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Dweezil Zappa

Crossover Prog

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Dweezil Zappa The Return Of The Son Of... album cover
4.13 | 11 ratings | 1 reviews | 45% 5 stars

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Live, released in 2010

Songs / Tracks Listing

Disk 1
1. The Deathless Horsie (6:17)
2. Andy (6:49)
3. Magic Fingers (3:30)
4. Broken Hearts Are For Assholes (3:36)
5. Bamboozled By Love (6:44)
6. King Kong (20:55)
7. Montana (6:46)
8. Inca Roads (12:04)

Total time 66:41

Disk 2
1. The Torture Never Stops (13:12)
2. Dirty Love (2:59)
3. Zomby Woof (8:27)
4. Billy The Mountain (27:33)
5. Camarillo Brillo (3:53)
6. Pygmy Twylyte (11:07)

Total time 68:11

Line-up / Musicians

- Dweezil Zappa / lead guitar, vocals
- Joe Travers / drums, vocals
- Scheila Gonzales / saxophones, keyboards, flute, vocals
- Pete Griffin / bass, vocals
- Jamie Kime / guitar, vocals
- Billy Hulting / marimba, percussion, vocals
- Ben Thomas / vocals
- Aaron Arntz / keyboards, vocals
- Ray White / special guest vocalist

Releases information

Z Tornado/Razor & Tie CD 7930183102-2

Thanks to Evolver for the addition
and to Evolver for the last updates
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DWEEZIL ZAPPA The Return Of The Son Of... ratings distribution

(11 ratings)
Essential: a masterpiece of progressive rock music(45%)
Excellent addition to any prog rock music collection(45%)
Good, but non-essential (9%)
Collectors/fans only (0%)
Poor. Only for completionists (0%)

DWEEZIL ZAPPA The Return Of The Son Of... reviews

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Collaborators/Experts Reviews

Review by Evolver
SPECIAL COLLABORATOR Crossover & JR/F/Canterbury Teams
4 stars Dweezil gets it.

I have seen his Zappa Plays Zappa band many times in the past few years, and I have witnessed the band evolving into something special. Early on, the group played Frank's music pretty much note for note as it appears on the many albums released during his all too short, but very prolific, lifetime. Often, stunt casting, having a few of FZ's old bandmates on stage, was employed to give the music the old feeling, and generate excitement in the crowd.

But Frank Zappa's music isn't meant to be played that way. It was always all about the "eyebrows", those little thinks the band would through into the music at a whim, that would make every concert something special. I can't say I blame the band for starting out the way they did. That music is some of the most difficult to perform on the planet. But now that they have mastered it, they are now making the music come alive, adding their own riffs and improvisations, and tailoring the instrumental sections to their own strengths.

Nowhere is this more evident than in this album's rendition of King Kong. Here, the piece swirls around as band members take turns at center stage, with familiar rhythm tracks from other famous FZ songs creeping in (Fifty Fifty is the most notable). Billy The Mountain gets updates as well, and is played in is full splendor (the "Just Another Band From L.A." recording has lot's edited out).

Dweezil has never shied away from his father's most complex pieces, and here find him mastering such treats as Andy, Inca Roads, and once again, Zombie Woof.

I love it that Dweezil has carried on his father's music, but I would like to hear what he can come up with for himself, now that he understands what FZ was about.

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