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THE SOURCE

Ayreon

Progressive Metal


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Ayreon The Source album cover
3.90 | 270 ratings | 5 reviews | 24% 5 stars

Excellent addition to any
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Studio Album, released in 2017

Songs / Tracks Listing

CD 1 (44:07)
- Chronicle 1 - The Frame :
1. The Day That the World Breaks Down (12:32)
2. Sea of Machines (5:08)
3. Everybody Dies (4:42)
- Chronicle 2 - The Aligning of the Ten :
4. Star of Sirrah (7:03)
5. All That Was (3:36)
6. Run! Apocalypse! Run! (4:52)
7. Condemned to Live (6:14)

CD 2 (44:26)
- Chronicle 3 - The Transmigration :
8. Aquatic Race (6:46)
9. The Dream Dissolves (6:11)
10. Deathcry of a Race (4:43)
11. Into the Ocean (4:53)
- Chronicle 4 - The Rebirth :
12. Bay of Dreams (4:24)
13. Planet Y Is Alive! (6:02)
14. The Source Will Flow" (4:13)
15. Journey to Forever (3:19)
16. The Human Compulsion (2:15)
17. March of the Machines (1:40)

Total Time 88:33

Bonus DVD from 2017 SE:
1. Everybody Dies (videoclip) (4:42)
2. Star of Sirrah (videoclip) (7:03)
3. Run! Apocalypse! Run! (videoclip) (4:52)
4. The Day the World Breaks Down (videoclip) (12:32)
5. Interviews
6. Behind the Scenes
7. 5.1 Audio Mix

Line-up / Musicians

- Arjen Anthony Lucassen / electric & acoustic guitars, bass, mandolin, analog synthesizers, Hammond, Solina strings

With:
- Paul Gilbert / guitar solo
- Guthrie Govan / guitar solo
- Marcel Coenen / guitar solo
- Joost van den Broek / grand & electric pianos
- Mark Kelly / synthesizer solo
- Ben Mathot / violin
- Maaike Peterse / cello
- Jeroen Goossens / wind instruments
- Ed Warby / drums
- James LaBrie / vocals as The Historian
- Tommy Karevik / vocals as The Opposition Leader
- Tommy Rogers / vocals as The Chemist
- Simone Simons / vocals as The Counselor
- Nils K. Rue / vocals as The Prophet
- Tobias Sammet ) / vocals as The Captain
- Hansi Kürsch / vocals as The Astronomer
- Mike Mills / vocals as TH-1
- Russell Allen / vocals as The President
- Michael Eriksen / vocals as The Diplomat
- Floor Jansen ) / vocals as The Biologist
- Zaher Zorgati / vocals as The Preacher
- Jan Willem Ketelaers / chorus vocals
- Lisette van den Berg / chorus vocals
- Will Shaw / chorus vocals
- Wilmer Waarbroek / chorus vocals

Releases information

Artwork: Yann Souetre

2CD Music Theories Recordings ‎- MTR 7515 2 (2017, Europe)
2CD + DVD Mascot Label Group ‎- MTR 75155 (2017, Europe) Bonus DVD with album's Surround 5.1 mix plus extras

2LP Music Theories Recordings ‎- MTR 7515 1 (2017, Europe)

Thanks to mbzr48 for the addition
and to Quinino for the last updates
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AYREON The Source ratings distribution


3.90
(270 ratings)
Essential: a masterpiece of progressive rock music(24%)
24%
Excellent addition to any prog rock music collection(43%)
43%
Good, but non-essential (21%)
21%
Collectors/fans only (8%)
8%
Poor. Only for completionists (4%)
4%

AYREON The Source reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by siLLy puPPy
COLLABORATOR PSIKE, JR/F/Canterbury & Eclectic Teams
4 stars Metal's artisan of ambitiousness Arjen Anthony Lucassen returns with his project AYREON taking time off from his other musical projects Star One, Guilt Machine and The Gentle Storm to embark on yet another sonic journey into the world of science fiction, where he unleashes yet another concept album that is a prequel to 2008's "01011001" laid out in his usual monstrosity of a double album with an army of guest vocalists and musicians to play the proper roles in his larger than life metal operas. As a prequel, THE SOURCE tells the origins of the Forever which is an alien race that is a key force in the overall storyline. The two discs are separated into four Chronicles with each telling different timelines in the story. The are broken down into - Chronicle 1: The Frame, Chronicle 2: The Aligning Of The Ten, Chronicle 3: The Transmigration and Chronicle 4: The Rebirth and the album is graced with beautiful artwork, extensive liner notes and an overall packaging that goes above and beyond the call of duty for any dedicated artist. Lucassen has really been upping the bar with each and every release and shows no signs of releasing his feet from the gas pedal. His passions are ablaze and THE SOURCE displays it all in full regalia.

While AYREON is accustomed to mostly new cast members changing things up on any given album, THE SOURCE makes use of plenty of returning performers which include James LaBrie (Dream Theater), Simone Simons (Epica), Floor Jansen (Nightwish), Hansi Kürsch (Blind Guardian), Tobias Sammet (Edguy, Avantasia), Tommy Karevik (Kamelot, Seventh Wonder), and Russell Allen (Symphony X), together with newcomers such as Tommy Rogers (Between the Buried and Me), which makes a whopping total of eleven main vocalists. Add to that the extraordinary musicians involved which include Joost van den Broek (ex-After Forever) ? grand piano and electric piano Mark Kelly (Marillion) ? synthesizer solo on "The Dream Dissolves"Maaike Peterse (Kingfisher Sky) ? cello, Paul Gilbert (Mr. Big, Racer X) ? guitar solo on "Star of Sirrah," Guthrie Govan (The Aristocrats, ex-Asia) ? guitar solo on "Planet Y Is Alive!,"Marcel Coenen (Sun Caged) ? guitar solo on "The Dream Dissolves," Ed Warby ? drums, Ben Mathot ? violin, Jeroen Goossens (ex-Pater Moeskroen) ? flute, wind instruments, and of course, Arjen Anthony Lucassen himself on electric and acoustic guitars, mandolin, synthesizers, Hammond, Solina Strings, all other instruments. I just had to list all these performers to let it sink in, the monstrosity that this beautiful album is!

THE SOURCE incorporates more aspects of the metal world than the usual AYREON project. While most indulge in heavy doses of folk rotation with the same recurring female vocalist, an aspect that has left me a little cold in the past, this album on the other hand keeps the musical jukebox flowing and never lets one style dominate for too long. While the folk influences are ever present, the retrospective styles of the performers are in full effect with much emphasis on progressive, power and classic metal with even some excellent to Queen harmonies and some extreme metal touches as well in the excellent "Everybody Dies" that is straight out of the progressive rock playbook with classic 70s Wakeman-esque keyboards, Freddie Mercury spots and time signature breakouts run amok (amongst tons of other styles and influences). It really seems like every little detail was cogitated upon before the final release was allowed to see the light of day. The only complaint i have about this fine album is that some of the tracks on the second track outstay their welcome a however it's a minor quibble indeed. THE SOURCE is one to be experienced as words cannot convey the sheer magnitude of its accomplishments. The works are not only a rock and metal encyclopedia in scope and style but a testament to how to write, arrange and produce an album.

It seems that Lucassen's talents caught up to his grandiose ambitions starting with "01011001" and progressively have been becoming more refined ever since. THE SOURCE not only displays the AYREON project having tightened up all the loose ends that have always bugged me but shows a maturing and steps away from the more progressive rock world and ups the energy level by keeping the album more in heavy rock mode. THE SOURCE is the first AYREON album on the Mascot Label Group and the digital release of the albums will follow. THE SOURCE is yet another modern day AYREON album that clearly demonstrates what made the early albums so weak in comparison as one track is crafted into the next and all cast members roles are cleverly placed in the perfect sequence of things. It's no wonder the such staunch fans are as excited for a new AYREON release as are fans foaming at the mouth for a new season of Game Of Thrones! THE SOURCE is truly a brilliantly complex yet completely accessible metal opera that eschews the long drawn out filler pieces of the band's earlier moments. At this stage i have been indoctrinated into the AYREON fan club and look forward to the next chapter of metal sci-fi digest - AYREON style!

4.5 rounded down

Review by AtomicCrimsonRush
SPECIAL COLLABORATOR Symphonic Team
5 stars Arjen's latest magnum opus "The Source" is actually a prequel of past release "01011001". In a similar vein to Lucassen's past works this colossal double CD album is conceptual and features a plethora of special guests. Each artist portrays an integral character in the story.

James LaBrie as The Historian, Tommy Karevik as The Opposition Leader, Tommy Rogers as The Chemist, Simone Simons as The Counselor, Nils K. Rue as The Prophet, Tobias Sammet as The Captain, Hansi Kürsch as The Astronomer, Mike Mills as TH-1, Russell Allen as The President, Michael Eriksen as The Diplomat, Floor Jansen as The Biologist, Zaher Zorgati as The Preacher, among others. The musicianship is a quality virtuoso lineup with artists borrowed from prog and metal bands and Arjen leads the way with his integral guitar style.

From the outset the album has a much heavier metal feel than other Ayreon works, it certainly rocks but of course there are ballads and haunting atmospheres throughout. There are some wonderful tracks to savour here. Everybody Dies is infectious and Star Of Sirrah has a wonderful spacey soundscape. There are exciting dynamic tracks such as Run! Apocalypse! Run ! And then some beautiful passages like Condemned To Live.

The second CD is the third Chronicle The Transmigration opening with the glorious complex Aquatic Race until Into The Ocean heralds the next Chronicle The Rebirth. Things slow down into ethereal atmospheres with Bay Of Dreams but the pace quickens with the pounding Planet Y Is Alive!

There's so much to enjoy on this album. The music is diverse and ranges from complex time sigs and instrumental breaks to beautiful passages especially with the vocals of Simone Simons and Floor Janssen who at one point brought tears to my eyes such was the beauty of their delivery. This is an emotional album that cries out for the Alien planet that is dying, along with The Forever an Alien race on the verge of extinction. Will it survive the devestation of an apocalyptic future? There is hope but where does it come from? Listen and you'll discover for yourself.

Ayreon never disappoints as far as I'm concerned throughout the visionary catalogue of Arjen. "The Source" is another Masterclass release with towering vocals and powerhouse musicianship. One of the greatest releases of 2017.

Review by Aussie-Byrd-Brother
SPECIAL COLLABORATOR Rock Progressivo Italiano Team
4 stars Modern progressive music icon Arjen Anthony Lucassen returns in 2017 with `The Source', the ninth studio album under his Ayreon project banner. Another double CD sci-fi concept work that has the Dutch multi-instrumentalist joined by a range of vocalists and guest musicians, `The Source' is a return to the stronger heavy metal sound of most previous Ayreon works after 2013's `The Theory of Everything' removed much of the harder riffing (it's certainly a heavy rock opera, but definitely not a `prog-metal' album at all!), but like that same album, Lucasssen has gone all `Tales from Topographic Oceans' again and served up four side-long multi-suite pieces of twenty-plus minutes in length (labelled as `Chronicles' here), and it's one of his most ambitious and varied works to date.

Everyone loves prequels, right?! Well, sarcasm aside, with `The Source', Arjen offers a tale set before all the previous albums, detailing a planet overrun by a computer given artificial intelligence and the protagonists of this apocalyptic story fleeing to start a new life on strange alien worlds, and the challenges that come with that. It's a little silly, but admirably richly realised by ambitious lyrics presented through a range of characters given voice by vocalists from various prog and metal-related acts such as Nightwish, Epica, Edguy, Blind Guardian, Mr Big, Dream Theater and others, as well as boasting musical contributions from players in Marillion, the Aristocrats, After Forever and more. But front and center is multi-instrumentalist Lucassen, a performer of immense skill and variety, and he and his musical companions have delivered another sterling musical and artistic statement.

For `Chronicle 1: The 'Frame', a moody scene-setting premonition delivered by Jamie Labrie introduces the first three track arc. The twelve and a half minute proper opener `The Day the World Breaks Down' is frantic and pounding, a crash of fancy violin-lifted orchestral-like overtures obliterated by relentless heavy-metal riffing, dazzling synth runs and breathless vocal histrionics. The second half coasts into a reflective interlude of bluesy guitar and sparkling piano, that also reminds that the best Ayreon moments are when the various fragments hold tight compact tunes with recurring choruses that serve as stand- alone songs in their own right. Folk-tinged prettiness weaves in and out of `Sea of Machines' gutsy crunch, and the malevolently over-dramatic `Everybody Dies' mixes in everything from Dream Theater-like bombast given a touch of retro- prog keyboards and playful back-and-forth vocal responses (there's definitely a touch of Queen buried in there too), and it sounds like Arjen might have been listening to those rollicking symphonic fanfares of the classic early Italian prog PFM albums!

Despite its bludgeoning mud-thick riffing and rousing repeated chorus, the chiming guitars throughout the opening movement of the Second Chronicle's `Star Of Sirrah' remind of both Pink Floyd's `Sheep' and Porcupine Tree's `Time Flies'. `All That Was' is a swooning violin female-fronted folk ballad with heavier bursts that wouldn't have sounded out of place on Lucassen's Gentle Storm album `The Diary' from 2015, and unsurprisingly with its title, `Run! Apocalypse! Run!' (just look at all those exclamation marks!) is a dizzying maddening sprint of runaway break-neck keyboard soloing, crushing guitars and wailing frantic vocals. This first disc concludes with `Condemned To Live' that mixes in everything from stark vocal contemplations, moody cello and violin backings to its heavy drama.

`Chronicle 3 - The Transmigration' and its opening passage `Aquatic Race' kick off with some hilariously shrieking boisterous multi-vocal choruses frequently reprised throughout, and some snarling metal riffs that remind of Black Sabbath are broken up by dreamier interludes. While `The Dream Dissolves' is mostly a luxurious folk-flecked ballad, it culminates in a glorious synth solo from Mark Kelly that harkens back to the early years of his own band Marillion, and alongside a sleek electric guitar solo from Suncaged's Marcel Coenen, the duo deliver a classic sounding pure Neo Prog climax. Eastern-flavoured vocal drones, operatic purrs and a pinch of Jethro Tull-like flute weave throughout `Deathcry Of A Race', and `Into The Ocean' is a ballsy Hammond-dominated pounding arena rocker that falls somewhere between Deep Purple and the Dio-fronted era of Black Sabbath!

`Chronicle 4 - The Rebirth', `Bay Of Dreams' creeps with pulsing electronic programming and glistening guitars as it grows in power, and `Planet Y Is Alive!' is one of the most amusing moments of the disc, a thrashing blast of crunching drumming and an absurdly delirious chorus (and a spacey guitar solo in the instrumental break from The Aristocrats' Guthrie Govan is lovely)! The reflective ballad `The Source Will Flow' floats with a multitude of dreamy harmonies from several of the singers, the joyous and vocally gospel-tinged `Journey To Forever' is tinged with ringing mandolin among its chugging riffing, and `The Human Compulsion' is a final heavy curtain call for all the performers before the gloomy electronic fragment `March Of The Machines' and its eerie spoken word finale wrap the disc in a surprisingly dark and intense manner.

As always with the Ayreon works, there's a touch of kitsch and amusing over-seriousness that sometimes renders parts of the music a little overwrought and hammy (yet Arjen himself is very amusing and self-deprecating!), but there's such a conviction and attention to detail to the material here, and it's also extremely admirable that Lucassen is so proud of his prog-rock self- indulgences! The reliance on metal elements means that `The Source' perhaps doesn't have the versatility or crossover appeal that `The Theory of Everything' might have had for a wider audience, and on the surface it looks a little intimidating trying to approach its eighty-eight minute length, but constant replays reveal a sweeping, grand work that successfully flows between passages and belts you around the head with its attacking heaviness. Ayreon fans are sure to love it, and its another very accomplished, slick and bombastic masterwork from the reigning king of grandiose metal storytelling.

Four and a half stars.

Review by VianaProghead
PROG REVIEWER
5 stars Review Nş 508

"The Source" is the tenth studio album of Ayreon, the musical project by the Dutch songwriter, producer, singer and multi-instrumentalist Arjen Anthony Lucassen and was released in 2017. As happened with all Ayreon's albums, this is also a conceptual album with each character is being portrayed by only one singer. However, being released four years after their previous album "The Theory Of Everything", "The Source" marks a return to science fiction and the Ayreon's storyline. It acts, in particular, as a prequel to "01011001", making of it the first album in the storyline's chronology.

The concept of the story in "The Source" is about a race named Alphans, which were the ancestors of the humanity. They were trying to prevent the extinction of their race due to problems such as the greenhouse effect. They were increasingly dependent on machines. To solve the problem, they decided to resort the complex of machines that kept the planet running, ('Frame), to can solve those problems that affected the planet Alpha. But 'Frame determined that the problem lied with humanity itself and they took the control and decided to shut down vital systems to let everyone dies. Inhabitants decided to send a select of few Alphans into space so they could attempt to start anew in a distant world.

And as is usual in almost all Ayreon's albums, Lucassen composed all the music and wrote all the lyrics on the entire album with the exception of one part, the Mike Mills' lyrics and melodies which were wrote by both, Mills and Lucassen.

The line up on "The Source" is divided into vocalists and instrumentalists, as is usual. The vocalists are: James LaBrie as "The Historian", Tommy Karevik as "The Opposition Leader", Tommy Rogers as "The Chemist", Simone Simons as "The Counselor", Nils K. Rue as "The Prophet", Tobias Sammet as "The Captain", Hansi Kürsch as "The Astronomer", Mike Mills as "TH-1", Russel Allen as "The President", Michael Eriksen as "The Diplomat", Floor Jansen as "The Biologist", Zaher Zorgatti as "The Preacher" and Will Shaw, Wilmer Waarbroek, Jan Willem Ketelaars and Lisette Van Den Berg as "The Ship Crew". The instrumentalists are: Arjen Anthony Lucassen (electric and acoustic guitars and all other instruments), Joost Van Den Broek (grand piano and electric piano), Mark Kelly (synthesizer), Paul Gilbert (guitar), Guthrie Govan (guitar), Marcel Coenen (guitar), Maaike Peterse (cello), Ben Mathot (violin), Jeroen Goossens (flute and wind instruments) and as is usual, the great Dutch friend of Lucassen, Ed Warby (drums).

"The Source" has four lengthy parts, four chronicles, "The 'Frame", "The Aligning Of The Ten", "The Transmigration" and "The Rebirth". Each part is divided into various segments. Each part has about twenty minutes for a total of almost one hour and a half of music. With the exception of the opening track, "The Day That The World Breaks Down", which goes beyond twelve minutes, the rest of the compositions varies between three and seven minutes, a characteristic that makes the album more dynamic, facilitating the assimilation of the all work. But at no time it aims to be unreachable for uninitiated listeners. The mixing and mastering of the work are also worth mentioning, delivering a current sound, of course, but with timbres that do not hide inspiration in the best moments in the history of prog, a genre that has always excelled for technical excellence in the most varied aspects. Even though all songs are great, the particularly strong opener "The Day That The World Breaks Down" must be pointed as the highlight on the album. The track is more than twelve minutes long which is almost twice as long as the second longest song. The song includes atmospheric sound samples that set the tone right from the start. Eleven of the thirteen guest singers appear in the song and shine in their different parts. Especially James LaBrie's soothing vocals that open the album work very well. After the opening track, the album follow their path with many amazing parts, such as, powerful riffs, upbeat drum passages and distinctive bass guitar lines. The keyboard melodies give to the album an epic science-fiction atmosphere. Numerous short instrumental passages give the listener a welcome break from the vocals. Some middle parts include some majestic choirs. Many passages on the album end in a powerful manner and yet manage to develop a great transition to the next songs that some are much calmer and clearly more focused on inspirations from acoustic, classical and folk music.

Conclusion: As happen with all Ayreon's releases, it will take multiple listens to digest "The Source". But, it worth all the time invested. Overall, "The Source" is a safe variation of the established Ayreon formula, but it's also comforting to see how well said formula is still able to be pulled off. It's epic, it's heavy, it's symphonic, and it's bombastic, all things that I love about Ayreon. The vocals are really outstanding, as usual. Vocalists shine, every last one of them, everyone bringing their style to make this album even more unique. From the instrumental work, the performances, the lyrics, the story line, the production, the design of the cover artwork and the booklet, this album is fully convincing. Overall, this is a strong musical outing, without any weak points. I can only recommend this album to everyone who loves great music.

Prog is my Ferrari. Jem Godfrey (Frost*)

Latest members reviews

3 stars Review #53. The Source is a concept album, as any other album that Ayreon recorded. But unlike the previous 'The Theory of Everything', 'The Source' is a Sci-Fi Rock Opera, which is actually the prequel of 01011001, that was released in 2008. For the needs of the album, Arjen Lucarssen gathe ... (read more)

Report this review (#1713889) | Posted by The Jester | Tuesday, April 25, 2017 | Review Permanlink

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