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Thinking Plague


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Thinking Plague Hoping Against Hope album cover
3.98 | 62 ratings | 3 reviews | 23% 5 stars

Excellent addition to any
prog rock music collection

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Studio Album, released in 2017

Songs / Tracks Listing

1. The Echoes Of Their Cries (6:37)
2. Thus Have We Made The World (5:38)
3. Commuting To Murder (4:40)
4. Hoping Against Hope (10:01)
5. The Great Leap Backwards (3:57)
6. A Dirge For The Unwitting (13:45)

Total time 44:38


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Music tabs (tablatures)

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Line-up / Musicians

- Mike Johnson / guitar, sampler, Midi instruments, producer
- Bill Pohl / guitar
- Elaine di Falco / vocals, accordion, piano, toy piano
- Mark Harris / soprano & alto saxes, clarinet, bass clarinet, flute
- Dave Willey / bass, drums (5), accordion (2,6)
- Robin Chestnut / drums, percussion

- Adriana Teodoro-Dier / piano (2,5,6), toy piano (2)
- Kathryn Cooper / oboe (4)
- Simon Steensland / bass (5)
- Mike Boyd / drums (2)

Releases information

Artwork: Raoul Rossiter

CD Cuneiform Records ‎- Rune 421 (2017, US)

Thanks to Harold Needle for the addition
and to Quinino for the last updates
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THINKING PLAGUE Hoping Against Hope ratings distribution

(62 ratings)
Essential: a masterpiece of progressive rock music(23%)
Excellent addition to any prog rock music collection(29%)
Good, but non-essential (31%)
Collectors/fans only (13%)
Poor. Only for completionists (5%)

THINKING PLAGUE Hoping Against Hope reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by kev rowland
4 stars Fast forward to 2017, and Thinking Plague show no sign at all of compromising their ideals. Mike Johnson is the only person who has been there throughout, but he is steering this ship on a very clear path. The line-up now is Mike (guitar, samples, midi instruments), Mark Harris (soprano and alto saxes, B-flat standard and bass clarinets, flute), Dave Willey: (bass, drums, accordion), Elaine di Falco (voice, accordion, piano), Robin Chestnut (drums, percussion) and Bill Pohl (guitar). Now, I have come across Bill quite a few times previously, having reviewed his solo album 'Solid Earth' back in 1994, plus some other of his bands since then such as The Underground Railroad, so I was intrigued to see his involvement. He has always been a fine guitarist with a passion for music that can be somewhat different and difficult to listen to, and here is being allowed to give that full rein.

In many ways, this is a more melodic and easier album to listen to than some of their others, but that isn't to say that they have moved away from their core purpose of RIO, just that it has a slightly different flavour. There are times when the different woodwind instruments take the lead, repeating motifs, but this just allows the guitars to break in and out of the song with extremely quick runs. Elaine doesn't have the same natural other worldliness displayed by Susanne on the classic 'In This Life', but fits in perfectly with this adjusted style of music.

Thinking Plague may have changed somewhat in the intervening thirty years between these two albums, but hasn't everyone? But, they are still true to their roots and this could never be any other band. Exciting and enthralling, there really is no-one else quite like them. They will only ever appeal to a select few, but those few will be greatly enriched by hearing this.

Review by Mellotron Storm
5 stars The last THINKING PLAGUE album I enjoyed this much was "In Extremis" and while I don't rate this one quite that high this has been such a pleasant surprise for me. I found the previous album "Decline And Fall" difficult to digest but this one was love at first listen and that love continues to grow after many listens. My first listen of this album was like meeting an old friend, I was pretty happy. Elaine Di Falco is back on vocals and we get the usual dark atmospheres with plenty of horns, mostly sax and clarinets of different varieties along with accordion, bassoon, flute and the usual "rock" instruments.

"The Echoes Of Their Cries" opens with a dark atmosphere as piano, bass, drums and more come and go before vocals and a steady sound arrive a minute in. Some nice guitar follows as the vocals step aside quickly. Soon drums, horns and many intricate sounds fill the air. A calm before 2 minutes then Elaine is back singing. Her vocals are stronger at 3 1/2 minutes, love the instrumental work here. So good. A dark calm around 4 1/2 minutes but then it kicks back in quickly, vocal melodies too. I like the accordion in this one from Elaine.

"Thus Have We Made The World" is dark and atmospheric until it kicks in with bass and drums. Man this sounds amazing, really powerful as horns and many intricate sounds also help out. So impressive! Outbursts of sound come and go 2 minutes in before a calm arrives at 2 1/2 minutes. It kicks back in before another calm arrives at 3 1/2 minutes. Love these contrasts. Eerie sounds before 5 minutes and beyond and check out that bass.

"Commuting To Murder" starts off sounding too light to be THINKING PLAGUE then Elaine arrive singing followed by a more typical THINKING PLAGUE sound after a minute with the bass and drums kicking in. A calm follows then check out the bass 2 minutes in! Sax follows then guitar before the vocals return. Accordion after 3 1/2 minutes as the vocals stop. Such an impressive instrumental section here. It's lighter again around 4 minutes like the intro as it ends like it began.

"Hoping Against Hope" is an incredible track. Again heavy and dark is the way I'd describe the start with oboe over top I believe. Vocals after a minute and when she stops singing we get an amazing section beginning 2 minutes in. She's back but whispering this time then singing a minute later. She doesn't sing for long each time and again I love the instrumental passages on this one. It picks up after 4 minutes with piano, horns, bass and drums. It's building as we get some excellent guitar, drums and more. Another calm 6 1/2 minutes in and soon bassoon arrives(yeah it does!). This is dark as vocals return before 8 minutes. Shuffling drums, flute and more end it. What a song!

"The Great Leap" features Simon Steensland on bass which is very cool. Another melancholic piece with vocals. Gloomy is the word. Some power before 2 1/2 minutes but it's brief as the vocals return.

"A Dirge For The Unwitting" is the almost 14 minute closer and it doesn't deviate from the sound that has gone on before thankfully. Yes "dirge" is a good description of a lot of what we hear on this album. This is fairly slow moving with some outbursts. Nice bass work and I like the sax. It calms right down at 3 minutes and it doesn't start to build until after 6 minutes then it kicks in before 7 minutes. It settles back again quickly. Vocals arrive 8 minutes in followed by some avant guitar lines before 9 minutes. It settles again with vocals and eerie sounds. It picks up again 12 minutes in with a lot of depressing sounds(haha). I love it!

This is where I start to compile my "best of" list for 2017 as I was waiting for that first 2017 album to really wow me. I am almost giddy about this one, just how dark and atmospheric it is. Yes the best since "In Extremis" in my opinion. Mike Johnson is so freaking talented but then so is the whole band. Check out the album art as well. This is first class all the way.

Latest members reviews

5 stars I really don't have the words for how well crafted and amazing this album is. Full of strange beauty and subtle intricacies, this is an album to listen to loud, at night, when you can focus on every note and allow yourself to be completely captivated. Every note seems perfectly placed, and where ... (read more)

Report this review (#1734586) | Posted by cirrusbay | Friday, June 16, 2017 | Review Permanlink

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