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Corde Oblique

Prog Folk

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Corde Oblique The Stones of Naples album cover
4.46 | 10 ratings | 2 reviews | 40% 5 stars

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Studio Album, released in 2009

Songs / Tracks Listing

1. La Quinta Ricerca
2. Venti Di Sale
3. Flower Bud
4. Flying
5. Like An Ancient Black & White Movie
6. La CittÓ Dagli Occhi Neri
7. Nostalgica Avanguardia
8. The Quality Of Silence
9. Barrio Gotico
10. Dal Castello Di Avella
11. La Gente Che Resta
12. Piscina Mirabilis


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Music tabs (tablatures)

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Line-up / Musicians

- Riccardo Prencipe / composer, classic guitar, acoustic guitar, medieval lute

- Caterina Pontrandolfo / vocals (1, 6, 10)
- Floriana Cangiano / vocals (2, 9)
- Claudia Sorvillo / vocals (4, 11)
- Monica Pinto / vocals (7)
- Geraldine Le Cocq / vocals (5)
- Alessandra Santovito / vocals, flute (3)
- Alfredo Notarloberti / violin
- Luigi Rubino / piano, keyboards
- Franco Perreca / clarinet
- Alessio Sica / drums
- Francesco Paolo Manna / daf, riq, italian tamburin, sea drum, zarb, sheker, caxixi, bells, cajon, frame drum
- Umberto Lepore / bass
- Michele Maione / frame drum, Italian tamburin, riq, cajon (9)
- Francesco Forgione (contrabass on tr. 3)

Releases information

CD PrikosnovÚnie PRIK129 (2009) Italy

Thanks to ClemofNazareth for the addition
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CORDE OBLIQUE The Stones of Naples ratings distribution

(10 ratings)
Essential: a masterpiece of progressive rock music(40%)
Excellent addition to any prog rock music collection(50%)
Good, but non-essential (10%)
Collectors/fans only (0%)
Poor. Only for completionists (0%)

CORDE OBLIQUE The Stones of Naples reviews

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Collaborators/Experts Reviews

Review by kenethlevine
4 stars Plenty of progressive folk has emerged from Italy over the years, whether under the rubric of RPI or not.. Recently a new wave seems to be breaking, with groups drawing more on their own roots in the Renaissance period and tempering it with allusions to the much more recent psych period. For me the tip of the iceberg was OLOFERNE, whom I have examined earlier. CORDE OBLIQUE, at least here on their third release, remain in a consistently romantic folky mood. If you have heard MIA, this is like a downbeat more melodic version. A better reference might be the obscure MAGMA from Argentina, but in a medieval mood. But I'm sure a few Italian groups unbeknownst to me might have been required listening. Well, gotta start somewhere.

And wow what a start. Riccardo Prencipe has assembled a compatible group of skilled musicians and ethereal female vocalists for this "project", and, considering he is the only glue holding it all together, he really knows how to make it stick. This is luscious ancient sounding music with plenty of plucked acoustic instruments and violin. No electric guitar and it is not missed. The vocals are mostly in Italian (presumably), but the occasional English ones and wordless workouts are no less impressive. Several tracks are longer, and these are among the highlights, which to me marks a litmus test of sorts as to the prog credentials of a band, especially since they betray nary a hint of ambitions in that realm.

"Flower Bud" and "Barrio Gotico" top the list for their effortless development, shifts of mood, sultry vocal sections and instrumental virtuosity, but "Nostalgia avanguardia", if not living up to expectations that RIO fans might set, and "La citta" are also triumphs of nostalgic provocation even among those who weren't alive 500 years ago, or at least don't remember it. This is stirring stuff. A few more sedate mainstream tracks (like "Flying"), and a general lack of hard hitting material are among the factors staving off perfection this time around.

All points of comparison would be mere oblique references and unfitting substitutes for the real thing, so I recommend you find this posthaste, godspeed, and affrettatevi!!

Review by BrufordFreak
COLLABORATOR Jazz-Rock / Fusion / Canterbury Team
5 stars This is the third of RICCARDO PRENCIPE's neo-medieval folk fashioned music presentations. This album sees a definite step forward in the compositions' leanings toward folk and medieval music and away from straightforward neoclassical music. For me, this pays off with The Stones of Naples feeling like the most accessible and most enjoyable Corde Oblique album yet. Plus, The Stones of Naples enjoys the benefit of vocal contributions of no less than six woman, each of outstanding voice, including: Caterina Pontrandolfo (familiar to us from the previous album, VolontrÓ d'arte) on songs 1, 6 and 10; Floriana Cangiano on songs 2 and 9; Claudia Sorvillo on songs 4 and 11, Monica Pinto, Geraldine Le Cocq and Alessandra Santovito on songs 7, 5, and 3, respectively.

Because of this last fact, I will add that more than either of Riccardo's previous two Corde Oblique albums, this one is much more song/ballad oriented. You have to travel eight songs into the album before you get to an instrumental, and, again, unlike the previous albums, this one has much more of a medieval folk feel to it. This album contains songs of such consistently high standards that are all so enjoyable that I prefer to not single out any songs that I like more than any others (though, between you and me, I find myself swooning with absolute bliss during this string of five songs: "Flower Bud," "Flying," "Like an Ancient Black and White Movie," "La cittÓ dagli occhi neri," and "Nostalgica avanguardia"). Let's just say from the album's opening notes and song to its last you are in for a real treat.

Five stars, a masterpiece of Prog Folk.

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