Header

FUTURE MEMORIES I & II

Patrick Moraz

Crossover Prog


From Progarchives.com, the ultimate progressive rock music website

Patrick Moraz Future Memories I & II album cover
3.19 | 7 ratings | 1 reviews | 0% 5 stars

Write a review
Buy PATRICK MORAZ Music
from Progarchives.com partners
Live, released in 1985

Songs / Tracks Listing

1. Eastern Sundays (8:45)
2. Metamorphoses (11:38)
3. Search (4:47)
4. Heroic Fantasy (6:54)
5. Video Games (How Basic Can You Get?) (4:07)
6. Satellite (6:39)
7. Navigators (7:18)
8. Flippers (4:17)

re-release bonuses:

9. Pilot's Games (6:54)
10. Chess (6:19)
11. After the Year After... (2:30)

Total Time: 70:08

Lyrics

Search PATRICK MORAZ Future Memories I & II lyrics

Music tabs (tablatures)

Search PATRICK MORAZ Future Memories I & II tabs

Line-up / Musicians

- Patrick Moraz / electronic keyboards & percussions


Releases information

Carrare, CA 96.451, 1984
re-released in 2006 by I-Disk / Time Wave, and in 2007 by I-Disk / Time Wave (with bonus tracks)

Thanks to ProgLucky for the addition
and to snobb for the last updates
Edit this entry

PATRICK MORAZ MP3, Free Download (music stream)


Open extended player in a new pop-up window | Random Playlist (50) | How to submit new MP3s
No MP3/Stream available for this artist.
Collaborate with Progarchives.com, learn how to submit new MP3s.

Buy PATRICK MORAZ Future Memories I & II Music


Future Memories I and IIFuture Memories I and II
Extra tracks · Remastered · Import
I-Disk / Time Wave 2007
Audio CD$7.28
$6.79 (used)
Right Now on Ebay (logo)


More places to buy PATRICK MORAZ music online Buy PATRICK MORAZ & Prog Rock Digital Music online:
  • AmazonMP3: Search for PATRICK MORAZ DRM-Free MP3 Downloads @ AmazonMP3 (USA Only) | AmazonMP3 (UK Only)

PATRICK MORAZ Future Memories I & II ratings distribution


3.19
(7 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (75%)
75%
Collectors/fans only (25%)
25%
Poor. Only for completionists (0%)
0%

PATRICK MORAZ Future Memories I & II reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Gatot
SPECIAL COLLABORATOR Honorary Collaborator
3 stars I have a music community with limited number of members (not more than 10 people) who communicates using SMS Blast technology registered under my colleague prog rock friend Rizal B. Prasetijo (Ijal). Ijal used to review album or music using this media and blast the message to all members. Ijal is also an audiophile in which he can only appreciate music when the sound is produced by analog equipment - with vinyl as main format. Since last week Ijal has been traveling to London for his profession as investment banker (he is Managing Director of JP Morgan Securities). During his trip, he also visits record store to find any REFUGEE (Patrick Moraz' band prior to Yes) vinyl if available; because I shared to the members of SMS Blast that REFUGEE is a masterpiece of prog rock. But he could not find it. So he grabs Patrick Moraz CDs "Future Memories I & II" and "Windows of Time"). The below review was written by Ijal during his leisure time at hotel room, using his mobile phone, blasted to all members. It is posted here with his permission.

A Review by Rizal B. Prasetijo:

Patrick Moraz's Future Memories, consisting of two parts, was first released on Dec 29, 1979, and was based on the principle of spontaneous musical interpretation filmed by several video cameras as the performance was taking palce. Given the concept, I think you'll only be able to fully obtain the essence of the album, if you listen to it in the AV mode. Hence, since I only buy the CD version (and listen to it in my hotel room's Bose two dimensional crapy sound system), there is considerable risk that my comment will only partially portray the album's full picture.

My first impression on the album is Mr. Moraz attempted to create futuristic sound generated by his dozen different types of powerful keyboards. Listener should note that the album was recorded in late 1979 when the first prototype of Yamaha DX7 (the world's most successful polyphonic digital synthesizer) has just been completed. There was no equipments listing mentioned in the album sleeve. But looking at some available photos, I guess that Mr. Moraz used Yamaha CP70 electric piano, Mellotron M400, ARP Pro Soloist (monophonic preset synthesizer, first used by Genesis' Tony Banks in Selling England by the Pound), ARP Sequencer, Moog Polymoog (polyphonic analogue synthesizer), Roland RE 201 (for creating various echo sound), Hammond organ, and some bass pedals. While these keyboard rigs were very powerful (in the late 70s context), rather than seriously creating well balance cohesive composition, I sense that Mr. Moraz opted to explore the technology limit of his gears. In the nutshell, this is an experimental album, but lack of clear line of thinking. While you could hear Mr. Moraz's strong classical and jazz approach (He was indeed classically trained at the Conservatory of Lausanne and played jazz before entering the prog rock space) in Here Comes Christmas Again (track #1) as well as in Eastern Sunday (track #2), the remaining tracks are mainly his efforts to find technical boundaries on what his keyboards could achieve in his musical ability coridor. If you ask me what is the best track of this album, I won't be hesitant to say that it is the latest track (#11), titled "Chess". Mr. Moraz opened the composition by borrowing JS Bach's signature stacato played in violin mode, beautifully describing the opening move of a chess player. Then, if my ears hear properly, he jumped into his Hammond (T102 tonewheel?) organ at 2:05" and played a sort of fast traditional Spanish composition, painting a picture of a chess player attacks his opponent. At 3:03", the composition is abruptly switched into a drumming synthesizer session, reflecting an increasing heart beat of the chess player, knowing that his opponent launches a counter attack. The drumming session is then gradually toned down by his synthesizers played in the classical mode (similar with what he did in the beginning), symbolizing the ability of the chess player in regaining back his confidence and in reading his opponent's strategy.

Overall, I am not musically stimulated by the album or perhaps I don't get the full picture as I hear it in the CD mode. But I do appreciate Mr. Moraz's efforts to explore the technology boundary of his keyboards.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Gatot (BETA) | Report this review (#146322) | Review Permalink
Posted Sunday, October 21, 2007

Latest members reviews

No review or rating for the moment | Submit a review

Post a review of PATRICK MORAZ "Future Memories I & II"

You must be a forum member to post a review, please register here if you are not.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 0.75 seconds