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COLD WAR OF SOLIPSISM

Art of Illusion

Progressive Metal


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Art of Illusion Cold War of Solipsism album cover
3.71 | 9 ratings | 1 reviews | 11% 5 stars

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Studio Album, released in 2018

Songs / Tracks Listing

1. Ico
2. Devious Savior
3. Allegoric Fake Entity
4. Santa Muerte
5. Able to Abide
6. Cold War of Solipsism
7. King Errant

Line-up / Musicians

- Filip Wiśniewski / guitars
- Paweł Łapuć / piano & keyboards
- Kamil Kluczyński / drums
- Mateusz Wiśniewski / bass
- Marcin Walczak / vocals

Releases information

Label: Self
Format: CD, Digital
January 26, 2018

Thanks to mbzr48 for the addition
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ART OF ILLUSION Cold War of Solipsism ratings distribution


3.71
(9 ratings)
Essential: a masterpiece of progressive rock music(11%)
11%
Excellent addition to any prog rock music collection(11%)
11%
Good, but non-essential (56%)
56%
Collectors/fans only (22%)
22%
Poor. Only for completionists (0%)
0%

ART OF ILLUSION Cold War of Solipsism reviews


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Collaborators/Experts Reviews

Review by kev rowland
SPECIAL COLLABORATOR Crossover Prog Team
4 stars Art of Illusion are a Polish prog metal act who are new to me, but this is their second album, released at the beginning of 2018 (following up on 'Round Square of the Triangle" which was released in 2014). The quintet are Marcin Walczak (vocal, choirs), Filip Wiśniewski (guitars), Paweł Łapuć (keyboards, piano), Mateusz Wiśniewski (bass), Kamil Kluczyński (drums, choirs) and I am amazed that I have not previously come across either the band or any of the individuals as this is quite some album. There are some similarities with fellow Polish band Riverside, but I think what really makes this album for me are the changes in tempo and the twists and turns which allows them to bring in elements that are quite deliberately off-key, creating discord that then returns to harmony.

There is a high use of piano, which adds a different feel to the more keyboard oriented bands in the genre, while the bass is also used as a lead melody instrument at times which definitely adds to the complexity as Mateusz uses many different styles, not content with just providing a backbone. Kamil is also an incredibly complex drummer, certainly not settling into any particular style or form for very long, ensuring that there is a different feel being provided into different areas of songs. As for the guitar, Filip may shred, or be restrained, or riff, or bring in an acoustic and pick that if the mood is right, and then at the front is Marcin. Vocally this is all about control, in a more baritone style than many, and there is a deliberate contrast between what he is doing and what is happening underneath, so long drawn out notes from the vocals are underpinned by complex arpeggios being played at great speed on either guitar or piano.

This is an incredibly exciting and refreshing album, and ones that fans or prog rock that stray into metal territory at times, surely need to hear. Available on self-released CD, the band have also put it up on Bandcamp so give it a listen.

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