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THE EPIPHANY OF GLENN JONES (WITH JOHN FAHEY)

Cul De Sac

Post Rock/Math rock


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Cul De Sac The Epiphany of Glenn Jones (with John Fahey) album cover
3.04 | 4 ratings | 1 reviews | 25% 5 stars

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Studio Album, released in 1997

Songs / Tracks Listing

1. Tuff (5:05)
2. Gamalan college (10:11)
3. The new red pony (5:52)
4. Maggie Campbell blues (3:17)
5. Our puppet selves (8:20)
6. Gamalan guitar (5:28)
7. Come on in my kitchen (4:06)
8. Magic mountain (9:00)
9. More nothing (6:37)
10. Nothing (15:49)

Total Time: 73:48

Lyrics

Search CUL DE SAC The Epiphany of Glenn Jones (with John Fahey) lyrics

Music tabs (tablatures)

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Line-up / Musicians

- John Fahey / acoustic guitars, electric lap steel guitar, tapes, voice
- Glenn Jones / guitars, contraption, bouzouki
- Robin Amos / synthesizer, electronics, autoharp
- Michael Bloom / bass, Stevens bar, occasional sampler
- Jon Proudman / drums, occasional sampler

Releases information

CD Thirsty Ear

Thanks to ProgLucky for the addition
and to snobb for the last updates
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CUL DE SAC The Epiphany of Glenn Jones (with John Fahey) ratings distribution


3.04
(4 ratings)
Essential: a masterpiece of progressive rock music(25%)
25%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (50%)
50%
Collectors/fans only (25%)
25%
Poor. Only for completionists (0%)
0%

CUL DE SAC The Epiphany of Glenn Jones (with John Fahey) reviews


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Collaborators/Experts Reviews

Review by Evolver
SPECIAL COLLABORATOR Crossover & JazzRock/Fusion Teams
3 stars Fisrt a note: Michael Bloom is not on this album. He dis not join the band until the next album. And yes, it is that Michael Bloom. Accomplished music writer (I have a great Trouser Press edition where he sat down with Frank Zappa), and called by Robert Fripp "clueless and slightly slack" in one of the King Crimson boxed set booklets (Bloom says that's a badge of honor).

Anyway. This is not a bad album. Not a great album either, but it's a pleasant listen. With John Fahey on board, this set sways back and forth between bluesy swamp folk acoustic guitar with ominous backing instruments and sounds, and all-out sonic experimentation. My favorite is the latter. As I said, it's not bad to listen to, but I wouldn't make this an everyday experience.

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Send comments to Evolver (BETA) | Report this review (#226717) | Review Permalink
Posted Tuesday, July 14, 2009

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