Progarchives, the progressive rock ultimate discography
Progarchives, the progressive rock ultimate discography



Eclectic Prog

From, the ultimate progressive rock music website

Flash Flash album cover
3.65 | 100 ratings | 16 reviews | 15% 5 stars

Excellent addition to any
prog rock music collection

Write a review
Buy FLASH Music
from partners
Studio Album, released in 1972

Songs / Tracks Listing

1. Small Beginnings (9:23)
2. Morning Haze (4:32)
3. Children Of The Universe (8:55)
4. Dreams Of Heaven (12:57)
5. The Time It Takes (5:48)

Total Time: 41:48

Bonus track on 2009 remaster:
6. Small Beginnings (Single version) (3:06)

Line-up / Musicians

- Colin Carter / lead vocals, percussion
- Peter Banks / acoustic, electric & Spanish guitars, melodica, ARP synth, backing vocals
- Ray Bennett / bass, acoustic rhythm guitar (2), lead (2) & backing vocals
- Mike Hough / drums, cymbals, percussion, voice

- Tony Kaye / organ, piano, ARP synth

Releases information

Artwork: Hipgnosis with Maurice Tate (tinting)

LP Sovereign ‎- SVNA 7251 (1972, UK)

CD One Way Records ‎- S21-17796 (1994, US)
CD Esoteric Recordings ‎- ECLEC 2166 (2009, UK) Remastered with a bonus track

Thanks to ProgLucky for the addition
and to Quinino for the last updates
Edit this entry

Buy FLASH Flash Music

In The Can /  FlashIn The Can / Flash
$10.87 (used)
Flash /  FlashFlash / Flash
$10.84 (used)
Flash (1st Album)/ Out of Our HandsFlash (1st Album)/ Out of Our Hands
Friday Music 2003
$14.99 (used)

Right Now on Ebay (logo)
Knight Rider Vol 7 Music Don Peake USB Flash Drive Memory Stick USD $39.00 Buy It Now
GUS JENKINS R&B 45 Flash #116 Spark Plug b/w So What USD $11.99 Buy It Now
GUS JENKINS R&B 45 Flash #116 Spark Plug b/w Remember Last Xmas VG+ USD $22.99 Buy It Now
NEW AKB48 Green Flash First Limited Edition Type A CD DVD KIZM-90323 F/S USD $19.13 Buy It Now
The Green Hornet Tarzan Batman and Robin Flash Gordon vinyl Happy Time records   USD $5.99 [0 bids]
Grandmaster Flash & Furious Five-The Message.12" Old Gold Ex Con USD $18.08 Buy It Now
Adventures on the Wheels of Steel by Grandmaster Flash 3 CD rare box set USD $18.30 Buy It Now
VINYL 7" SINGLE - QUEEN - FLASH - EMI 5126 USD $9.73 Buy It Now
Love Flashes By by Bvibes (CD, Dec-2001, bvibes) USD $5.99 Buy It Now
BLUES R&B LOT: 3 GUS JENKINS 45s on FLASH 1956-57 original pressings USD $16.99 Buy It Now
HIP HOP Grand Master Flash & The Furious Five Greatest Messages 84 RARE CASSETTE USD $11.24 Buy It Now 4m 43s
NEW Flash (Audio CD) USD $88.90 Buy It Now 11m 49s
Queen - Flash Gordon (NEW CD) USD $16.69 Buy It Now 27m 59s
Flash - Featuring Ray Bennett And Colin Carter (NEW CD) USD $20.86 Buy It Now 41m 47s
FLASH BACK 2 - KINKS, SANDY SHAW, MUNGO JERRY, REAL THING - CD - 21 Tracks. USD $4.87 Buy It Now 57m 4s
Flash And The Pan* - Waiting For A Train (12", Single) EX USD $10.00 Buy It Now 58m 54s
Flash Gordon [Original Motion Picture Soundtrack] by Queen. USD $17.14 Buy It Now 1h 15m
Queen Greatest Hits-Big Arist Flash CD**ULTRA RARE JAPAN IMPORT 1989 NR MINT CD USD $30.61 Buy It Now 1h 23m
MUSIC FROM THE MOTHER COUNTRY rare WHITE LABEL PROMO LP (Renaissance, Flash) USD $7.00 Buy It Now 1h 59m
Continuous White Lines Grandmaster Flash & Melle Mel 1984 SHLM 130 sugarhill NM USD $3.48 [0 bids]
2h 15m
The Rolling Stones - Union Jack Flash 2CD USD $20.00 Buy It Now 2h 39m
JEFF BECK - Flash / Cassette Album Tape / 1337 USD $4.86 Buy It Now 3h 7m
Grandmaster Flash & The Furious Five - White Lines 1983 Sugarhill Records Teldec USD $64.00 Buy It Now 3h 25m
The Creation, Creati - Our Music Is Red with Purple Flashes [New Vinyl] UK - Im USD $23.35 Buy It Now 3h 58m
Flash Cadillac Rock n Roll Forever Analog 1975 1st Press EXC Ultrasonic CLEAN USD $15.29 Buy It Now 3h 59m
Eurobeat Flash Vol. 19 CTCR-12028 NEW JAPAN CD 1998 OBI USD $55.80 Buy It Now 4h 9m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
Flash Gordon Trip to Mars Sci Fi Film T Shirt Black or White or Red USD $17.40 Buy It Now 4h 11m
USD $49.99 Buy It Now
4h 22m
FLASH with Peter Banks IN PUBLIC - YES MINT NEW Free US Shipping USD $13.99 Buy It Now 4h 32m
Flash - Out Of Our Hands CD Peter Banks - One Way Records New Free Shipping USD $10.00 Buy It Now 4h 32m
Kid Flash: Hot Like Fire UK Near Mint 7" USD $5.55 Buy It Now 4h 33m
AKB48 Green Flash Type N First Press Limited Edition w/bonus photo USD $29.00 Buy It Now 4h 43m
Northern Soul 45 STICKS AND FINGERS Baby Doll FLASH VG+ HEAR USD $33.00 [9 bids]
4h 53m
Kid Flash: Hot Like Fire UK Near Mint 7" (Promo sticker on front) USD $5.55 Buy It Now 5h 4m
MOFO Tas Souvenir Programme 2010 John Cale Grandmaster Flash Dirty Three Chronox USD $2.31 [0 bids]
USD $3.09 Buy It Now
5h 15m
JAYHAWKS - Flash 109 (L.A.) - Stranded in the Jungle - 1956 DOO-WOP 78 VG/VG+ USD $20.00 Buy It Now 5h 36m
2 LP Lot Grandmaster Flash. On The Strength. They Said It Couldn't Be Done. M- USD $1.99 [1 bids]
5h 42m
Michael Picton - Flash Gordon, Vol. 3 [Original Television Score] (2015) USD $15.88 Buy It Now 5h 53m
ILL WIND FLASHES RARE OOP 2CD USD $49.99 Buy It Now 6h 34m
Grandmaster Flash & Furious Five Freedom/Superappin 12" USD $9.05 Buy It Now 6h 42m
12" Grandmaster Flash Elektra 5024 Sign of the Times DJ USD $7.00 Buy It Now 6h 54m
Queen Flash OST First Pressing A3/B4 Vinyl LP Album Record Excellent Condition USD $33.39 Buy It Now 6h 55m
LAZY KNACK Flash JAPAN CD FHCF-2272 1996 NEW USD $61.34 Buy It Now 7h 10m
Space Themes Star Wars, Star Trek, Flash Gordon, Battlestar Galacticia Cassette USD $1.38 [1 bids]
7h 10m
7h 13m
Scuba - The Hope / Flash Addict - CD Promo 3 tracks - Hot Flush Records USD $11.12 Buy It Now 7h 17m
QUEEN - FLASH GORDON (2011 REMASTERED) DELUXE EDITION 2 CD+++++++++++ NEW+ USD $33.22 Buy It Now 7h 21m
Flash In The Can SEALED LP Sovereign Capitol 1st orig 1972 Peter Banks Yes Prog USD $20.00 [0 bids]
7h 39m
R&B Popcorn Soul 45 MAMIE PERRY My Baby Waited Too Long FLASH HEAR USD $54.00 [19 bids]
7h 41m
Rod Hart-Arizona flash & cloudy-7" single 1977 USD $6.95 Buy It Now 7h 42m
Quarterflash Quarter Flash Original Geffen LP 1981 in Shrink with Hype Sticker USD $12.00 Buy It Now 7h 54m
Peter Pete Banks NM CD Self Contained (of Yes & Flash ) One Way Records USD $25.00 Buy It Now 7h 57m
The Rolling Stones - Jumpin' Jack Flash EX Vinyl 1968 Rock USD $5.00 Buy It Now 8h 5m
Flash Cadillac And The Continental Kids - Sons Of The Beaches USD $7.97 Buy It Now 8h 14m
Confusion Remix,Artist - Fauna Flash, in Good condition USD $4.23 Buy It Now 8h 29m
Queen - Flash Gordon - SHM-SACD Super Audio CD Japan SACD USD $79.99 Buy It Now 8h 35m
jeff beck lp flash fe 39483 NEAR MINT vinyl USD $9.50 Buy It Now 8h 42m
1974 Jerry Reed - TUPELO MISSISSIPPI FLASH vinyl LP RCA Camden ACL1-0331 MINT USD $24.88 Buy It Now 8h 44m
8h 45m
ARETHA FRANKLIN & KEITH RICHARDS - Jumpin' Jack Flash - 1986 UK 3-track 12'' USD $18.78 Buy It Now 8h 48m
A Flash Flood of Colour by Enter Shikari (Vinyl, Jan-2012, Hopeless Records) USD $20.57 Buy It Now 8h 52m
2 CDīs Electronic music Acid Flash Vol.II made in Germany 1996 - used - Original USD $13.00 [0 bids]
8h 56m
RED PRYSOCK: Quick As A Flash / Old Folks 45 Jazz USD $18.00 Buy It Now 9h
Grandmaster Flash & The Furious Five - The Message / Adventures wheels steel USD $20.88 [0 bids]
9h 2m
Tatuaje (Puerto Rico) by Elvis Crespo (CD, Mar-2015, Flash Music) NEW USD $8.67 Buy It Now 9h 3m
FARMER BOYS - Flash, Crash & Thunder - Hillbilly/Boogie/Honky Tonk USD $24.19 Buy It Now 9h 7m
Ambient Sounds of Nature Vol.4: Flashes of Lightning, , Very Good USD $2.99 Buy It Now 9h 10m
FLASH AND THE PAN Waiting For A Train UK 7" single 1983 vg+ promo USD $5.55 Buy It Now 9h 10m
LADY FLASH: Beauties In The Night LP (Brazil, promo stamp on label, small tear USD $12.00 Buy It Now 9h 19m
FLASH " KEEP ON ROLLING " 7" SINGLE P/S EXCELLENT 1981 USD $4.16 Buy It Now 9h 19m
Enter Shikari - A Flash Flood Of Colour [CD] USD $9.06 Buy It Now 9h 30m
Ivy Queen Flashback CD NO CASE FLash Back Music USD $4.99 Buy It Now 9h 33m
Queen - Flash Theme/Football Fight. 1980 Japan 7" PROMO 45. P655E. VG- USD $2.80 [5 bids]
9h 41m
The Jayhawks "Stranded In The Jungle" 78rpm Record on Flash #109 USD $10.00 [0 bids]
USD $13.00 Buy It Now
9h 44m
9h 45m
ROD HART She Never Cried Like That For Me / Arizona Flash And Cloudy COUNTRY 7" USD $2.99 Buy It Now 9h 45m
Queen/ Flash's Theme b/w Football Fight / Elektra/ 1980/ Canada/ Promo WLP/ VG++ USD $26.73 Buy It Now 9h 49m
Joe Gordon - "Grasshopper" / "Flash Gordon" 7" Single (w/ Pic Sleeve) USD $14.99 Buy It Now 9h 50m
V/A The Flash Records Story. Ace 2CD Judge Davis Frank Patt Maurice Simons USD $23.99 Buy It Now 10h 4m

More places to buy FLASH music online Buy FLASH & Prog Rock Digital Music online:

FLASH Flash ratings distribution

(100 ratings)
Essential: a masterpiece of progressive rock music(15%)
Excellent addition to any prog rock music collection(54%)
Good, but non-essential (26%)
Collectors/fans only (5%)
Poor. Only for completionists (0%)

FLASH Flash reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Sean Trane
3 stars Having been shown the door to slam by the rest of his Yes colleagues, Peter Banks spent a stint in Blodwyn Pig (most likely after Mick Abrahams had left) then built up his own group, made mostly from previous acquaintance though Yes, The Syn, Mabel Greer's Toy Shop etc.. No big names, except for Tony Kaye, that also had received the pink slip from Yes. Well Kaye was apparently never really a full-member of Flash, since he had his own projects to mind, including a David Bowie tour and his very own Badger group. So for this debut album, the line-up is your classic prog quartet, plus the singing belter. Released in early 72 on the small Capitol offshoot Sovereign Records with a shameless panty Hipgnosis gatefold artwork, the album was definitely aiming the charts, as did the album-opening track, released as a single. Actually, it did work somewhat as they were fairly successful in the US, where tons of kids bought the album mainly on account of the artwork.

It's quite obvious that Flash chose to open with their album capitalizing on their Yes heritage and Small Beginnings is a good shot at it, as you could almost believe it, if it wasn't for Carter's voice. As mentioned above, this track would see a shortened version released as a single and shot up to n°29 in the Billboard. It's fairly clear as well that Banks listened intently to the Yes albums that his former group did after his leaving and he obviously felt he had something to prove on this and the next album. Indeed most of the tracks on these two albums have more to do with Yes Album or Fragile than they had with Time And A Word or the Yes debut, which might have been less obvious. Morning Haze is a mostly acoustic ditty with almost delicate harmonies (I'm not a fan of Carter's voice or his dumb lyrics). The 9-mins Children Of The Universe returns to the Yes mould, mainly on the strength of Kaye's organ (both him and banks also play the ARP synth), but both Benett (bass) and Hough (drums) are capable as both had previous jazz-band experiences.

Just two tracks on the flipside and the almost 13?mins Dreams Of Heaven opens the hostilities on a semblance of Heart Of The Sunrise, before breaking abruptly into hard-rocking riff, veering jazzy just after wards, before changing again tempo and climate. Undeniably the album's centerpiece. The closing Time It Takes can only pale in comparison, but it's got its charms as well, even if the vocal lines are fairly uninspired

I find this relatively uninteresting but then again I seem to be in a minority. This is just derivative prog rock to me with "affirmative" leanings, with somewhat technical capabilities, but arriving nowhere-close to their target of Yes. I think that a lot of Yes-nuts like this because of the guitarist Peter Banks and the keyboardist Tony Kaye (later in Badger which is better) had their second chance after having received the boot. I'd never found the group worthy of owning an album of theirs, but had borrowed them from buddies, and borrowed the albums from my library system in order to write these baffling blunders. Maybe I would've been kinder to this band had they used more progish covers instead of blatantly appealing to young sex-hungry and virgins males teenagers

Review by Guillermo
4 stars This is the only FLASH`s album that I have. It was re-issued in CD by One Way Records in 1994, a label specialized in re-issues of out of print albums. I also have listened to their second album ("Flash in the Can", which I listened in a FM Radio station). This first album is better, because their second album lacks keyboards (piano and organ), but it has some synthesizers played by Peter Banks. Peter Banks said in one interview in 1994 (for the "Notes from the Edge" website, included in the website), that Tony Kaye was never an official member of FLASH. He was invited to play keyboards after he left YES in 1971 because the producer of the album wanted keyboards. So, FLASH was mainly a band formed by Banks, and in their first album Banks also composed most of the songs with singer Colin Carter, but also there are two songs by bassist Ray Bennett ("Morning Haze" and "Children of the Universe"), who became the main composer in FLASH`s second and third albums. Tony Kaye`s piano, organ and synth (Banks also is credited as synth player) are very good, but are more in the background, serving mainly as support.But the synth sounds very early 70s, dated, very "basic", used with the same sound for a few solos.Kaye plays a brief but very good organ solo in "The Time It Takes", the most "quiet" song in the album, with also a synth playing a "wind" sound in the background. Peter Banks`s guitars are very good in all the songs, being the main instrument, sounding with more "freedom" than when he was in YES. He also played a "classical guitar" in "Dreams of Heaven", maybe at the same time as Steve Howe in YES, as this album and "Fragile" were both recorded in late 1971. Ray Bennet was also a very good bass player, sometimes sounding "heavy" and "melodic" like Chris Squire and John Entwistle (and he also sang lead vocals in "Morning Haze"). Drummer Mike Hough plays a mixture of rock and jazz drums, sounding more in the style of Alan White than of Bill Bruford. Singer Colin Carter sounds for me sometimes like GTR`s Max Bacon, but he is also a good singer. There are some vocal harmonies similar to YES. The songs are very progressive, with a lot of changes. This album sounds similar to YES in some parts only. FLASH had their own style since the beginning.
Review by Cesar Inca
SPECIAL COLLABORATOR Honorary Collaborator
4 stars After his days in Yes and a very brief stay in Bloodwyn Pig, Peter Banks started Flash together with lead vocalist Colin Carter, soon to be joined by bassist Ray Bennett and drummer Mike Hough. Former Yes-colleague Tony Kaye agreed to play keyboards on this one, more as a special guest than as a proper member. So, the final result turned out to be pretty similar to "The Yes Album", regarding the melodic sensibility and the sense of excitement portrayed in the performances, but with a major presence of jazz swing and a general tendency toward working on a more concise number of musical themes. These elements make the listener aware of the caliber of Bank's input for the forging of the Yes sound: something that should be more acknowledge than it usually is. In fact, Banks seems to have found in Flash a proper vehicle for a freer expansion of his guitar skills and musical ideas, with Bennett acting simultaneously as the perfect companion for Hough and an effective partner for Bank's guitar riffs and harmonies. Bennett's role proves crucial in the foundation of a solid ground for the musical colours displayed by the guitar, the vocal melodies and the keyboards. Tracks, 1, 3 & 4 are the longest and most elaborated numbers. 'Small Beginnings' and 'Children of the Universe' are tight and cohesively structured, catchy enough to call the listener's attention, and complex enough to keep the progressive flame burning solidly. 'Dreams of Heaven' is the longest of the three, and also the least cohesive in terms of arrangement, but the jazz interlude jamming, the brief Spanish guitar solo that comes after the ad-lib opening, and the vocal melodies are really captivating - it seems as if the parts could shine brighter than the whole, while in tracks 1 & 3 the parts were fully integrated in the whole making it compact and fluid. The remaining two tracks are less ambitious, but not unattractive: 'Morning Haze' is a CSNY-ish acoustic piece with slight bluesy nuances, while 'The Time It Takes' is an eerie ballad in which the organ layers provide a proper landscape for Carter's introspective singing and Banks' soft picked leads. The whirling of a distant wild wind (played on ARP synthesizer) serves as a proper background for the fade-out, since it enhances the song's ethereal ambience. A great record this is, so it must be considered as an excellent addition to any good prog collection.
Review by Progbear
3 stars If nothing else, this record serves to provide listeners with a sort of answer to the hypothetical question, "What would Yes have sounded like had Peter Banks never left?"

The answer is, "Not too terribly different."

Howe and Banks have nearly congruent sets of influences, and oddly, very similar bags of riffs. This whole album has the weird feel of a Parallel Universe version of THE YES ALBUM. Of course, Tony Kaye's at the organ stool has a lot to do with that, but likewise Banks' guitarwork and arrangements are eerily similar to those found on THE YES ALBUM. On the other hand, Colin Carter, while a fine vocalist in his own right, is pretty far removed from Anderson stylistically. And the lyrics certainly lack Anderson's spacey charm.

Of course, this does look a bit pallid in the end when compared to its illustrious companion. But I don't accuse Banks of "imitating" Yes, nor cashing in on their success. He was IN Yes, so it's only fitting that his own band should sound similar.

Review by Trotsky
SPECIAL COLLABORATOR Honorary Collaborator
4 stars This is an album clearly made in the shadow of that great progressive rock band Yes. However, unlike Starcastle and other such followers, Flash have a genuine excuse. The band was founded by Peter Banks and Tony Kaye, both of whom were unceremoniously ditched by Yes despite also being founder members of that esteemed group. While it's hard to dispute the fact that both Banks and Kaye were replaced by superior musicians (Steve Howe and Rick Wakeman respectively), neither deserved to be treated with such disrespect, and this album is an excellent riposte to their critics.

Flash preserves that sound of 60s Yes which somewhat ironically reached its zenith on 1971's The Yes Album. Small Beginnings in particular is an epic track which could have slipped quite comfortably onto that masterful album. It has all the hallmarks, with storming riffs (with some of Banks's best ever playing), an inventive rhythm section (bassist Ray Bennett and drummer Mike Hough), and even a nice organ solo from Kaye, while vocalist Colin Carter sounds very much like Yes frontman Jon Anderson.

The two other epics Children of The Universe and Dreams Of Heavens aren't quite as consistent but both have moments of great power. I love the break that occurs halfway through Children Of The Universe which leads into a Moog solo, with Banks then reasserting his general dominance of proceedings. Dreams Of Heaven is a piece that begins with some solo classical guitar by Banks before the whole band comes stomping through with a rhythm that screams Roundabout rip-off, but once again, around the 5 minute mark there are some excellent solo exchanges, with a breathtaking jazz solo from Banks a real highlight. The outro of this piece is also scintillating with Bennett and Hough propelled Banks to new heights.

The two shorter pieces are quite different in style from the storming epics. Morning Haze is a laid-back acoustic jam, with Banks playing some beautiful acoustic guitar, strong vocal harmonies too, while The Time It Takes is a moody, atmospheric ballad full of volume swells, guitar and keyboard washes and the sound of waves hitting the shore. It works surprisingly well as the album closer.

I would recommend this strongly to any prog fan in general, and deem it absolutely essential for those who enjoyed the first three Yes albums. ... 78% on the MPV scale

Review by ghost_of_morphy
4 stars As I read the reviews for this album, I find that they are all slightly deceptive about the Flash sound.

Of course Flash had strong roots in Yes. But the Flash sound does not harken back to A Time and a Word (except for Dreams of Heaven), and neither does it echo the new style that Yes established beginning with the Yes album, wth one exception (that being that parts of Dreams of Heaven seem to foreshadow the "word pictures" that Jon began including in Yes lyrics, most notably in Siberian Khatru.) In fact it sounds like they took off from Time and a Word and then started moving in the same direction that Camel was to follow in a year or two, but with a nod towards the early prog band Fantasy.

Nevertheless, this is excellent prog. Peter Banks has really cleaned up his playing and Kaye is still at the height of his skills. Ray Bennett adds a lot to this grouping, with his strong bass and acoustic playing.

Dreams of Heaven is an epic as worthy of mention as anything else that other prog groups have released. It's a great piece of music that I enjoy often. Children of the Universe is another extremely strong song.

Sadly, Flash was quickly to fall back into mediocrity. But they started out great. 4 stars.

Review by SouthSideoftheSky
4 stars Flashy!

Flash tends to get compared to Yes, which is not strange since two ex-Yes members are in this group; Peter Banks and Tony Kaye. When Banks was replaced by Steve Howe he formed this group and Tony Kaye (who was replaced by Rick Wakeman at the same time) joined him.

There are some similarities between Flash and the first two Yes albums but it also bears some strong similarities to The Yes Album, I would say. Especially on the first track here, Small Beginnings, this song is not very far away from Yours Is No Disgrace in its style. The music of Flash also sometimes reminds me of the band Nektar.

The guitar work of Peter Banks is very good here, perhaps even a bit flashy at times, and it has clearly improved compared to his playing on Time And A Word. However, Banks guitar sound is not at all as distinctive and unique as that of Steve Howe. Tony Kaye has also expanded his horizons, while coming from only playing Hammond organ and piano he also plays a Moog solo in Children Of The Universe. Certainly not Wakeman-flash, but it adds to the piece.

Another similarity with Yes is in the tendency towards Yes-like harmony vocals. However, the actual lead vocals are very different compared to those of Jon Anderson, which gives some uniqueness to this group. There is nothing wrong with the vocals here, but they are not very distinctive (again, similar to the vocals by Nektar).

The material is melodic and strong and everything is very well performed. Judged as a successor to Time And A Word this is indeed a very good album. But in comparison with The Yes Album, Fragile and Close To The Edge, however, this falls very far behind - but then again, in my opinion, almost everything falls very far behind those incredible masterpieces! While Yes evolved with each subsequent album, Flash seems to have been stuck somewhere between Time And A Word and The Yes Album. But that is not a bad place to be stuck in and they do also add their very own touch to it making it worthwhile for all Prog fans.

Flash still holds up pretty well in the extended Yes family-tree among band like The Syn, Badger, Asia, GTR, ABWH, Conspiracy, etc. But they are not at the very the top of my Yes-related top list.

If Peter Banks had stayed in Yes and Steve Howe had never joined, this album gives us a very good idea of what Yes would have sounded like. And what we hear is very good. But still, luckily Steve Howe did join Yes and the rest is history, as they say.

This album is recommended for Yes fans and fans of early Symphonic Prog. It took some time for me to realise how good this was, but now I see its beauty.

Review by Evolver
SPECIAL COLLABORATOR Crossover & JR/F/Canterbury Teams
3 stars After leaving (or getting kicked out of) Yes, guitarist Peter Banks and keyboardist Tony Kaye formed this band. Not surprisingly, Flash sounds quite a bit like early Yes. The opening track Small Beginnings appears to have been written after numerous listens to Roundabout. The two songs have a very similar structure. And copying Yes' hit did Flash well. A single edit of Small Beginnings managed to get a reasonable amount of airplay back then.

Unfortunately, the rest of the album doesn't fare as well. While the tracks all still have a fair amount of that early Yes sound, the songs are all quite forgettable. And the recording quality is very rough.

But still, if you are a big Yes fan, this is a must.

2.5 stars, rounded up.

Review by b_olariu
3 stars First Flash album selftitled from 1972 is to me a little underrated. like their second onea swell. Formed by two ex Yes members Peter Banks and Tony Kaye. This first Flash release sounds almost like The yes album but without the complexity of Yes album. Flash to me sounds a bit more rockier then Yes, but keeping the progressive elements on every piece. Tracks like Small Beginnings or Children of the universe are perfect Flash pieces, great and smooth in same time. I like that the pieces are complex enough not to become boring and are very well performed and written in same time. A good album in my book that worth 3 stars, but I don't think is their best out of 3. To me their most acomplished album is In the can, their second one, but I think I'm in minority here. So, a good album that worth be investigated for sure.
Review by stefro
4 stars After being unceremoniously booted out of Yes, guitarist Peter Banks licked his wounds and set to work forming a progressive rock band of his own. Having been an integral member of Yes during their formative years, when they produced albums such as 1968's eponymous debut and it's orchestrally-themed follow-up 'Time And A Word', Banks was therefore well- versed in the rhythmic complexities of prog-rock. His distinctive guitar style had helped form Yes' very own musical identity and still to this very day Banks is considered one of the genre's foremost axemen. Despite being dumped by the band he helped found and replaced by Steve Howe, he remained positive; Flash was the result. Featuring another Yes refugee in the shape of ex-Badger member and Hammond organist extraordinaire Tony Kaye, as well as bassist Ray Bennett, drummer Mike Hough and vocalist Colin Carter, Flash sparked into life with this vibrant, self-titled debut album in 1972, the same year that would unfortunately see Bank's former employers release one of progressive rock's greatest records - the sublime 'Close To The Edge'. One wonders what kind of legacy 'Flash' would have if, say, it had been released a year or so later, but the fact remains that 'Close To The Edge' completely overshadowed pretty much everything back in 1972, and for good reason. However, despite the spectre of his old outfit hanging over him, Banks did manage to produce the goods; 'Flash' is a colourful and skilfully-played album with searing guitars and Carter's semi-screeched lyrics combining to impressive effect, and the album's eclectic nature means that it is much more than just another Yes-clone(here's to you you Druid and England). Though the album features just five tracks, pretty much all of them rock. 'Children Of The Universe' is suitably epic, with Banks impressive playing to the fore, whilst the beautifully simple 'Morning Haze' eschews the prog in favour of the rock with spectacular results. Only the over-ripe 'Dreams Of The Universe', with it's 13-minute running time, fails to truly set the pulse racing, but it still contains enough instrumental verve to fill most 'rock' albums several times over, with Ray Bennett's throbbing bass-lines particularly noteworthy. When compared to the true big beasts of prog, 'Flash' does maybe seem slightly lightweight. It lacks the complex nature of Yes' best moments, and, at times, comes across as more of a rock album than a creation of prog, but that's the nature of the genre. 'Flash' probably belongs in that second tier of great prog albums, alongside the likes of Pink Floyd's 'The Wall' or Gentle Giant's 'Free Hand', which is certainly no bad thing. It may not be brilliant, but Banks and co came pretty close. Recommended.

Review by apps79
SPECIAL COLLABORATOR Honorary Collaborator
3 stars After his departure from Yes in mid-1970 and some brief appearances with Blodwyn Pig and Chris Harwood, Peter Banks met with singer Colin Carter and decided to form his own band.It was found in London during the summer of 71' under the name of Flash and the line-up became complete with Ray Bennett on bass and Mike Hough on drums.Original Yes keyboardist Tony Kaye was sucked by the band around the same time and was asked to join Flash, but he only appeared as a guest in the debut's sessions, before forming Badger.Flash'es first, self-titled album was recorded in November 1971 at the De Lane Lea Studios in Wembley with Martin Birch and Derek Lawrence as sound engineer and producer respectively, both were long-time collaborators of Deep Purple.''Flash'' was eventually released on Sovereign Records in February 72'.

With ''The Yes album'' already out, having a trully captivating sound, you can only think that Banks was partially influenced by his former band's innovative work, as the debut of Flash draws resemblances with the legendary album of Yes.The sound is dominated by tons of electroacoustic interplays, irritating Jon Anderson-like vocals, multi-vocal singing lines and frenetic changes between tempos with the guitar in the forefront.On the other hand Flash'es debut was much guitar-oriented with supporting performances on keyboards with Tony Kaye as a guest and Banks even handling some ARP synth flashes.So expect a YES-like style with lots of complex themes and shifting moods, showered by light acoustic flavors and discreet psychedelic moves.Flash combined the poppy sensibilities and some intense organ and synth runs with the emerging power and charm of Progressive Rock, the result was captivating compositions, always highlighted by Banks' complicated guitar lines and the trully dynamic bass playing of Bennett.The long tracks are quite great with more keyboard emphasis towards a more balanced sound and lots of jazzy plays on guitar, maintaing the rock component in a high level but also delivering a unique atmosphere filled with tricky plays.

Great debut by Flash, on the same level as ''The Yes album'' to my ears.Dense, guitar-driven Prog Rock with minor Pop and keyboard-based stylings, very interesting and strongly recommended.

Review by Tarcisio Moura
3 stars As far as I can remember, Flashīs debut album was not released in Brazil. and therefore, only recently I could get a copy of this record to listen to. I really didnīt know that Tony Kaye (another ex Yes member) was playing in it (albeit credit as a guest). So, with two Yes members on board, a Jon Anderson sound alike singer and a bass player that emulates a lot of Chris Squire bass style, it is no wonder this CD sounds a lot like early Yes; a kind of a link between Time And A Word and The Yes Album. Even the vocal harmonies are very much like Peter Banks former band.

Itīs easy to see why Flash didnīt make a big impact on the music scene. With Yes at its peak, who would give much credit to a lesser version of the original? Please, donīt get me wrong: although derivative, the music in here is very good and sometimes they even produce a few original bits, like the acoustic Morning Haze (sung by bassist Ray Bennett) or adding a little King Crimson arrangement to one of the songs to spice things up. But again, with such competition (Howe and Wakeman having joined Yes by then) they stood no chance from day one and critics were not very kind.

However, I think that fans of Yes will like this CD far more nowadays, especially if you like their early stuff. Banks and Kaye did contribute to the "Yes sound" a lot more than they got credit for. Although hardly essential, this is a fine album to listen to and show potential for greater things.

Itīs only nostalgia, ok, but I like it.

Latest members reviews

4 stars Since I heard FLASH for the first time, one question stay "hammering" in my mind; "Why Peter Banks was so limited in YES?... and I reply ... Is very difficult to understand !!! Although, I think which the progressive fans must be thanked for Steve Howe comes in YES, at the same time I recognize ... (read more)

Report this review (#526598) | Posted by maryes | Sunday, September 18, 2011 | Review Permanlink

4 stars When guitarist Peter Banks (and Tony Kaye) had to leave Yes after their second album ('Time And A Word'), Banks formed Flash; a band who made three albums in 1972 and 1973, of whom this self-entitled one was the first one. Meantime, Yes created their three historic albums that became the all t ... (read more)

Report this review (#126700) | Posted by Paul de Graaf | Sunday, June 24, 2007 | Review Permanlink

4 stars The unfortunate thing about this band was they were gone in a flash. They were that good, in my humble opinion, they were worthy of at least 3 more albums in addition to the 3 they produced. Not as tight as Yes the musicians were granted relative freedom to express themselves. Tony Kaye's role ... (read more)

Report this review (#25290) | Posted by DAVE M | Wednesday, February 9, 2005 | Review Permanlink

5 stars this offspring from YES..had indeed their own style...that is to say..the style of Yes was partially thanks to Tony Kaye & Peter they were founder members of Yes. This record (and the 2 other outings from "FLASH")are actually their own "Yes-style" its...sort of...prog. with a fresh-Ye ... (read more)

Report this review (#25286) | Posted by Tonny Larz | Thursday, November 27, 2003 | Review Permanlink

Post a review of FLASH "Flash"

You must be a forum member to post a review, please register here if you are not.


As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: — jazz music reviews and archives | — metal music reviews and archives