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PAIKAPPU

Paikappu

Crossover Prog


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Paikappu Paikappu album cover
3.15 | 7 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1983

Songs / Tracks Listing

1. A Glimpse of Time (6:07)
2. The World with No Rule (6:37)
3. Previous Life (8:22)
4. Dance on Ice in the Night (4:50)
5. In the Subconsciousness (4:38)
6. Dark Night (5:48)
7. Bulk Mischief from the Beginning of Man (6:22)

Total Time 42:44

Line-up / Musicians

- Takashi Tsutsui / guitar, koto
- Tetsushi Tsutsui / drums, wadaiko, fue
- Nasanori Asano / guitar
- Tohru Iwasa / keyboards, biwa
- Ken Miki / bass

Releases information

CD Mellow Records - MMP173 (1983)

Thanks to Damoxt7942 for the addition
and to mbzr48 & NotAProghead for the last updates
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PAIKAPPU Paikappu ratings distribution


3.15
(7 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(57%)
57%
Good, but non-essential (43%)
43%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

PAIKAPPU Paikappu reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by DamoXt7942
FORUM & SITE ADMIN GROUP Avant/Cross/Neo/Post Teams
3 stars Please let me say as this; this is exactly Japanese mainstream-y symphonic, with purely Japanese instruments fue (Japanese flute), wadaiko (Japanese drums), biwa (Japanese lute) and koto (Japanese harp).

PAIKAPPU were formed in the early 1970s around Tsutsui Brothers - Takashi (guitar, koto) and Tetsushi (drums, wadaiko, fue). They might appear on stage under the name of AIRS but currently we cannot get no more information. After changing their band name from AIRS to PAIKAPPU, they released one and only eponymous cassette album in 1984 and disappeared unnoticed. Mauro Moroni, the owner of an Italian independent label Mellow Records, was very amazed at this unknown cassette album and made a reissue of it as a CD one via Mellow Records ... with his comment "We really think that it deserves to be heard by a wider audience".

No more heavy or deep sounds than we want, but beautiful, graceful and solemn ones they could shoot on this album. They said in the inner sleeve that they were an original music group which would pursue the tradition and the spirit of Japan ... I've got it. Not aggressive or conspicuous but absolutely attractive and heart-warming - this phrase can be fit for their musical style I consider. Furthermore, they could play just the Japanese kokoro (essence) without pushing the Japanese instruments (fue, wadaiko, biwa and koto) to the front of all. Guess these Japanese stuffs should be not heroes / heroines but wonderful supporters with Japanese spice for PAIKAPPU.

Shower of symphonic and spacey (and sometimes pop and catchy) sounds is in the whole album. Each song is very soft and warm, safe and sound, beautiful and graceful. Suppose they would be influenced by Symphonic Yes or Symphonic Floyd? But yes, they could carry their style out with their originality - influenced by some of Japanese cultures, religions or rituals.

For all symphonic progressive rock freaks, I would like to recommend them strongly.

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