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IN EXTREMIS

Days Between Stations

Eclectic Prog


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Days Between Stations In Extremis album cover
4.11 | 200 ratings | 7 reviews | 28% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 2013

Songs / Tracks Listing

1. No Cause for Alarm (Overture) (3:51)
2. In Utero (5:10)
3. Visionary (10:40)
4. Blackfoot (10:04)
5. The Man Who Died Two Times (4:11)
6. Waltz in E Minor (Dedicated to Peter Banks) (2:04)
7. Eggshell Man (11:56)
8. In Extremis (21:37)
Part I: Mass
Part II: On the Ground
Part III: A Requiem
Part IV: Writing on Water
Part V: Overland
Part VI: It Never Ends

Total Time: 69:33

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Oscar Fuentes Bills / piano, synthesizers, Rhodes, Mellotron, Hammond organ, electronic percussion
- Sepand Samzadeh / guitars

with:
- Tony Levin / bass
- Billy Sherwood / drums (1, 3, 4, 5, 7 and 8), vocals (3, 5, 7 and 8)
- Peter Banks / guitar textures, 2nd lead & rhythm guitar (7 and 8)
- Matt Bradford / Dobro (3)
- Colin Moulding / lead vocals (5)
- Ali Nouri / Tar solo (7)
- Jeffery Samzadeh / sonati vocals (8)
- Rick Wakeman / Mellotron flute, minimoog solo (7)
- The Barbershop Quartet (Pat Claypool, Matt Gray, Eric Orr, David Rakita) / vocals (8)
- The Angel City Orchestra / orchestration (1, 2, 3, 6 and 8)
- Josh Humphrey / keyboard effects and textures (2), electronic drums & programming (3)
- Chris Tedesco: trumpet solo (3 and 8)

Releases information

CD self-released (US) (2013)*
CD CD Baby 5638113242 (US) (15 May 2013)

*Limited edition first printing of 2000

Thanks to mbzr48 for the addition
and to The Bearded Bard for the last updates
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Buy DAYS BETWEEN STATIONS In Extremis Music


In ExtremisIn Extremis
CD Baby 2013
Audio CD$8.53
$8.25 (used)
Days Between StationsDays Between Stations
CD Baby 2007
Audio CD$12.99
$22.72 (used)
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DAYS BETWEEN STATIONS In Extremis ratings distribution


4.11
(200 ratings)
Essential: a masterpiece of progressive rock music(28%)
28%
Excellent addition to any prog rock music collection(44%)
44%
Good, but non-essential (22%)
22%
Collectors/fans only (2%)
2%
Poor. Only for completionists (4%)
4%

DAYS BETWEEN STATIONS In Extremis reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by rdtprog
COLLABORATOR Heavy Prog Team
5 stars This CD starts slowly with two quiet songs that sets the stage for what is coming. The classical arrangements and the floydian guitar gives a symphonic atmosphere. "Visionary" show some techno sound with the synths and it's the first time the vocals made their presence. The synths and the drums are up front, being very dynamic. With "Blackfoot", the guitars have more space and we have some repeated themes, the synthesizers offers a almost hypnotic feel because of the repeated chords. The longest track of the CD so far, starts with some nice acoustic guitar, flute that take you back to the 70's sound of the classic bands. There is some nice arrangements with some exotic guitars. The song is built in a intense crescendo with beautiful piano. The epic song "In Extremis" set a atmosphere close to Philip Glass's music, before the vocals make their entrance with some repeated piano lines in the background. The guitars are shining here, and their is a fascinating passage of aboriginal music that complete the picture of a superb CD.

This CD has all the ingredients to be a classic including some well known guest musicians, like Billy Sherwood, Rick Wakeman, Peter Banks and Tony Levin, which gives to the music it's richness. It's got the 70's symphonic sound influence, but also during his peaceful passages, a atmospheric sound that could serve as a movie soundtrack. The band have succeed to combine some complex symphonic music in the more up tempo pace, with the simplicity of the slower pace passages that still maintains the intensity and emotional level through out the CD.

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Send comments to rdtprog (BETA) | Report this review (#965653) | Review Permalink
Posted Tuesday, May 28, 2013

Review by tszirmay
SPECIAL COLLABORATOR Crossover Team
5 stars Days Between Stations has been in my rotation for quite a while now, a surprising work that has me spellbound for a variety of reasons. Firstly, there are some stellar musicians involved in this project, luminary names such as Tony Levin (aka the Master Basster), Rick Wakeman needing no introduction, Billy Sherwood playing drums (and rather well, may I add!) , the amazing Colin Moulding of XTC legend and Peter Banks , for whom this was the least recording before sadly passing away. This is a band led by keyboardist Oscar Fuentes Bills and guitarist Sepand Samzadeh , two talented and creative musicians, offering a seductive mix of various styles and sounds , all well within the classic symphonic sphere of influence.

'No Cause for Alarm' is one of the finest introductions ever expressed in prog, an instantly searing orchestral rumble, mixing classical themes and electronic touches (featuring mellotron sounds and massive amount of synthesized keyboards) and getting the adrenalin level pumped up, ready for action. Somehow, I have the feeling I have heard this all my life, it's that good! Segueing into 'In Utero' is a sumptuous initiative, a seamless penetration of sophisticated sounds and incredible sonic restraint as Sepand carves some scouring electric leads amid the dense textured orchestrations. There is a very slight early Genesis feel, like the impending doom on 'Watchers of the Skies' but this is tempered with a trumpet 'like effect that is pure genius. This bleeds into the pulsating 'Visionary' epic, a 10 minute deep space jam that shows off some wicked playing by all participants, shoved hard by a typical Levin onslaught on the Stick and the bass, with Sherwood hitting his skins with bold fury while he sings in his rather hushed style. A delicate piano break only enhances the mystery, along with a dobro solo that simply astounds by its mere presence, reminiscent of the 'Us and them' section on Dark Side of the Moon! Immediate flow into the harder-edged 'Blackfoot', another 10 minute psychedelic romp that flutters wildly as Samzadeh delivers some almighty six-string work while Levin really cooks up a hurricane with his pal Sherwood drumming like an unhinged madman. The Stick solo is simply mind-blowing as Levin navigates the piano ripples with supreme confidence and masterful composure. This is impulsive, beastly, passionate and perfectly executed symphonic mood music of the very highest order. Sepand then sticks us with a massively scalding slide solo that would make Steve Howe blush with unmitigated envy! Oh yeah, that good!

After all these fireworks, a little respite was necessary and what comes up next is a thunderous surprise, something almost like a lost Phil Manzanera track, 'The Man Who Died Two Times' has that quirky British eclectic prog-pop feel that is absolutely infectious , led by XTC vocalist Colin Moulding and ably supported with some sizzling backing playing. The chorus of 'black suit, black tie, all over the edge' has that Eno vocalized silliness that characterized the early Manzanera catalogue. Four minutes of genius!

In homage to Peter Banks, who will be guesting on the final two epic tracks, the Angel City Orchestra composed a two minute purely classical ode to the famous guitarist, entitled 'Watz in E Minor'. These little ditties rarely have any effect but there it's simply spectacular. The arguably highlight track is the massive 'The Eggshell Man' a nearly dozen minutes of mellotron-infested magic , with Ant Phillips-like vocalizings, Levin on the upright bass, Banks and a variety of guitar texturings, the arsenal of splendid keyboards played by Oscar Fuentes and cameo solos by Rick on Mellotron-flute and a breathless Mini-Moog solo for the ages as the caped wonder does some hypnotic work on the ivories. To add a little more spice to the banquet, a Tar solo by guest Ali Nouri (Tar is a Persian stringed lute-like instrument) just to keep you enthralled and excited. This is dreamy atmospheric symphonic prog of the finest quality, both resourceful and grandiose. Oh, and yes, lots of mellotron! Even Sherwood's vocal work is of the highest order, very impressive piece of music!

But why try to be cute when you can provide a coup de grace to really anoint this special album with eternal glory and kill it off with a 21 minute epic slice of magic. A six-part suite gives this recording its title and does a supreme job in establishing its recommendation. This just has it all, from demonic organ introductions ('Mass'), moody piano and funeral march surrealism to screaming guitar duels between Sepand and Peter, all kept in tight formation by cannonading bass and powerful drum fills. The choir bellows 'On The Ground' with conviction and supreme density. 'The Requiem' section conveys both love and pain, with a hopeful a wish to 'Writing on Water', where a higher sense of synthesized delirium takes over and shoves the piece into upper psychedelia, Banks and Samzadeh exchanging axe licks. Though along piece, the segments are exciting enough to keep the interest level very acute, never quite knowing what will surge from the next curb. In my view, that is one of the predominant standards one looks for in prog, constant creativity, freshness and explosions of sounds and textures that will keep the heart racing on and on'.Various themes are revisited (the Eggshell man, the forlorn trumpet) with great success, a fitting recap for all the pleasures between the folds of this musical matrix. The choir farewell sends the soul into heaven.

This is a successful project that took some time to absorb by its uniqueness and gets high praise for variety, dedication to symphonic exuberance, intense musicianship and overall entertainment value. Give it some well-deserved respect by spinning it a few times in a variety of environments and hear the music bloom before your ears. A definite winner at death's door, RIP

5 Peter Banks

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Send comments to tszirmay (BETA) | Report this review (#1011589) | Review Permalink
Posted Monday, August 05, 2013

Review by Warthur
PROG REVIEWER
4 stars Prog fans will note many familiar names snatching up guest spots on Days Between Stations' second album, which is a testimony to the strength of the material here - their debut album didn't exactly provoke an explosion of publicity, but they've clearly produced something here to interest and intrigue the likes of Billy Sherwood, Tony Levin, XTC's Colin Moulding and Yes veterans Rick Wakeman and Peter Banks.

It's a particularly notable release since Banks' guest spots on the epic title track (and the scarcely less ambitious Eggshell Man) were amongst his very last studio sessions. Not only did Peter's death before the album's release add a streak of irony to the "thoughts of a dying" man concept, but it also gave Days Between Stations the unexpected challenge of presenting an album capable of standing as a respectful monument to Peter, an accomplishment which they just about pull off. Expect this to get a lot of hype from the famous names on here, but don't overlook the songwriting talents that attracted those names to the project in the first place.

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Send comments to Warthur (BETA) | Report this review (#1065922) | Review Permalink
Posted Friday, October 25, 2013

Review by ProgShine
COLLABORATOR Errors & Omissions and Crossover Team
4 stars In Extremis (2013) is the second album of the American duo Days Between Stations. Released in May the album has plenty of celebrities as guest musicians, including in the cover department.

The artwork of the CD, as I mentioned, was done by the Brittish artist Paul Whitehead, that is famous for his covers for Genesis (Trespass, Nursery Crims & Foxtrot), Van Der Graaf Generator (H To He Who Am the Only One & Pawn Hearts), Le Orme (Smogmagica, Elementi & L'infinito) among many others.

In the musical side the album has, besides the duo Oscar Fuentes Bills (keyboards) and Sepand Samzadeh (guitars), many stars. To begin with we have Tony Levin (bass) and Billy Sherwood (drums and lead vocals) in all the tracks. Then we also have Peter Banks, Matt Bradford, Colin Moulding, Ali Nouri, Jeffery Samzadeh, Rick Wakeman, Josh Humphrey and Chris Tedesco. All those guests alone would be able to drag much attention to In Extremis (2013).

On my opinion In Extremis (2013) is a extremelly well written album with absolutelly great music all the way through, especially in 'Eggshell Man' and the suite 'In Extremis'. Fantastic keyboards and guitars are all over the album and Tony Levin bass is also something to pay attention to.

When it comes to the drums, I wouldn't say they are bad, Billy Sherwood did a good job drumming. But, as ALL his producings, the drums sound has his 'trademark', so you can expect the mid 90's drum sound with FAR TOO many effects, specialy in the cymbals. They are really annoying sometimes.

But I honestly cannot say that the aforementioned fact would ruin the album. Not at all. 5 years in the making and you have many good moments to enjoy, specially in the Symphonic Department.

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Send comments to ProgShine (BETA) | Report this review (#1077452) | Review Permalink
Posted Saturday, November 16, 2013

Latest members reviews

5 stars To be honest, since the eponymous debut in 2007 we all knew this band had the potential for greatness, but as the years drew on that premise appeared less and less attainable. I'm happy to say that the wait was worth it, as cliche as that sounds, because not only has the follow-up eclipsed the ... (read more)

Report this review (#1106026) | Posted by Frans | Friday, January 03, 2014 | Review Permanlink

4 stars "Featuring
Peter Banks, Tony Levin,
Colin Moulding (XTC),
Billy Sherwood,
and Rick Wakeman" is definitely enough to pique anyone's curiosity--and I'm glad it did cuz within In Extremis are some real gems for songs. While DAYS WITHOUT STATIONS are officially made up of O ... (read more)

Report this review (#1016759) | Posted by BrufordFreak | Sunday, August 11, 2013 | Review Permanlink

5 stars I have a hard time with this policy at PE of what amounts to a warning that pops up whenever somebody gives an album 5 stars, to me if I really like something I'm going to give it what I think it deserves, and this new album from Days Between Stations gets the full 5 stars from me, it is fantastic. ... (read more)

Report this review (#965788) | Posted by RJN | Tuesday, May 28, 2013 | Review Permanlink

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