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BALLADY BEZ ROMANSÓW

Wojciech Ciuraj

Crossover Prog


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Wojciech Ciuraj Ballady Bez Romansów album cover
4.04 | 5 ratings | 1 reviews | 25% 5 stars

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Studio Album, released in 2017

Songs / Tracks Listing

1. Uważaj Na Nogi (4:28)
2. Pleśń (3:09)
3. Ballady Bez Romansów (4:51)
4. Cuda Niewidy (2:35)
5. Okrąglik (10:08):
- 5.1 Pierwsze Kroki
- 5.2 Poza Zasięgiem Wzroku
- 5.3 Woń Jest Konaniem Kwiatów
6. Ścięci (4:14)
7. Złość (4:54)
8. Lepsze Kolory (7:11)

Total Time 41:30

Line-up / Musicians

- Wojciech Ciuraj / vocals, guitar, mandolin

With:
- Paweł Kukla / keyboards
- Piotr Rachwał / violin
- Zofia Neugebauer / flute
- Klaudia Wachtarczyk / bass
- Dawid Klimuszko / drums

Releases information

CD Emet Records ‎- 001 (2017, Poland)

Thanks to kev rowland for the addition
and to Quinino for the last updates
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WOJCIECH CIURAJ Ballady Bez Romansów ratings distribution


4.04
(5 ratings)
Essential: a masterpiece of progressive rock music(25%)
25%
Excellent addition to any prog rock music collection(50%)
50%
Good, but non-essential (25%)
25%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

WOJCIECH CIURAJ Ballady Bez Romansów reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by kev rowland
SPECIAL COLLABORATOR Honorary Reviewer
4 stars In between the third and fourth Walfad albums, singer and guitarist Wojciech Ciuraj took time out to record a solo album, bringing in different musicians and flavours from what he had been doing within the band setup. It is based on the works of Adam Mickiewicz, who is apparently often referenced as Poland's greatest poet. One of his most popular books was 1822's 'Ballady i romanse', so I presume this is being reference in the title. Unlike the Walfad albums this is only available in Polish, which given that it is referencing Polish poetry makes total sense. The album shows Ciruaj embracing his more reflective side, and especial mention must be made of the use of flute, which adds additional melody, and some gorgeous bass, while his own singing is some of the finest I have heard from him.

He definitely seems to come to life more in this style of music, which contains great depth, beautiful arrangements and some luscious guitar as well. I have never had an issue listening to music with vocals in another language, as it allows me to drift into the sound, only to be woken up the superb guitar solo contained within the title track itself. I enjoy Walfad's albums, but having played this quite a few times now I hope that this isn't the last we hear of this approach, and that Ciuraj returns with another of these in the near future, as this has wonderful nuances and pop melodies contained within a highly accessible album.

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