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RICHARD PINHAS, TATSUYA YOSHIDA & MASAMI AKITA: PROCESS AND REALITY

Richard Pinhas

Progressive Electronic


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Richard Pinhas Richard Pinhas, Tatsuya Yoshida & Masami Akita: Process And Reality album cover
3.10 | 2 ratings | 1 reviews | 50% 5 stars

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Studio Album, released in 2016

Songs / Tracks Listing

1. TVJ (Intro) (3:14)
2. TVJ 33 (Core Track) (36:21)
3. TVJ 66 (Non-Sens) (12:10)
4. TVJ 77 (Quiet Final) (10:33)

Total time 62:18

Line-up / Musicians

- Richard Pinhas / guitar, synth guitar
AND
- Tatsuya Yoshida / drums
- Masami Akita (Merzbow) / noise, electronics

Releases information

Artwork: Patrick Jelin

CD Cuneiform Records ‎- RUNE 432 (2016, US)

Thanks to kev rowland for the addition
and to Quinino for the last updates
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L'ethiqueL'ethique
Bureau B 2019
$21.94
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IcelandIceland
CUNEIFORM RECORDS 2017
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Process And RealityProcess And Reality
CUNEIFORM RECORDS 2017
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RICHARD PINHAS Richard Pinhas, Tatsuya Yoshida & Masami Akita: Process And Reality ratings distribution


3.10
(2 ratings)
Essential: a masterpiece of progressive rock music(50%)
50%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (50%)
50%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
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RICHARD PINHAS Richard Pinhas, Tatsuya Yoshida & Masami Akita: Process And Reality reviews


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Collaborators/Experts Reviews

Review by kev rowland
SPECIAL COLLABORATOR Crossover Team
3 stars Forty years on from his debut, Richard Pinhas is still producing challenging music, and on this 2016 album combined with two icons of the Japanese avant-garde ' drummer Tatsuya Yoshida, mastermind of warped-prog legends Ruins, and Masami Akita, a.k.a. noise guru Merzbow. Although they have performed and toured together, this is the first time the trio had made it into a studio and actually recorded. What we have here are four 'songs', with Pinhas providing guitar and synth guitar, Merzbow electronic noise, and Yoshida bashing the hell out of a drum kit. It is really hard to understand who is leading who, as in many ways it is Yoshida who is at the forefront of what is going on, while the other two are fighting instruments to produce something that is avant garde, challenging and quite unsettling.

This is bleak, disconcerting music depicting a post nuclear age, where life is cheap and short. It is compelling, disturbing, disconcerting and polarising. This isn't music for everyone, and there will be many who feel this isn't even meeting the definition of the term, but I found it interesting and engaging even if I don't want to play it all the time.

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