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SYLVESTER ANFANG II

Silvester Anfang

Krautrock


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Silvester Anfang Sylvester Anfang II album cover
3.00 | 1 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2009

Songs / Tracks Listing


1. Satan Likt Mijn Hielen (2:30)
2. Na Regen Komt Zondvloed (7:45)
3. The Devil Always Shits In The Same Graves Pt I (9:35)
4. Het Zilte Nat (6:27)
5. Burkelbos (15:02)
6. Boom Van De Eerste Menstruatie (9:08)
7. Ossezaaddans (8:08)
8. The Devil Always Shits In The Same Graves Pt II (10:53)

Total Time 69:28

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians




Releases information

Aurora Borealis (CD, LP, 2009)

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Buy SILVESTER ANFANG Sylvester Anfang II Music


No release results - showing artist results instead
Kosmies Slachtafval by Silvester AnfangKosmies Slachtafval by Silvester Anfang
Aurora Borealis
Audio CD$47.27
Kosmies SlachtafvalKosmies Slachtafval
Aurora Borealis 2007
Audio CD$16.58
$3.64 (used)

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SILVESTER ANFANG Sylvester Anfang II ratings distribution


3.00
(1 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (100%)
100%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

SILVESTER ANFANG Sylvester Anfang II reviews


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Collaborators/Experts Reviews

Review by DamoXt7942
FORUM & SITE ADMIN GROUP Avant, Crossover & Neo Teams
3 stars All roads (produced with instruments by them) lead to where?

This album drenched in terribly fuzzy, cranky barbarism should be crystallized with SYLVESTER ANFANG's positive intention for presenting Devil's whispers. Such a doomed atmosphere sounds like the Satan's critical shot in a hysterical manner. There is no clear, clean essence but definite Krautrock-ish confusing maze trauma as if a crazy elder would walk around awkwardly. Yes there is no smooth melody like a water stream nor breath of country air for giving happiness to everyone but horrible negative electro-feedback and magnificent magnetic spiritual concentration.

On the contrary, their soundscape could be felt not as the Satanic Majesty itself but a beastie howl for flattering the Satan, I suggest. Repetitive, convoluted electronic persistence with blurred spelling voices here and there via this album should be enough expressive. E.g. "Het Zilte Nat" is highlighted by simple but matured electronic foggy movements ... namely, some tribute matters for Satanic agents be meant. Something of regret or sorrow can be heard in such a hard-edged electric guitar waterfall, and this unexpressed texture notifies me of sinful echoes created by them.

So ... let me say at last. Love them, very immersing.

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