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HOLY NOISE FROM ABOVE

Haida

Post Rock/Math rock


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Haida Holy Noise From Above album cover
4.00 | 1 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2012

Songs / Tracks Listing


1. Holy Noise From Above (25:49)
2. Maria, Queen Of The Boards (Holy Noise From Above Pt. 1) (6:57)
3. He Says He Had The Sun (Holy Noise From Above Pt. 2) (8:16)
4. The Night Of The Last Judgement (Holy Noise From Above Pt. 4) (4:22)

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians


- Haida / all instruments

(My, this band is cryptic.)

Releases information

released 17 February 2012
Written sporadically between '003&'012
Recorded in Portland,OR & Belfast,NI
sometimes 'tween '007&'012

Thanks to The Truth for the addition
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HAIDA Holy Noise From Above ratings distribution


4.00
(1 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(100%)
100%
Good, but non-essential (0%)
0%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

HAIDA Holy Noise From Above reviews


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Collaborators/Experts Reviews

Review by The Truth
COLLABORATOR Post/Math Rock Team
4 stars In perfect honesty, this is actually a pretty solid record from the very obscure Irish post-rock group Haida, who have released this and an album made up of radio-friendly singles derived from the music on this recording. Not much backstory for the group because they are so very quiet about their work. Lineups are not even readily available to the public. Heck, I do not remember how I came across their work, but I am sure glad I did.

Holy Noise From Above has those gradually building crescendos that fans of post-rock drool over, those GODSPEED YOU! BLACK EMPEROR -esque twenty-minute pieces of rock instruments mimicking an orchestra and in this way it really appeals to me. GY!BE is the artist immediately brought to mind in comparison, but a more accurate description might be in the vein of a grittier version of Mono. Not quite so white-as-snow orchestrally but with a little more rawness to their sound. The tracks (one long piece, in truth) also benefit greatly from instrumentation in the background which includes world music drums and other elements that beckon the world genre.

It's this elaborateness that Haida possesses that made them stick out to me, and that's why the album got numerous listens, because it is not simply generic post-rock.

It's definitely an album a post-rock fan could come to love. It gets four stars from me.

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Send comments to The Truth (BETA) | Report this review (#988494) | Review Permalink
Posted Saturday, June 29, 2013

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