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IN THE MIST

Harold Budd

Progressive Electronic


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Harold Budd In the Mist album cover
3.09 | 3 ratings | 1 reviews | 33% 5 stars

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Studio Album, released in 2011

Songs / Tracks Listing

The Whispers
1. Haru Spring (4:42)
2. The Whispers (2:43)
3. The Startled (2:18)
4. The Foundry (for Mika Vainio) (4:45)
5. The Srt of Mirrors (after Derek Jarman) (5:58)

Gunfighters
6. Three-Fingered Jack (2:46)
7. Greek George (5:50)
8. Black Bart (3:11)

Shadows
9. Come Back To Me In Dreams (2:03)
10. Parallel Night (3:34)
11. Sun at 6 Windows (3:09)
12. The Panther of Small Favors (2:17)
13. Mars and the Artist (after Cy Twombly) (1:46)

Total Time 45:02

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians


- Harold Budd / piano

string quartet, tracks 9-13:

- Richard Brook / cello
- Peter Rosato / viola
- Hisami Iijima / violin
- Linda J. Lambie / violin

Releases information

Darla Records DRL248
recorded and mixed at Orangewood Studios, Mesa Arizona, March 2011

Thanks to Neu!mann for the addition
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Buy HAROLD BUDD In the Mist Music


In the MistIn the Mist
Import
Darla Records 2011
Audio CD$12.77
$3.95 (used)
In the Mist by Harold Budd (2011-09-27)In the Mist by Harold Budd (2011-09-27)
Darla Records
Audio CD$34.02

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HAROLD BUDD In the Mist ratings distribution


3.09
(3 ratings)
Essential: a masterpiece of progressive rock music(33%)
33%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (67%)
67%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

HAROLD BUDD In the Mist reviews


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Collaborators/Experts Reviews

Review by Neu!mann
PROG REVIEWER
3 stars Harold Budd's year 2011 album presents yet another collection of ambient piano improvisations, but as usual with Budd the layers go far deeper than what first meets the ear. The album's thirteen tracks were organized into three arbitrary sections (sorry: movements) titled "The Whispers"; "Gunfighters"; and "Shadows", the last act being a set of understated string quartet arrangements, with no piano within earshot.

Unfortunately, the sudden shift away from the composer's primary instrument upsets the delicate balance of sound. A Harold Budd album works better with Budd actually performing on it, and when he does the impact (as here) can be spellbinding, in an almost subliminal sort of way.

The music is more effective when it grows more repetitive. Listen to "The Foundry" or to "The Art of Mirrors", the latter a kindred spirit of Brian Eno's "Music For Airports", evoking the empty passenger terminal after all flights were grounded in heavy fog. Budd has always been a master of sonic manipulation, and for these sessions his keyboard was muted thick enough to resemble an unplugged electric guitar, or else gently warped (in "The Foundry", and elsewhere) to suggest the sound of old vinyl on a malfunctioning turntable.

That subtle distortion might have been an accident of the recording process Budd decided to keep. The effect barely registers above a subconscious level, but it artfully subverts the serenity of the music and removes it from any suggestion of New Age superficiality. Ditto the sound of something like discreetly jangling cowboy spurs, in the Gunfighters title "Greek George": High Noon in the Mojave Desert sagebrush of Budd's childhood.

Minimalism doesn't always equate to meditative, and despite the overwhelming aura of calm the album will reward active listening, with a little effort. This is music that requires the right environment to blossom inside a listener's mind: the perfect convergence of weather, temperature, mood, and lack of background distraction. If any one condition isn't optimal the whole thing can come across as empty pretense. But even when it isn't working, Budd's piano technique is typically so quiet it can't help but hold your attention.

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