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BONDAGE FRUIT III - RÉCIT

Bondage Fruit

Zeuhl


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Bondage Fruit Bondage Fruit III - Récit album cover
4.05 | 34 ratings | 5 reviews | 31% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 1997

Songs / Tracks Listing

1. Odd-job (11:40)
2. Kagee ga kieru (8:18)
3. Shortwave from Outer Space (2:52)
4. Frost and Fire (12:32)
5. Récit (28:19)
6. Kinzoku no taiji (Live) (8:39)

Total time 72:20

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Kido Natsuki / guitar, organ, synthesizers
- Okabe Youichi / trap drums, percussion, electronics
- Ohtsubo Hirohiko / bass
- Takara Kumiko / vibraphone, percussion
- Katsui Yuji / violin, vocals, sampler

Releases information

CD Maboroshi No Sekai-MABO-008 \2500 (1997)

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Buy BONDAGE FRUIT Bondage Fruit III - Récit Music


SelectedSelected
Outer Music 1999
Audio CD$7.97
$1.65 (used)
Fruit III RecitFruit III Recit
Import
Vivid Sound
Audio CD$29.99
IVIV
Import
Musea Records France 2001
Audio CD$290.54 (used)

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BONDAGE FRUIT Bondage Fruit III - Récit ratings distribution


4.05
(34 ratings)
Essential: a masterpiece of progressive rock music(31%)
31%
Excellent addition to any prog rock music collection(38%)
38%
Good, but non-essential (19%)
19%
Collectors/fans only (3%)
3%
Poor. Only for completionists (9%)
9%

BONDAGE FRUIT Bondage Fruit III - Récit reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Cesar Inca
SPECIAL COLLABORATOR Honorary Collaborator
5 stars "Récit" is Bondage Fruit's third album and the first oen without a permanent position in the vocal department. Guitarist-keyboardist-main writer Kido Natsuki persistently provides bizarre ideas for the ensemble to perform in a most defying manner. These guys really can show off their taste for Rio tradition and Zheul ideology without sounding dated, on the contrary, bringing a renewed neurosis and particular spirit to the standards of radical avnt-garde prog. "Récit" is a catalogue of various ideas powerfully adorned and expanded by the robust use of skilfull improvisation. The opener 'Odd-job' starts as a muscular exhibition of psychedelic rock in which the essence of KC, the energy of classic Led Zeppelin and the eerie dementia of Hendrix are fruitfully combined. Then comes a more restratined mid section in which the concise touches of vibes and violin seem to float above the jazzy rhythm section, while the guitar provides weird Frippian atmospheres. At minute 8, the final sections brings a red hot climax, very much in the vein of exotic post-punk (it might remind the average listener of Hoyry-Kone), that culminates in a brief reprise of the initial motif. 'Kagee ka Hieru' sets a more languid pace based on the minimal sounds of vibraphone, upon which the guitar and violin provide nuances effectively counterpointed by normal and programmed drums. Some emotional guitar leads that appear afterwards complete the picture in an amazing way. The final result is like a mixture of Philip Glass and GYBE! - go figure. The less tha 3 minutes long 'Shortwaves from Outer Space' consists of monologues and electronic effects (very sci-fi b-movie, indeed), eventually joined by bizarre percussive storms during the last 45 seconds. The end of this track serves as a prelude to the following one, 'Frost and Fire'. This one retakes and amplifies the full frotnal energy of the opener, with Natsuki's guitar and Youichi's drum kit serving as parellel cornerstones for the whole ensemble's sound. The powerfully demented jam is momentarily interrupted by an industrial-oriented middle section, in which the Rio thing is replaced by the krautrock's walls of pulsation (a-la Can). The namesake track is the losngest one: it lasts 28+ minutes. Its incendiary edge equals that of tracks 1 and 4, albeit with a more pronunced jazz-rock vibe. The inclusion of free jazz elements and alleatory avant-garde (a-la Zappa) enriches the whole thing, in this way taking things to an even more disturbing level of sonic experimentation. The sense of energy provided by the percussive duo of Youichi and Kumiko has to be heard to be believed: these guys manage to become the leading actors in this theater on fire for the first 10 minutes. Their precision and strength are simply ultrahuman!! For this number's calmer passages, the atmosphere shifts to one of unscrutable introspection. Gradually, a tension of war is slowly yet consistently building up under the guidance of the lead guitar, until hell breaks loose toward the exulting, nerve-wrecking reprise of the opening motif. The closing explosion is an evident tribute to King Crimson's 'Larks' Tongues in Aspic, Part II'. Finally, the album is closed down by a live rendition of a track from the band's debut, this time in an instrumental format. Being very similar to the predominant violent vibe of most of the srudio material, it is a very coherent closure, indeed. Zheul is not dead, it is still alive and with infinite fire in store for all friendly listeners to discover and enjoy! Check Bondage Fruit, especially this amazing album - "Récit" is a true 4.5 star-gem of contemporary avant-rock.

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Send comments to Cesar Inca (BETA) | Report this review (#100623) | Review Permalink
Posted Monday, November 27, 2006

Review by Tapfret
PROG REVIEWER
4 stars I was an instant fan of Bondage Fruit at first listen. Each subsequent album I hear makes me a bigger fan. Even if I enjoy the album a bit less than a previous album, the appreciation for this bands truly Progressive nature grows with each release. They have no two albums that sound alike. Recit finds the band drifting away from the vocal sounds and Eastern slant of the first 2 albums. The band also begins to explore more spacey themes in their compositions. As a matter of fact, it can be said that this album marks a wide bend in the exploration of influences for the band. 'odd-job' contains a blues element not heard in earlier work. The band includes a very fun live version 'Kinzoku no taiji' from their first album.

Not my favorite BF work, but an outstanding album none the less.

4.2 stars.

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Send comments to Tapfret (BETA) | Report this review (#141650) | Review Permalink
Posted Wednesday, October 03, 2007

Review by Mellotron Storm
PROG REVIEWER
4 stars The thing that seemed to jump out to me the most about this album is the jamming. The female vocalist is gone making this pretty much an all instrumental record. That Zeuhl flavour from the first two albums is also gone. The drumming is incredible, as is the guitar, violin and bass. The vibes are a really nice touch as well.

"Odd-Job" opens with 2 minutes of heavy drums as they rock out really good. It all stops as guitar, vibes, drums, violin and bass sounds all come and go rather leisurely. It all starts to build 8 1/2 minutes in with tribal-like drumming and violin to a great finish. "Kagee Ga Kieru" is a cool song as we get guitar sounds, vibes, synths and violin all adding to the atmosphere. The Gilmour- like guitar then comes in, and I really like the vibes that remind me of MOONGARDEN. "Shortwave From Outer Space" is an experimental tune with electronics, spoken words and assorted sounds. "Frost And Fire" is an uptempo track with relentless pounding drums as the guitar fills the soundscape with various metalic sounds. Impressive. Violin after 7 1/2 minutes, and the guitar comes flying back in 3 minutes later eventually ending the song with scorching and screeching sounds that are not for the faint of heart.

"Recit" is a 28 minute monster. The guitar melodies to open are fantastic and they appear to be giving a nod to YES here and later. Violin after a minute, while the guitar lays down some blistering solos 2 minutes in as the drums come pounding in. The drummer is out of this world, or out of his mind. Not sure which. Probably both. The bass is throbbing heavily. The song does calm down for an extended period before rebuilding in anger 20 minutes in, with the drums and guitar leading the way as it builds to a powerful conclusion. When it settles back to end it they give a nod to YES once again. Nice. "Kinzoku No Taiji" is a song off of their debut record, only here it is done live and without vocals.This is a fast paced song with violin, vibes, guitar and of course drums rounding out the sound. The drums are killer ! Scorching violin 4 minutes in followed by some incredible guitar. This is great ! The bass is prominant as well.

What a find this band has been for me. Thanks again Avestin ! Their first three records have all been outstanding, but this is the one where their musical style has changed the most dramatically. I would rate the first two just ahead of this one, I think.

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Send comments to Mellotron Storm (BETA) | Report this review (#145164) | Review Permalink
Posted Wednesday, October 17, 2007

Review by Warthur
PROG REVIEWER
4 stars This live album sees Bondage Fruit moving even further away from the zeuhl heartland they originated in - in fact, for much of the album they resemble an even more noisy and harder- rocking version of King Crimson circa Larks' Tongues In Aspic, with a few heavy doses of jazz fusion and a slide order of plain old rock and roll to spice things up. It's a high-energy mix which doesn't seem quite as original as their brilliant second album - at points the resemblance to mid-1970s King Crimson approaches the uncanny - but which is an impressive enough album to be worth a listen for all zeuhl, RIO, fusion and eclectic prog fans.

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Send comments to Warthur (BETA) | Report this review (#628267) | Review Permalink
Posted Tuesday, February 07, 2012

Latest members reviews

4 stars Another album of this band that show us a special moments of Zheul atmosphere. Some tracks are fast music, alternating with other bands slower and melodic. The drums work provides a touch dizzying Zheul that it´s the subject for this band. This is a mixed Magma and Ruins context with some slo ... (read more)

Report this review (#517381) | Posted by Joăo Paulo | Thursday, September 08, 2011 | Review Permanlink

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