WINGFIELD - REUTER - SIRKIS: LIGHTHOUSE

Recorded during the same sessions that resulted in the release of the highly critically acclaimed 'Stone House', 'Lighthouse' again finds guitarist Mark Wingfield working with Markus Reuter (touch guitars) and Asaf Sirkis on drums. However, this time they have worked as a trio, so there is no room for bassist Yaron Stavi who appeared on the first album. Recorded in a single day, what we have here are three musicians, all at the very top of their game, who are challenging the preconceived ideas of music, and are bouncing off each other in what must have been an incredibly frenetic and inspiring environment.

Markus most often plays the role of lynch pin, holding the music into some semblance of constraint, while Mark rolls into multiple musical tangents as his fingers and mind wanders, finding their way through the maze of their mind, and then there is Asaf. The man is a multi-joined octopus, who hands and legs obviously do not belong to the same body, and I was intrigued to discover just how many times my attention was being drawn from what many would think was the lead instrument, and was instead marvelling at the complexity and many different styles he was bringing to the party.

This is jazz, it is fusion, it is progressive in its very truest sense, and is totally off the wall. This won't be for everyone, but to my mind and ears there is something incredibly special about this album, where the three of them are improvising both against and with each other, taking their instruments the limit of musicality. A stunning release.

This is improv at its best!

Sometimes things that come without a strict plan give a truly positive result if the magic comes from people who share what they love in total freedom. This time, Wingfield, Reuter and Sirkis have created a wonderful released entitled Lighthouse, which naturally could remind you of 'The Stone House', but without the support of bass maestro Yaron Stavi because curiously, this session was recorded first though released second. These three musicians offer here 7 improvisations of music that is not easy to classify, but who cares when you are enjoying what you are listening.

'Zinc' is the first track and there is an evident sound of tension during the whole track, but don't get me wrong, the tension is not between the musicians, it lies on the atmosphere that musical freedom of speech produces. The drums are wonderful, delicious and unstoppable, jazzy all the way, while guitars provide that Crimsonian sound that in moments brings chaos. 'Derecho' brings Sirkis explosive drumming, its endless sounds and rhythms keep the listener quite intrigued and waiting for what's next, those drums are in fact hypnotic. The sounds provided by guitar and touch guitar are both amazing but chaotic, creating a complex combo that after 5 minutes slow down a little bit just to re-plan the upcoming passage.

'Ghost Light' is a much calmer improv. Here the guitars bring soundscapes that may allow us to label this song as an ambient one, remembering some of Reuter's solo albums but also that inherent King Crimson influence he has. After the chaos and tension of the first tracks, this one provides deep relaxing moments. So take a breath, close you eyes and enjoy the trip (which is long but pleasant, by the way). Another long track is 'Magnetic', but it is superb! It progresses little by little bringing countless nuances and taking again those jazzy drums blend with the soundscapes and a kind of organ that sounds as background creating a drone atmosphere. Crimsonian guitars appear here and there and the chaos somehow is back.

'A Hand in the Dark' is a much shorter improv and to be honest, I think it is my least favorite track; maybe it had to be longer to reach the depth I needed to get engaged with it. 'Transverse Wave' could have been the second part of its predecessor, but this is to my ears, more interesting and even deep. Wingfield's guitar is soft and smooth, while the touch guitar appears here and there creating a nice relaxing communion. It flows wonderfully and gives us a cool break.

The last track is 'Surge', which despite being the shortest of the album, it is so powerful, jazz-rock-prog improv that make us even shake our heads in some moments. Not my favorite track, but a cool way to finish this amazing blend of improvised textures.

Enjoy it!