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HIDDEN PLACE

DGM

Progressive Metal


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DGM Hidden Place album cover
3.60 | 27 ratings | 2 reviews | 19% 5 stars

Excellent addition to any
prog rock music collection

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Studio Album, released in 2003

Songs / Tracks Listing

1. A Day Without the Sun (3:55)
2. Save Me (5:33)
3. Hidden Places (7:49)
4. Invisible Rain (6:06)
5. Storm No. 351 (5:06)
6. Heaven (6:16)
7. Alone (6:35)
8. Blind!! (5:13)
9. The Age of the Flame (5:01)
10. Winter Breeze (8:17)

Total Time 59:51

Line-up / Musicians

- Titta Tani / vocals
- Diego Reali / guitars
- Andrea Arcangeli / bass
- Fabio Sanges / keyboards
- Fabio Costantino / drums

Releases information

CD Scarlet Records #SC 061-2 / CD Import 440061

Thanks to ProgLucky for the addition
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DGM Hidden Place ratings distribution


3.60
(27 ratings)
Essential: a masterpiece of progressive rock music(19%)
19%
Excellent addition to any prog rock music collection(52%)
52%
Good, but non-essential (30%)
30%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

DGM Hidden Place reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by b_olariu
PROG REVIEWER
3 stars Second album with Tita Tani behind the microphone and forth from their career Hidden place from 2003 bring nothing to both to the genre - progressive metal or to their sound overall. Again a fait good album, a perfect balance between progressive metal with power metal elements. The album is up tempo most of the time minus 2 tracks who are more mellow, but the whole thing here is well done, god musicianship. Some pieces like A Day Without the Sun or Heaven stands as the best from here, the rest are ok. The music in places is more complex then usual like on Heaven, great tune, but overall something is missing, to usual stuff. I don't think is their best, I prefere previous one and with the first vocalist Wings of time. I will give 3 stars, a good one but nothing more.

Latest members reviews

4 stars This DGM CD is quite a bit different then all their previous recordings in 2 big way's. First off is the liberal use of odd time signatures found in ¾ of the material here. Next is that the keyboards have more of a presents, not just on the solo's. There is a lot of atmospheric subtleties as w ... (read more)

Report this review (#31654) | Posted by | Friday, January 28, 2005 | Review Permanlink

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