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Medeski Martin & Wood

Jazz Rock/Fusion

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Medeski  Martin & Wood Fly in a Bottle album cover
2.00 | 1 ratings | 1 reviews | 0% 5 stars

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DVD/Video, released in 2011

Songs / Tracks Listing

Part I. Shackston Studio Session
1. Opening Titles
2. "Amish Pintxos"
3. The Bottle
4. "ijiji" (Part 1)
5. "ijiji" (Part2)
6. Junkyard
7. "Padrecito"
Part II. Touring South America And California
8. "Reliquary" (Brazil)
9. Entering Argentina
10. "Cual Es?" Radio Show (Buenos Aires)
11. Nothern California
12. "Kota" Soundcheck (Santa Cruz)
Part III. Back To Shackston
13. "Jean's Scene"
14. "Broken Mirrow"
15. "Undone"
16. End Credits

Part IV. Special Features
1. Incant To "Chates Des Fammes" (directed by Brey Gersten)
2. CW (An experiment with time-lapse film entitled CW)
3. Amber Gris (Music video)

Total time 99:42

Line-up / Musicians

- John Medeski / keyboards and piano
- Chris Wood / double bass and bass guitar
- Billy Martin / drums and percussion

Releases information

On the road and in the studio during the "Radiolarians" project
16mm film and HD camcorder footage of MMW on the road and in the studio during the "Radiolarians" recordings

Directed by Billy Martin

DVD MRI Associated Labels ‎- IR-12 (2011, US)
Aspect ratio: 1.33:1
Sound options: Stereo

Thanks to Neu!mann for the addition
and to NotAProghead for the last updates
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MEDESKI MARTIN & WOOD Fly in a Bottle ratings distribution

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Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(0%)
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Collectors/fans only (100%)
Poor. Only for completionists (0%)

MEDESKI MARTIN & WOOD Fly in a Bottle reviews

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Collaborators/Experts Reviews

Review by Neu!mann
2 stars The first official DVD from the celebrated Brooklyn Jazz combo is a handmade bag of mixed blessings. Filmed on- and (mostly) off-stage while the trio was recording the "Radiolarian" albums, the video offers an invaluable glimpse at the mundane routines of early 21st century music-making: rehearsals, repairs, equipment set-up and so forth, intermixed with occasional performance footage, both in concert and in the studio. But it's hard to imagine even a diehard fan watching it from start to finish more than once.

The project was drummer Billy Martin's baby: he produced and directed it, helped with the editing, and was responsible for much of the camerawork (camcorder-work, more precisely). The aim might have been to capture the improvisational nature of the MMW sound in a likewise spontaneous video document, but the home-movie aesthetic doesn't exactly flatter such an otherwise sophisticated band. Don't be surprised to find your attention wandering after only a few minutes, long before the boilerplate music-video segments showing the trio frolicking in a glade of butterflies, or the endless footage shot out the window of their travelling tour van.

Maybe the band's intuitive creativity can't be captured like the eponymous fly. None of the three musicians is very articulate, communicating best through the music itself, or in a barely audible verbal shorthand (no one was wearing a microphone). The presence of a camera, however discreet, might have also been an inhibiting factor. But the film becomes more compelling when it shows the music actually coming to life, sometimes out of thin air. Standing at John Medeski's shoulder while he tickles the ivories of his piano, or plucks its guts with a flathead screwdriver, is a privilege not soon forgotten. The astonishing grace and dexterity of his organ solo while recording "Broken Mirror" (from the "Radiolarians III" album) is the highlight of the disc, all-too briefly bringing it to vivid life.

"Some people are born cool", says bassist Chris Wood at one point, with self-deprecating humor. "And some people have to practice." Following the band throughout "Fly in a Bottle" (an odd title, by the way...wouldn't "Lightning in a Bottle" have been better? Or maybe "Fly on a Wall?"), it's obvious MMW works very hard to achieve their distinctive musical cool. But as filmmakers they could use a little more practice.

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