CURSED, UNSHAVEN, AND MISBEHAVIN'

The Dillinger Escape Plan

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Tech/Extreme Prog Metal

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The Dillinger Escape Plan Cursed, Unshaven, and Misbehavin' album cover

2.00 | 1 ratings | 1 reviews | 0% 5 stars

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Singles/EPs/Fan Club/Promo, released in 2003

Songs / Tracks Listing

A1. Jim Fear (2:55)
A2. Destro's Secret (2:29)
B1. Sandbox Magician (2:07)
B2. The Mullet Burden (1:57)

Total Time: 9:28

Line-up / Musicians

- Benjamin Weinman
- Brian Benoit
- Chris Pennie
- Dmitri Minakakis
- Liam Wilson

Exact instrumentation could not be verified at this time.

Releases information

Vinyl 7" 33 1/3 rpm, US - Relapse Records (RR049)
Recorded Oct. 2000 while on tour with The Misfits.
Side A is a double groove with track A2 beginning slightly after the starting point for track A1. Track B1 plays normally but ends on a locked groove in the middle of the vinyl. Track B2 starts by placing the needle at the end of the groove at which time it plays from the inside-out and ends at the locked groove in the middle of the vinyl. Instructions are included.

Thanks to TCat for the addition
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THE DILLINGER ESCAPE PLAN Cursed, Unshaven, and Misbehavin' ratings distribution

2.00
(1 ratings)

Essential: a masterpiece of progressive rock music (0%)
Excellent addition to any prog rock music collection (0%)
Good, but non-essential (0%)
Collectors/fans only (100%)
Poor. Only for completionists (0%)

THE DILLINGER ESCAPE PLAN Cursed, Unshaven, and Misbehavin' reviews

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Collaborators/Experts Reviews

Review by A Crimson Mellotron
PROG REVIEWER

'Cursed, Unshaven, and Misbehavin' is an EP/single from The Dillinger Escape Plan comprised of four live recordings from the band's early shows, standing as one of the rare glimpses into the earliest incarnation of the American mathcore giants. Two of the songs on here come from the band's 1999 debut album 'Calculating Infinity', while the other two are from their 1998 EP 'Under the Running Board', all of which had been frequently played throughout Dillinger's early shows. This live recording does capture the violent release of energy that defines each and every performance of this band, but the quality of the recordings is really bad and when this is combined with the generally abrasive, dissonant music that is being recorded, one can really be confused by the final result, which makes it a piece of the band's early history that should be fascinating for die-hard fans but outside of the band's innermost circle of admirers there is little of interest here to the more general enjoyer of extreme music.

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