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THE CREATURES IN THE GARDEN OF LADY WALTON

Clogs

Prog Folk


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Clogs The Creatures in the Garden of Lady Walton album cover
3.17 | 4 ratings | 1 reviews | 50% 5 stars

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Studio Album, released in 2010

Songs / Tracks Listing

1. Cocodrillo (1:50)
2. I Used to Do (4:35)
3. On the Edge (4:01)
4. Red Seas (6:13)
5. The Owl of Love (4:11)
6. Adages of Cleansing (5:54)
7. Last Song (4:00)
8. To Hugo (4:27)
9. Raise the Flag (2:49)
10. We Were Here (4:22)

Total time: 42:22

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Padma Newsome / violin, viola, mandola, celeste, voice
- Bryce Dessner / guitars, mandola, ukulele
- Aaron Dessner / guitar, bass guitar
- Thomas Kozumplik / percussion
- Rachael Elliott / bassoon
- Shara Worden / voice
- Matt Berninger / voice
- Sufjan Stevens / voice, banjo
- Sue Newsome / clarinet
- Michael Atkinson / horn
- Kyle Resnick / trumpet
- Osso String Quartet / Ha-yang Kim: cello, Irena Havel: viola da gamba, Vojtech Havel: viola da gambas, Luca Tarantino / baroque guitar, theorbo (8)

Releases information

CD Brassland HWY-021 (2010) US

Thanks to clemofnazareth for the addition
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Buy CLOGS The Creatures in the Garden of Lady Walton Music


The Creatures In The Garden Of Lady WaltonThe Creatures In The Garden Of Lady Walton
BRASSLAND RECORDS 2010
Audio CD$5.00
$3.65 (used)

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CLOGS The Creatures in the Garden of Lady Walton ratings distribution


3.17
(4 ratings)
Essential: a masterpiece of progressive rock music(50%)
50%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (50%)
50%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

CLOGS The Creatures in the Garden of Lady Walton reviews


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Collaborators/Experts Reviews

Review by kenethlevine
SPECIAL COLLABORATOR Prog-Folk Team
3 stars Often quirky and sophisticated and sometimes entertaining, CLOGS specialize in what one might call "Egghead Music", brimming with intellectual assimilation of various highbrow styles like chamber music, minimalism, avant garde and even opera. While the overall effect is somewhat cold and calculated, sufficient understanding of the role of emotion in music seems to have crossed the moat and mounted the ivory tower. I found plenty to enjoy when the brain and the heart were able to engage simultaneously, even if I don't meet the likely academic prerequisite for full appreciation.

While the manipulative artifice of the opener "Cocodrillo" does not bode well, and "The Owl of Love" and "Adages of Cleansing" quell any musical insight with smarmy dissonance and cold sopranos, "I Used to Do" and "To Hugo" demonstrate the hypnotic minimalist and chamber folk flip side of CLOGS respectively to worthwhile effect. On the vocal front, Matt Berninger's fireside warm "Last Song" is a stunner, a cross between MOONGARDEN and CRASHTEST DUMMIES musically, but the repeated lyrical message is profoundly succinct. Another highlight is courtesy of guest vocalist SUFJAN STEVENS who somehow transforms "Red Sea" into his own, the character of the band itself resting on his broad shoulders.

After an initially unfavorable impression, I admit to reveling in about half of this immensely, and if you think you might be partial to chamber folk, or are a fan of NORTH SEA RADIO ORCHESTRA or MR TOAD, pick up and put on your CLOGS post haste.

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