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Not Otherwise Specified

Heavy Prog

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Not Otherwise Specified Deadweight album cover
3.56 | 40 ratings | 2 reviews | 10% 5 stars

Excellent addition to any
prog rock music collection

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Studio Album, released in 2019

Songs / Tracks Listing

1. The Deep (3:03)
2. Marked for Birth (2:54)
3. Memories (5:35)
4. Filling My Soul (7:04)
5. Wandering the Wilderness (4:48)
6. Conscience (8:45)
7. Riptide (2:46)
8. All the Same (6:16)
9. I Don't Know (4:22)
10. In this World (5:30)
11. Another Chance Today (9:28)

Total Time: 60:31

Line-up / Musicians

- Craig Kerley / Vocals, Guitar, Keyboards, Bass
- Daniel Graham / Bass (2-4,11)
- Mitch Pew / Guitars (5,6,8,9)
- Phil Reilly / Drums (2,6,9,11)
- Derik Rinehart / Drums (3-5,8,10)
- Keith Tuggle / Bass (5-7,9)

Releases information

Format: CD, Digital
February 1, 2019

Thanks to mbzr48 for the addition
and to TCat for the last updates
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NOT OTHERWISE SPECIFIED Deadweight ratings distribution

(40 ratings)
Essential: a masterpiece of progressive rock music(10%)
Excellent addition to any prog rock music collection(45%)
Good, but non-essential (30%)
Collectors/fans only (12%)
Poor. Only for completionists (2%)


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by TCat
SPECIAL COLLABORATOR Honorary Collaborator / Retired Admin
4 stars 'Not Otherwise Specified' is a one-man project of Craig Kerley from Georgia, started in 2011. The music is considered Heavy Prog. 'Deadweight' is the name of his third full studio album, and he is helped out with several guests on various tracks through this album. Kerley is a multi-instrumentalist who, on this album, plays keyboards, bass, guitar and vocals.

'The Deep' starts out with an atmospheric and mostly electronic instrumental with processed percussion a nice swirling synth coming in later. This flows into 'Marked from Birth' which continues the main theme, but with more intensity adding guitars and real drums. Organ and mellotron come in later creating a nice atmosphere and a prog lover's paradise and it all becomes quite stately and follows a similar sound of his listed inspirations like Dream Theater and Spock's Beard. Vocals finally start in the 3rd track 'Memories'. It starts out dark and soft, but explodes into a nice heavy sound later with a complex melody and the vocals get better with the increase in intensity when he climbs out of his lower register.

'Filling My Soul' breaks the 7 minute mark. It starts with a march-style rhythm which the guitars take advantage of while they develop the theme and continuing to build until the vocals enter in a more aggressive and dark sound. The added synths create a sound similar to Dream Theater. Craig's vocals are impressive on this track and the lyrical content is great. 'Wandering the Wilderness' is another instrumental that picks up with solo electronic piano, but when the other instruments kick in, it comes to progressive life. There are some great solos played against a heavy background riff here; organ and guitar take their turns with the progressive foundation.

As the album continues, you can expect more great progressive music that continues along the same style as the inspirations that Craig lists. The music has plenty of surprises and progressive style changes throughout. 'Conscience' starts off heavy but has a beautiful, atmospheric section as it continues before breaking into a loud, symphonic-like section similar to the band 'Riverside'. Then it suddenly explodes into a killer synth solo before getting really dark with deep, spoken vocals and then moving to a guitar solo. It is a definite highlight to the album. 'Riptide' is a much shorter track and is an atmospheric song with processed, yet emotional vocals.

'All the Same' gets going back into high gear with a good, solid heavy guitar riff. After another evil sounding spoken word section, we get another rousing guitar solo before returning to regular vocals. This track is more lyric driven. 'I Don't Know' continues the heavy style but more driven by the organ and a more progressive slant. 'In This World' goes for an accessible sound, but still has time for another guitar solo. 'Another Chance Today' is the longest track at over 9 minutes and moves back to Heavy Prog. It begins with a synth-led melody before dark vocals come in. After a guitar solo, the 2nd verse gets more aggressive. Synths take over again on the next instrumental break. The track is also more verbose as it has time to wrap up the album.

This is a great example of Heavy Prog and there are definite influences as mentioned. The music is well performed and I only noticed a few rough edits, but other than that, it is quite professional sounding. The vocals are great as is the storytelling in the lyrics and the musicianship is stellar. The only complaint I really have is that there seemed to be less ingenuity and heart in the 2nd half, even though the style pretty much stays the same, and the album could have benefited with more variety or experimentation. Otherwise, it is definitely an enjoyable album with plenty of heaviness to keep proggers happy.

Latest members reviews

3 stars When progressive rock first emerged as a distinct genre, the United States were slow to make a sound for themselves. The Brits were the genre's progenitors, and they largely defined its archetypes and evolution. "Anglo-prog" is an awfully broad swathe of musical styles, but it conjures up a definite ... (read more)

Report this review (#2903089) | Posted by TheEliteExtremophile | Friday, March 31, 2023 | Review Permanlink

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