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WEILA

Thork

Prog Folk


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Thork Weila album cover
4.07 | 35 ratings | 7 reviews | 16% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 2004

Songs / Tracks Listing

1. L'origine (11:40)
2. Délectable ennui (9:07)
3. Errance (1:07)
4. Ea (21:18)
5. Errances (1:04)
6. Danse de la terre (10:48)
7. Immanence (11:26)

Total Time: 66:30

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Michel Lebeau / drums
- Sébastien Fillion / synths, piano, Fender Rhodes, programming
- Claire Northey / violin
- David Maurin / flute, guitar
- Samuel Maurin / bass, Chapman stick, synths, vocals
- Sébastien Penel / vocals, choirs

Guests:
- Antoine Aureche / acoustic guitar
- Roselyne Berthet / vocals
- Renaud Burdin / dununs, djembé, guira, cloches
- Sébastien Lacroix / sitar
- Stéphane Lagarde / tabla
- Ian-Elfinn Rosiu / cello

Releases information

CD Private release (2004)

Thanks to ProgLucky for the addition
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THORK Weila ratings distribution


4.07
(35 ratings)
Essential: a masterpiece of progressive rock music(16%)
16%
Excellent addition to any prog rock music collection(45%)
45%
Good, but non-essential (29%)
29%
Collectors/fans only (10%)
10%
Poor. Only for completionists (0%)
0%

THORK Weila reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Mellotron Storm
PROG REVIEWER
4 stars THORK is a side project of the Maurin brothers from the band NIL. "Weila" is a little difficult to describe, almost gothic at times and dark most of the time. It's difficult to know what genre this should be in but most people wouldn't think of "Folk" when they hear it. Complex arrangments, as unusual sounds pop up including programming and unconventional instruments. A lot of intricate things going on that require not only your full attention but repeated listens in order to appreciate it.

The first song "L'origine" is like the temptress to lure you in to "Weila". It is symphonic, phenomenal and fascinating music. The French vocalist is extraordinory. He reminds me of some of the powerful Italian vocalists from the seventies. For me this song is worth the price of admission all by itself. It opens powerfully but sounds even better when it calms down. Vocals before a minute. It builds again to a powerful sound. Nice.The contrasts continue. The vocals are gothic when it settles again 5 minutes in. Some violin 9 1/2 minutes in. "D'ilectable Enniu" opens with some instrumental work before a dark and fairly heavy soundscape takes over. It changes before 2 minutes as percussion then violin comes in. It's darker again before 3 1/2 minutes as vocals join in. Some spoken vocals 6 minutes in followed by some eerie violin after 7 minutes. Just an incredible song ! "Errance" is a short track with guitar and vocals. The epic "Ea" at over 21 minutes long and it doesn't sound gothic it is gothic, from the vocals that speak, to the brooding undercurrent, to the sampling. Love the scorching guitar. There's even a Zeuhl vibe after 6 1/2 minutes with deep vocals. Great section. The guitar makes some noise 12 1/2 minutes in and it sounds incredible. Vocals are back before 18 minutes then the song starts to wind down.

"Errances" is another short piece and this time we get vocal melodies and lots of atmosphere. The vocals on "Danse De La Terrs" are done by NIL singer Roselyne, and done beautifully. I like the section after 2 minutes where the guitar plays and the drums pound away. It turns dark 4 1/2 minutes in then Roselyne adds her vocal melodies after 5 minutes. Great sound.She starts to sing and it sounds like the organ is pulsating slowly then drums come in at 8 minutes followed by guitar and a full sound. Nice. The guitar is fantastic ! He's ripping it up before 10 minutes. The song ends abruptly. The final tune is a highlight for me as well, from the scorching guitars, to the flute, spacey synths, violin and great vocals.This song is pure brilliance ! Especially the last few minutes.

An outlandish way to end this amazing record.

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Send comments to Mellotron Storm (BETA) | Report this review (#90919) | Review Permalink
Posted Thursday, September 21, 2006

Review by Prog-jester
PROG REVIEWER
5 stars Ha-ha, Prog Folk. Maybe Prog FOLKS? :)

Another discovery of this Spring – French Dark Symphonic Prog (with oriental and theatrical leanings) band with their phenomenal “Weila” album. They’ve mixed ANGLAGARD’s approach with TAAL’s diversity and GRAAF’s darkness. Some really folky stuff can be found here – mostly when violin and flute play – and avant bits are scattered here and there as well. Fortunately, this is very tasty mix, eclectic but enjoyable, with satisfaction guaranteed. Songwriting is strong, without unnecessary complexness – there’s nothing to add or improve here! What a shame most listeners aren’t familiar with it – just take a look how many reviews it has :( . This is a Must for every Progger, especially those who like Dark Side of Prog

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Send comments to Prog-jester (BETA) | Report this review (#123447) | Review Permalink
Posted Saturday, May 26, 2007

Review by Guldbamsen
FORUM & SITE ADMIN GROUP Site and Forum Admin
4 stars The true experience of being thrown around in a sonic washing machine

I´ve been getting into the French prog scene of late. Always been into Magma and their cohorts, as well as a lot of the symphonic and avant garde music to come out of the country during the 70s and 80s. The scene was very broad and eclectic, and what I indeed thought was a thing of the past, has thoroughly been refuted the past half year. I came across the band Nil and the album Nil Novo sub Sole. This record smashed open the doors to modern French music for me. I got extremely intrigued, and fantasized about other albums exploring more of these, up till then, unexplored sonic venues to me.

Thork is actually a sister band to Nil. The Maurin brothers, David and Samuel, feature on both - with Samuel credited as a writer. The similarities are obvious between the bands, though the female vocals of Nil Novo, here are replaced with a male front singer, that gives you that distinguish French spice. Reminds me a bit of the guy in Ange, but more mellow and somber.

The music contained herein is moody, complex, relaxing and at times grandiose like a rhino dressed in black. You´ll find everything spanning from symphonic textures, zeuhl, metal, jazz fusion - to small snippets of folk. I guess the folk tag was given to these guys due to the other albums in their discography, because this album is frolicking in a wonderful orgy of all the mentioned genres above, and feels eclectic above anything else. It´s a natural symbiosis, that either through the use of melodic stick playing, grooving thundering zeuhl like bass lines - or that of the ethereal and anxious keys, binds this music together. On top of this, you have choirs popping up in a very dramatic way, and makes your mind wander to Gothic churches, vampires and back to a time where you´d go down to the bar and order absinthe with a tiny touch of ox blood, and people around you´d say: I´ll have what he´s having!

To counterpoint my own words, I guess you can find folk traces here as well. The usage of the violin on some tracks slightly mimics European traditional music, with a rather staccato and skewed sound, whilst still remaining those acoustic characteristics. There´s a load of other instruments involved in this recording like dununs, djembé, guira, cloches, sitar, tabla and the cello, where most of these are on full display during the last track, which incidentally also is my fave. The Thork experience is more subdued here, throwing itself into Indian flavored rhythmic excursions with a tiny dose of electronics, and some wonderful bass work played on stick. It suddenly explodes into the characteristic Maurin sound, you certainly also will pick up in Nil and throughout this album, - and how exactly does one explain that? -Just to elaborate on the washing machine metaphor, which incidentally still remains apt. Picture this ferocious amalgamation of sound being hurled head first into a diamond shaped contour - with the music bouncing off all the different surfaces - only to be flung in a slightly off course direction. It never gets truly circular, but rather tumbles around in this jewel, whether it´s giving off soft and subtle sounds or breaching out in beautiful hellish structures. Music from within a diamond - yeah that sounds about right...

The only thing I feel letting this album a bit down is perhaps the absence of drummer extraordinairre Frank Niebel, which isn´t to say that Michel Lebeau is poor - only that Niebel in his jazzy outbreaks and off beat rhythms, had an original way of transforming and elevating all of the sounds around him into an altogether different kind of beast - one you couldn´t quite describe. I feel Lebeau tries duplicating that vibe, and he does so very well, but I just feel like something is missing. -And maybe this is the thing that, alongside Sébastien Penel´s vocals, separate Thork from Nil. This is of course just a preference from my side, but if you like Nil - you´ll certainly want to jump on board this black French steamboat.

This album is recommended to everyone with a taste for experimental music, that is propulsive like zeuhl, grandiose like a weeping symphony or beautiful like a ray of light shot through the center of our most precious diamonds.

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Send comments to Guldbamsen (BETA) | Report this review (#484283) | Review Permalink
Posted Sunday, July 17, 2011

Review by Warthur
PROG REVIEWER
4 stars Thork's Weila is a dark collection of compositions with a tone reminiscent of a folkier version of mid-1970s King Crimson. Imagine a mashup between the pastoral folkiness and range of different instruments characteristic of Anglagard (drawing more from their dark moments) and the intensity and nods to King Crimson demonstrated by Anekdoten, and add perhaps a pinch of Magma's percussive, rhythmic compositional approach and that should give you an idea of the sort of sonic universe Thork are operating in (namely, a bloody weird one). This is one to lend repeated listens to, because with everything that's going on here it would be difficult to catch what Thork are doing purely on the basis of a single listen.

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Send comments to Warthur (BETA) | Report this review (#945196) | Review Permalink
Posted Wednesday, April 17, 2013

Latest members reviews

5 stars Thork is a band without biography, so it's quite difficult to gather some information about it, and more, a true information about it especially if you don't understand French. Anyhow, some hints can be found from here and there: Thork was founded at 1998 by Sébastien Fillion and Antoine Aureche a ... (read more)

Report this review (#166037) | Posted by Nilman | Tuesday, April 08, 2008 | Review Permanlink

4 stars This is one of the best albums I've heard in a long time. Really complex music (elements of folk, classical and down right weird stuff) and excellent musicianship. I've knocked 1 star off for Ea (a tad over stretched out) but "L'Origine" is sheer brillinace. ... (read more)

Report this review (#42999) | Posted by Dave Preston | Monday, August 15, 2005 | Review Permanlink

4 stars First of all, IMO, it is wrogly labeled here as Prog Folk. I have not listened to their first album yet, but in this one I can't hear any folk influences whatsoever. It is rather very dark symphonic prog with very complex song structure, and very rich sound, mainly because due to variety of in ... (read more)

Report this review (#41296) | Posted by eugene | Tuesday, August 02, 2005 | Review Permanlink

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