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PART ONE

Halloween

Symphonic Prog


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Halloween Part One album cover
3.54 | 18 ratings | 4 reviews | 11% 5 stars

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Studio Album, released in 1988

Songs / Tracks Listing

1. Outsider (5:55)
2. What's in? (3:49)
3. Beginning (5:50)
4. Never die! (3:46)
5. Heart beat (4:23)
6. The passage (1:29)
7. Jester's dance (4:37)
8. Halloween (10:06)
9. Jester's dance (4:27) (live version)
10. Outsider (5:47) (live version)

Total Time: 50:09

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Gilles Coppin / keyboards, lead vocals on tracks 2, 3, 4, 8, French singing on track 7
- Jean-Philippe Brun / violin, guitar, bass, lead vocals on tracks 1, 5, 7, 9 and 10
- Thierry Gillet / drums

Releases information

CD version features two bonus tracks which were recorded live in Brest (December '87). These are:

Jester's Dance (4'27)
Outsider (5'47)

Thanks to ProgLucky for the addition
and to zowieziggy.rushfan4 for the last updates
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Part OnePart One
Musea 2003
Audio CD$16.99
$13.49 (used)
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HALLOWEEN Part One ratings distribution


3.54
(18 ratings)
Essential: a masterpiece of progressive rock music(11%)
11%
Excellent addition to any prog rock music collection(56%)
56%
Good, but non-essential (22%)
22%
Collectors/fans only (11%)
11%
Poor. Only for completionists (0%)
0%

HALLOWEEN Part One reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by ZowieZiggy
PROG REVIEWER
4 stars This French band plays a dark but melodic music. They are one of the few who mostly sung in English (only one is fully in French). A tleast on their debut. Their work is closely related with the early Crimsonian mood: symphonic and scary. One of the most heavy tracks is the opener Outsider, but it is almost the only one.

What's In? is almost a pastoral song which holds more from the early Genesis than any heavy rock ensemble.

At times, the use of the violin reminds me Kansas, especially during the dark Beginning and the delicate Never Die which is falls under the symphonic tradition.

One of the best track from this album is Heart Beat. Fully sung in French, it is a theatrical piece of music fully in line with the early Ange. Lyrics are very dark and bizarre. They related to the middle- ages (which was a period which influenced Ange a lot as well). I would have preferred that this album would be fully in French (as they will do later on).

A good example for this is Jester's Dance. It features bilingual lyrics, but the English parts sounds really awful (I don't know if the French accent has been exaggerated but it sounds real bad). Gilles Coppin is much more convincing in this singing role than his band mate J-P Brun. But the later plays a remarkable guitar solo as closing part of this song.

The pièce de résistance is the long Halloween. It is mostly instrumental and if you like moving guitar break and lots of synths: this one is for you. The finale is truly splendid and bombastic. I am voiceless with such a beauty. Really grandiose. The guitar can only relate me to one of the greatest solo in prog music: the fabulous, the charming, the passionate Steve during Firth Of Fifth. Yes, this one is very close to this!

In all, this album is excellent during the instrumental parts (it could have been very good if sung fully in French, but this aspect will be taken care of). If the early Genesis and Crimson, Ange and a little of Kansas can please you, no doubt that this album will do a good job as well. Dark, but not heavy. This is how this work sounds like.

The live tracks are fine as well. Sound is not too bad and the most interesting angle of the live version of Jester's Dance is the violin play which has the leading role. This is probably one of the best assets from this band which holds a very good multi-instrumentalist with J-P Brun.

Four stars.

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Send comments to ZowieZiggy (BETA) | Report this review (#187366) | Review Permalink
Posted Wednesday, October 29, 2008

Review by apps79
SPECIAL COLLABORATOR Neo Prog Team
3 stars One of hidden secrets of the 80's prog rock scene lies in France,named HALLOWEEN.They were formed in Brest in 1983 by five musicans,among them were drummer Thierry Gillet and keyboardist Gilles Coppin.They were soon joined by violinist Jean-Philippe Brun,but this sextet was not meant to be.By 1987 HALLOWEEN reformed as a trio featuring only Gillet,Coppin and Brun on the line-up.So Coppin handled also the vocal section along with Brun,who also took over the guitars and bass next to his violin.The trio recorded the album ''Part one'' to be released originally on Musea in 1988,while in the 1994 re-issue two live tracks were also added.

STYLE: As guitars and bass were not Brun's main instruments it is reasonable the album to be heavily based on keys,pianos and violins.While one expects ''Part one'' to sound deeply symphonic for this reason,that's only partly true.The album has a mysterious atmosphere in the instrumental parts,dominated by dark synths,violin passages and in a second role come the surrounding guitars.There is also heavy doses of lonely pianos in this album.There is an attractive blending between atmospheric parts based on guitar solos and symphonic synths and more complicated material with some great breaks,which make the album quite personal.Strangely, vocals come in English (except for Jester's dance) with some French spoken pats next to the sung lines.

INFLUENCES/SOUNDS LIKE: Hard to compare,the album ranges from Dark Prog to Symphonic Rock with a theatrical taste.So if you combine the violin-based KING CRIMSON motives with some ANGE thetrical taste and some JACULA's dark atmospheres,the picture is about to be completed.

PLUS: The overall atmosphere sets the listener into the general mood quite easily.Despite not being a guitarist,Brun delivers some really interesting solos.The violin work holds a lot of Classical influences and is very well executed.Most of the keyboard work is also quite exciting.I find the theatrical side of the band to be among the best to be heard around.

MINUS: Vocals are not that good,although non-accented.The production is also weak with lots of uneven parts.Keyboards sound very plastic and cold at times.Why I have a feeling that this album would be much better if lyrics were delivered in French?

WILL APPEAL TO:...Fans of the darker side of prog,anyone into Theatrical Prog nostalgia and of course lovers of symphonic keys.

CONCLUSION: Clever enough,HALLOWEEN placed the disadvantage of not having a gifted bassist or guitarist aside by basing their sound on a fascinating atmosphere which I loved on first sight.The year of the release makes the album even more worth owning,yet the vocal section holds the album a step back among my first preferences regarding the 80's.Warmly recommended,''Part one'' deserves no less than 3.5 stars.

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Send comments to apps79 (BETA) | Report this review (#325722) | Review Permalink
Posted Thursday, November 18, 2010

Latest members reviews

3 stars The French symphonic prog scene is not like any other symphonic prog scene. This is why I regard this scene as one entity, far remote from any other scene. The most important difference between this scene and the scene in England & anywhere else is the French scene's operatic, melodramatic t ... (read more)

Report this review (#307964) | Posted by toroddfuglesteg | Tuesday, November 02, 2010 | Review Permanlink

4 stars Oh, my...! As you know that this superb French Prog Artist has released five albums so far. The first engine to start a car was and is this album, Hallowwn Part One. And nobody mentioning about this surprising debut album from Hallowwen since a lot of people talked about their album Laz and ... (read more)

Report this review (#3337) | Posted by progtopia | Saturday, July 03, 2004 | Review Permanlink

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