certainly be said that the sheer speed and complexity of the music can make it a tough egg to crack for those who are not used to such technical music. Fleshgod Apocalypse's 'Agony' is a stunning masterpiece in virtually every regard however, and even with this only being their second album, I would safely declare that Fleshgod are the new masters of modern death metal.

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Send comments to Conor Fynes (BETA) | Report this review (#493096) | Review Permalink
Posted Saturday, July 30, 2011

Review by J-Man
PROG REVIEWER
3 stars Agony's unique blend of brutal technical death metal and symphonic classical music immediately took the metal world by storm with its relentlessly technical compositions and precise orchestrations, and it's also helped give Fleshgod Apocalypse enough attention to be considered one of the most important young extreme metal acts on the scene. The Italian band made some waves with their previous two releases, but Agony is the album that will probably appeal most to the more forward-thinking metal community - after all, what's there not to like about technical death metal matched together with classical orchestrations? Unlike many other reviewers, I haven't been entirely blown away by Agony for a few reasons, but there's no denying the ambition and creativity found on this effort.

The music on Agony can best be described as a cross between the previous Fleshgod Apocalypse album, Septic Flesh, Dimmu Borgir, and Suffocation - that means you should basically expect the same style of brutal technical death metal that was on Oracles, as well as symphonic orchestrations and a more bombastic atmosphere. Mixing technical death metal with orchestral music has rarely (if ever) been done before, so I have a great appreciation for the ambition that Fleshgod Apocalypse shows on Agony. They really are a group of visionaries, and with a bit more improvement in some key areas, their next effort in this style could really be something special. While certainly good, Agony does leave quite a bit of promise and potential unfulfilled.

My biggest issue with Agony is that, even though the arrangements are more complex and intricate than ever, the songwriting feels a bit one-dimensional and monotonous. The frequent (and extremely well played, I might add) blast beats become numbing after a while, and the triggered sound of the drums certainly doesn't help in this area. As a matter of fact, I don't take a liking to most of the traits of the over-compressed and sterile nature of the production - it's professional for sure, but I would've enjoyed Agony much more if it had a more natural sound. The musicianship is among the best you'll ever hear, but it's so poorly mixed that everything feels drowned out by the triggered drums and orchestrations.

Agony has a lot of really cool traits, but the compositions just simply aren't memorable enough for me to label this as the 'essential masterpiece' that many others make it out to be - and, as mentioned earlier, the production also seems to bother me quite a bit. With all of that said, there are some great tracks on Agony ("The Egoism" comes to mind), the musicianship is absolutely stunning, and the ambition of this effort is admirable in every sense of the word. People who enjoy very brutal and technical death metal but are also open to hearing some classical orchestrations will definitely want to give this a listen. 3.5 stars are pretty appropriate here.

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Send comments to J-Man (BETA) | Report this review (#562342) | Review Permalink
Posted Friday, November 04, 2011

Latest members reviews

4 stars Symphonic Brutal Death Metal with catchy furious blast beats? Yes it does! A style created by themselves, but that was still being improved. Fleshgod Apocalypse finally found the right balance between symphony and brutality with Agony. You know, I'm always looking for something new. They tried on ... (read more)

Report this review (#957237) | Posted by VOTOMS | Friday, May 10, 2013 | Review Permanlink

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