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DANCING WITH GHOSTS

Alan Reed

Crossover Prog


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Alan Reed Dancing With Ghosts album cover
2.14 | 3 ratings | 1 reviews | 0% 5 stars

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Singles/EPs/Fan Club/Promo, released in 2011

Songs / Tracks Listing

1. Sanctuary (The Return) (5:55)
2. Who's to Blame? (4:52)
3. Kean on the Job (5:34)
4. Teardrops in the Rain (3:03)
5. Begin Again (5:58)

Total time 25:22

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Alan Reed / vocals, guitars, bass
- Mark Spencer / keyboards, sitar
- Jennifer Clark / bass
- Scott Higham / percussion

Thanks to windhawk for the addition
and to SouthSideoftheSky for the last updates
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Buy ALAN REED Dancing With Ghosts Music


Dancing With Ghosts EP by Alan ReedDancing With Ghosts EP by Alan Reed
Alan Reed
Audio CD$1,268.38


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ALAN REED Dancing With Ghosts ratings distribution


2.14
(3 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(33%)
33%
Good, but non-essential (33%)
33%
Collectors/fans only (33%)
33%
Poor. Only for completionists (0%)
0%

ALAN REED Dancing With Ghosts reviews


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Collaborators/Experts Reviews

Review by SouthSideoftheSky
SPECIAL COLLABORATOR Symphonic Team
2 stars Sanctuary (The Return)

Dancing With Ghosts is a five track EP that was Alan Reed's first solo release (after being sacked by Pallas, the band he had fronted since the 80's). It features acoustic versions of songs from throughout Reed's career, including songs he originally recorded with Pallas, Abel Ganz, and on his own. Sanctuary (The Return) originally appeared on 1986's The Wedge (the first Pallas album featuring Reed). This version is shorther and obviously simpler in its instrumentation. Who's to Blame? is another Pallas track, originally from the excellent The Cross And The Crucible from 2001. Next up is Kean On The Job from Abel Ganz 1984 debut album Gratuitous Flash. The final two tracks are solo numbers that later were re-recorded for Reed's full-length debut First In A Field Of One released this year (2012). Begin Again was substantially re-worked for that album, and this earlier stripped-down acoustic version sounds very simple by comparison. But it is an excellent song.

Taken for what it is, this acoustic EP is a pleasant listen, but almost per definition it is a release only for fans and collectors. (First In A Field Of One, on the other hand, is highly recommended!)

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