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LATE NIGHT LAMENTS

Tim Bowness

Crossover Prog


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Tim Bowness Late Night Laments album cover
3.76 | 30 ratings | 2 reviews | 13% 5 stars

Excellent addition to any
prog rock music collection

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Studio Album, released in 2020

Songs / Tracks Listing

1. Northern Rain (4:49)
2. I'm Better Now (3:52)
3. Darkline (3:57)
4. We Caught the Light (3:56)
5. The Hit-Man Who Missed (3:21)
6. Never a Place (4:41)
7. The Last Getaway (4:55)
8. Hidden Life (5:05)
9. One Last Call (4:15)

Total Time 38:51

Line-up / Musicians

- Tim Bowness / vocals, backing vocals, synths (2,9), samples (2,9), ukulele (4), Fx (2,6)
- Brian Hulse / synths, keyboards, guitars, programmed drums, backing vocals (4)

With:
- Tom Atherton / vibraphone (1,4,5,6,9)
- Richard Barbieri / synths & synth solos (3,7)
- Evan Carson / drums & percussion (1,4)
- Colin Edwin / double bass (4,5,9)
- Alistair Murphy / dianatron (5)
- Kavus Torabi / glissando guitar & guitar solo (2), backing vocals (4)
- Melanie Woods / backing vocals (1,2,4)

Releases information

Artwork: Jarrod Gosling
Label: Inside Out Music
Format: Vinyl, CD, Digital (Gatefold LP + CD, Ltd Ed 2CD digipak with 5 Bonus Tracks)
August 28, 2020

Thanks to mbzr48 for the addition
and to kev rowland for the last updates
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TIM BOWNESS Late Night Laments ratings distribution


3.76
(30 ratings)
Essential: a masterpiece of progressive rock music(13%)
13%
Excellent addition to any prog rock music collection(57%)
57%
Good, but non-essential (30%)
30%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

TIM BOWNESS Late Night Laments reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by kev rowland
SPECIAL COLLABORATOR Honorary Reviewer
4 stars Since 2015's 'Stupid Things That Mean The World', Bowness has released two more solo albums (plus one with no-man and one with Peter Chilvers) and is now back with the third solo release 'Late Night Laments', so his sixth to date. Mixed by Steven Wilson and mastered by Calum Malcolm (The Blue Nile, Prefab Sprout), this album is mostly a collaboration between Bowness and Brian Hulse, who provides synths, keyboards, guitars and programmed drums, yet there are also plenty of guests (although not as many as is often the case) including of course Colin Edwin and Richard Barbieri, but a special mention must be made of Tom Atherton, whose vibraphone provides a very different feeling to about half the numbers, while singer Melanie Woods may only be on three songs but has she has a major impact.

This is less dynamic than the last album I heard of is, more focus on softer numbers and beauty, yet is no less powerful for that. The vibraphone provides a strike and delay that is very different to keyboards, and when combined with fretless bass it has a wonderful effect, and then of course at the front we have Tim's vocals. He truly is one of our finest singers, with a hidden strength, and his knowledge of how to layer the arrangements and yet somehow keeping them simple and allowing his voice to always be at the forefront of what is happening is very special indeed. I can understand why some people may feel this album is a little "samey", but each one of these numbers is a delight, and the result is something I can play all day. Fans of no-man or Bowness should all be grabbing this as yet again he shows why he is so renowned as writer and performer.

Latest members reviews

3 stars A nice laid-back singer-songwriter piece of work, still full of colours and shades, this latest album by Tim Bowness encompasses his sensibility well framed by the talented instrumental help brought aboard for the occasion. Outstanding progressive brightness is provided by Kavus Torabi on the electr ... (read more)

Report this review (#2449540) | Posted by Heart of the Matter | Sunday, September 20, 2020 | Review Permanlink

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