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Paatos V album cover
3.53 | 47 ratings | 1 reviews | 9% 5 stars

Excellent addition to any
prog rock music collection

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Studio Album, released in 2012

Songs / Tracks Listing

1. Feel (4:27)
2. Desire (5:01)
3. Cold War (5:35)
4. Into the Flames (4:46)
5. Tea (revisited) (4:23)
6. In Time (revisited) (4:22)
7. Precious (remixed) (4:38)
8. Your Misery (remixed) (4:46)

Total Time 37:58

Line-up / Musicians

- Petronella Nettermalm / vocals
- Ricard "Huxflux" Nettermalm / drums
- Peter Nylander / guitars
- Ulf "Rockis" Ivarsson / bass

Releases information

GlassVille Records
Includes 4 new songs and 4 remixes

Thanks to infocat for the addition
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PAATOS V ratings distribution

(47 ratings)
Essential: a masterpiece of progressive rock music(9%)
Excellent addition to any prog rock music collection(40%)
Good, but non-essential (30%)
Collectors/fans only (19%)
Poor. Only for completionists (2%)

PAATOS V reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by kev rowland
4 stars Paatos were formed in Sweden in 2000, and was originally formed by two guys from Landberk (Reine and Stefan) and two from Agg (Ricard and Johan) to act as a backing band for the folk singer Turid. From there they decided to create their own band and brought in Ricard's partner Petronella as lead singer. A year later they recorded their first single, "Tea", which had been written for them by Turid. Now all these years later they have released their fifth studio album which has four new songs and four that have either been revisited or remixed, and "Tea" is one of those.

Although I haven't heard their last studio album I do have the other three and I have always been impressed with the way that Petronella's clear vocals work so well with the often complex and sometimes dissonant music that is underneath. She soars high above whatever is going on, allowing the guitar to play chords, pick a few notes, or even be absent altogether. These are songs that don't look back in the way that some prog music does, but instead is all jagged edges and being very much of the present. In a perfect world this would be chart music or at the very least get radioplay as it brings the listener into their world yet manages to maintain a certain commercial feel throughout. There are some who will question if this album even fits into the genre at all, as it is right on the edge, but to be honest who cares? This is a really strong album, with powerful yet ethereal female vocals and is one I could play all night.

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