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CARACAS

Felix Martin

Heavy Prog


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Felix Martin Caracas album cover
4.75 | 9 ratings | 1 reviews | 56% 5 stars

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Studio Album, released in 2019

Songs / Tracks Listing

1. Quitapesares (3:56)
2. La Vaca Mariposa [The Butterfly Cow] (3:34)
3. Pajarillo (4:26)
4. Querencia (3:56)
5. Grey Zuliana [Acoustic] (3:05)
6. El Alcavaran (4:20)
7. Zumba Que Zumba (1:38)
8. Apure En Un Viaje (2:50)
9. El Diablo Suelto (2:56)
10. Tonada De Luna Llena (3:30)
11. Alma Llanera [Acoustic] (3:11)
12. Caballo Viejo [Acoustic] (2:25)

Total Time 39:47

Line-up / Musicians

- Felix Martin / guitar, production
- Victor Carracedo / drums
- Javier Sepulveda / bass

Releases information

Streaming + Download
released April 12, 2019

Thanks to rivertree for the addition
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Buy FELIX MARTIN Caracas Music


CaracasCaracas
PR 2019
$26.46
$29.39 (used)


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FELIX MARTIN Caracas ratings distribution


4.75
(9 ratings)
Essential: a masterpiece of progressive rock music(56%)
56%
Excellent addition to any prog rock music collection(22%)
22%
Good, but non-essential (11%)
11%
Collectors/fans only (11%)
11%
Poor. Only for completionists (0%)
0%

FELIX MARTIN Caracas reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by TCat
COLLABORATOR Eclectic Team
5 stars Felix Martin is a Heavy Prog artist based out of both Boston, MA and Venezuela. He plays a 14 string guitar which is like a combination of a Chapman Stick and a Warr Guitar. He has made 4 studio full-length albums on which he has recruited several musicians to back up his regular core band.

In April of 2019, he released his 4th full length studio album called "Caracas" which consists of songs based on styles or traditions from Venezuela. It is dedicated to Venezuelans and the people's current struggle with the dictatorship. Felix hopes that the music in this album reflects the energy needed to make a change in the country. The core band on this album is made up of Felix Martin on guitar, Victor Carracedo on drums and Javier Sepulveda on bass.

I must admit that I didn't know much about this artist previously, and when I read about him, I thought this would be another one of those guitar-god albums where the artist it talented, yet all of the music sounds the same where each track is just as technically complicated as the last one and there is not variety. So, I was very surprised to find that was not the case with this album. Martin is amazing! His playing is so varied and yes he is a technical wizard on the guitar. And yes, he does show off, but after hearing this album, he has every right to do so.

Of course, since this is based on Venezuelan traditions, you can expect that all of the tracks are very Latin-American sounding, and that is the first refreshing difference. But, that amazing guitar that he uses can produce so many different textures and sounds that it never gets tiring to listen to. Martin allows the music to shine and the melody to show through in his music, the theme and variation style is quite apparent here, but when he goes into one of his rapid fire tirades, which he does several times, you just sit there listening with your mouth hanging open. His playing, technique and interpretation is amazing. On the track "La Vaca Mariposa" he uses a traditional song and turns it into a wild display of notes and technical grace adding in bits of heaviness and beauty and does it all in the songs original meter of 5/8 (a traditional rhythm known in Venezuela as "Merengue Venezolano"). He even breaks out his acoustic version of the 14 string from time to time, like on the fast paced "Grey Zuliana". Then there is the rapid tappity tap playing on "El Alcavaran" that gives that unique sound of the Chapman Stick incorporated into his guitar that works so well in this somewhat gypsy-infused style of that track. Continuing with the incorporation of all Venezuelan styles, there is the Joropo style (with a little Cuban sound mixed in) of "Zumba Que Zumba". The Joropo style also continues into the next track with "Apure en un Viaje", and Martin sounds like a small rock orchestra all incorporated into one instrument. And then there is the beauty of the tornada style in "Tornada de Luna Llena". There is so much packed into this album.

I can't say enough how amazing the playing is on this album. It's fun and exciting, and the music never wears itself out, because of the versatility in the playing while remaining faithful to the main themes, yet adding in so many textures, styles and moods even within individual tracks. I have to say that this is one of the best guitar solo albums I have heard and it's so great to hear a guitar virtuoso in progressive rock that isn't afraid to have variance in his music. Simply amazing!

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