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Far East Family Band

Psychedelic/Space Rock

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Far East Family Band The Cave Down To The Earth album cover
3.71 | 74 ratings | 2 reviews | 23% 5 stars

Excellent addition to any
prog rock music collection

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Studio Album, released in 1975

Songs / Tracks Listing

1. Undiscovered Northern Land (2:53)
2. Birds Flying To The Cave (4:33)
3. The God Of Water (1:53)
4. Saying To The Land (8:22)
5. The God Of Wind (2:21)
6. Moving, Looking, Trying, Jumping (1:40)
7. Wa, Wa (0:48)
8. Mystery Of Northern Space (5:56)
9. The Cave, Down To The Earth (8:18)
10. Four Minds (5:55)
11. Transmigration (11:03)

Total time 53:42

Line-up / Musicians

- Hirohito Fukushima / vocals, guitar
- Fumio Miyashita / guitar, keyboards, producer
- Akira Ito / keyboards
- Masanori Takahashi aka "Kitaro" / keyboards, percussion
- Akira Fukakusa / bass
- Shizuo Takasaki / drums

- Mitsuo Miyamoto / string arrangements

Note : The actual instrumentation could not be fully confirmed at this moment

Releases information

Artwork: Pink & AO

LP Mu Land ‎- CD-7139-M (1975, Japan)

CD Mu Land ‎- 30CA-2093 (1988, Japan)
CD TRC Records ‎- TRC 019 (1991, Germany) New cover
CD Super Fuji Discs ‎- FJSP-83 (2009, Japan) Remastered (?)

Thanks to ProgLucky for the addition
and to Quinino for the last updates
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FAR EAST FAMILY BAND The Cave Down To The Earth ratings distribution

(74 ratings)
Essential: a masterpiece of progressive rock music(23%)
Excellent addition to any prog rock music collection(37%)
Good, but non-essential (36%)
Collectors/fans only (4%)
Poor. Only for completionists (0%)

FAR EAST FAMILY BAND The Cave Down To The Earth reviews

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Collaborators/Experts Reviews

Review by Sean Trane
4 stars FEFB's debut album could easily be considered Far Out's second album as the group had recorded one of the earliest prog album under that name. The early releases had a spacey sound that reminded much of Floyd although there was a slight Eastern accent mixed in with a more cosmic feel. The sextet, two guitarists and two keyboardists (among which future new age superstars Kitaro, Akira Ito and Myia[&*!#]a), developed a very interesting and often exciting space rock, which had the intelligence of not over- indulging itself.

The album is a concept album as "The Cave" is arriving onto our planet, and the group is generally celebrating the beauties of nature. Obviously heavily influenced by Floyd (From AHM to DSOTM era), the group lays down some very credible ambiances that even Floyd could've pulled off. Of course, the similarities are no accident, because the guitars often sound like Gilmour's, while some keyboards layers could easily have been from Wright. The album glides smoothly, but not unnoticed, because they are enough delightful moments to make you forgive them for their too-obvious influences. And as if to prove me wrong the closing track, the 11-min Transmigration shows more Moody Blues vocal harmonies over a pedestrian Floyd soundscape, the whole thing underlined by a Mellotron and ending on newborn's crying before picking up again (hey Nick Mason is on drums, right?) only tohave a siren warn us that the album is over.

This album will draw Klaus Schulze's attention and he will collaborate with FEFB on their next album (a rehash of the first two albums' highlights for the European market) Nipponjin and again for Parallel World. In the meantime this album often gets overlooked, but it fully deserves the proghead's attention, as much as their Far Out release. I rounded this album to a fourth star, for I always liked this one, even if it is far from perfect.

NB: the TRC 019 release (which comes from the not-always legit firm of SRV) has a rearranged artwork taking only parts of the sunset of the original Lp sleeve, that almost avoids to name the band except for a small almost invisible logo on the lower left corner.

Review by Warthur
3 stars A competent and enjoyable space rock album from Japan, The Cave Down to the Earth is a great showcase for guitarists Fumio Miya[&*!#]a and Hirohito Fukushima, whose low-key riffing and trading of solos show a more subtle touch than is usual for space rock. Combining the pacidity and tranquility of the Floydian end of space rock with the fuzzed-out tones of Hawkwind, the band create a distinctive sound which is entertaining enough, though isn't quite enough to secure them a place in the space rock pantheon on the strength of this particular recording. A high three stars which could have got a fourth star if the compositions had just been a little bit tighter.

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