FOR THE MOMENT, VOL. 1

'For The Moment' is a prominent psychedelic/space excursion, delivered by this Finnish band. Recorded at the local G Livelab in Helsinki. It took place early 2020, so when the world was still fine. Eh, relatively of course, at least when it comes to the opportunity to play and attend live gigs. Well, those were the days. 'Vol. 1' consequently says, that this is not the end of the story, something will follow. Four songs are given, all of them with nearly the same length of around ten minutes. Suitable for a vinyl release, isn't it? So far anyway this is solely available as a digital download from their bandcamp page. 'For The Moment', the title is well chosen, as the music seemingly comes out of the nowhere. Three out of the four are totally improvised, capturing them at their purest and most jamming moments.

Solely Rainbow is adapted from the current 2018 studio album, showing some nice dual guitar interplay with a slight Allman Brothers Band touch. Magic keyboards, proper groove alternates with melancholic flow. Several jazzy moments, frequently due to Olavi Töyli's saxophone presence, who already had a guest appearance on 'All Will Be Golden'. Even some vocals are given, though very restrained in general. Predominantly they let the instruments speak. If you are keen on inspired live gigs with psychedelic/space character this is worth the check. 3.5 stars.

[Originally published at The Progressive Aspect]

I was introduced to Superfjord with their second album, All Will Be Golden, back in 2018, and have been hankering for more from the band ever since. As per their Bandcamp, the band's latest release, For The Moment, Vol. 1, "is the first release in a digital series of live recordings that aims to capture Superfjord at their purest and most improvisatory." And what a tasty way to whet my appetite for further volumes in this series!

For The Moment, Vol. 1 contains three improvisational "moments" along with a lengthy jam of Rainbow from All Will Be Golden, and, although that album had structure, listening to it always feels as if it is a natural combination of composition and improvisation. The music of Superfjord is fluid and organic, and For The Moment merely takes that template and runs with it. If you put Santana, Camel and Pink Floyd in a blender, added a pinch of Tool, then sprinkled some sexy brass over the top, the resulting sound might come close to that of Superfjord on All Will Be Golden. It's groovy, it's funky, it's heavy ? it's a trip. So how do they sound, when improvising on stage?

Superfjord, in this live incarnation, comprises six obviously talented musicians, who clearly know each other inside out, and lock into a groove with ease, churning out hypnotic riffs and rhythms bursting with cosmic bliss. But while there is an undeniably jam nature to the band, they never find themselves stuck in a repetitive groove, the way some psychedelic bands do. They paint from a wide palette, and create some quite incredible soundscapes. The line-up is mostly the same as that from All Will Be Golden, with four of the core musicians and one of the guest musicians from that album also on this live album. Three of Superfjord provide percussion on both All Will Be Golden and For the Moment, which indicates the importance of beat and rhythm in their music.

Perhaps strangely, then, the first Moment of For the Moment has very sparse percussion to begin with, with the stars of the show being some wonderful interplay between guitar and keyboard, backed solidly by some very tasty bass. The drums certainly pick up, though, and while they're back in the mix, there's no doubting their groove. The use of space in this piece is great. Superfjord show that they are just as aware when not to play a note, as when to ? which I often wish more bands would consider. It also means that when the guitar goes into overdrive about halfway through, it has far greater effect and impact. As the guitar quietens down, the bass and drum are briefly in the spotlight, before the sax comes to the fore. There's something about sax that seems to elevate any piece it features in, for me. It gives this moment a perfect ending (though I'm not entirely sure if it was the ending on stage, as the music fades out while giving the impression it may have carried on for some time yet).

The second Moment begins with some almost Doors-like psychedelic sounds, before the sax blasts out of the way any such comparisons. In terms of tempo, this quickly becomes almost the complete opposite of the opening Moment, and I'm glad it eases the listener in as it would perhaps be almost too much to take if it kicked straight in after the laid-back bliss of Moment 1. But it's not all high-tempo. I'm actually reminded a little of The Velvet Underground's Heroin, in the way the music picks up, then comes down again. After the hit, the tranquil passage that follows is stunningly beautiful, and again all about space. There's an almost minimalist feel to it, with as much not being played, as is. This is definitely my favourite Moment of the album. It must have been incredible to watch it being played.

Towards the end of Moment 2, you can hear Rainbow beginning. When I first listened to the album, I had to check to see if it had already changed track. The segue is seamless, and explains why Rainbow is included on this album. (I had wondered, when I first saw the track listing, given that the album was of improvisational moments, yet included an album track ? even if it was obviously significantly lengthened.) If I needed any more reason to love Moment 2, I guess this is it. The origins of Rainbow within the dying minutes of Moment 2 are subtle, yet brilliant. As for Rainbow, this jammed out version blows the album version out of the water. Essentially, this Rainbow is another Moment, which merely takes the original Rainbow as a platform from which to take a leap into further improvised jamming.

Moment 3 follows on directly from Rainbow, making Moment 1 the only standalone piece on the album. It's another minimalist beginning, almost ambient were it not for the sax. But after the aural overload of Rainbow, it's a welcome change of pace. Soon even the sax quiets down, and the music becomes expansive and unworldly. Even though not a lot is happening, I absolutely love this passage. The beat starts to pick up, in tempo and volume, and it's a percussive delight to listen to. I find it impossible to not start tapping along to the rhythm. It's infectious and mesmerising. From this point, it's possibly the closest the album comes to hitting that too repetitive groove. It redeems itself somewhat in the last minute, but ultimately I find this a dissatisfying way to end the album.

It's only my opinion, of course, but I think if Moment 1 had been the closing piece, rather than opener, for this album, the whole would have been better served. But as Moment 1 is standalone, there's nothing stopping me from making it the closing number, so my only criticism of the album is rendered redundant! Basically, this is an outstanding album of improvisational jams, and if future volumes of this series are as good as this first release, then fans of Superfjord are in for some real treats!

Following on from their two studio albums, 'It is Dark, But I have This Jewel' (2014) and 'All Will Be Golden' plus a few vinyl singles, this Finnish band have released extracts from a concert recorded at the beginning of 2020, just before the world went weird. Improvisation in live performance has always been an important aspect of the band, as they balance between composed and improvised, and this release finds them very much concentrating on the latter. Consequently, we have three improvised pieces called "Moments" as they are literally moments of the gig although while the word "moment' makes one think of a small unit of time, each of these is more than ten minutes in length, plus a track which originally appeared on their last album, "Rainbow". Interestingly the way this has been edited we have "Moments 2" gradually segueing into that track and then segueing back out again to "Moments 3".

To provide musical reference points the band themselves suggest The Grateful Dead, Pink Floyd, 70's modal/spiritual jazz, kosmische music and Gong while it is also easy to add King Crimson and Øresund Space Collective to that mix as well. Unlike many improvisational bands, these guys have such a clear understanding of their role and each other that even their improvised pieces appear to be composed, which is no mean feat. "Moment 2" even includes some vocals, with the rest of the band relaxing and sitting back to allow them to go where they will. This is one of those albums which does need a few plays to get inside, and definitely benefits from being played on headphones when there is no-one else around and attention can be given solely to the music, as otherwise it can just wash over the listener. The first time I played this I was obviously not in the right mood as I did not think much of it at all, yet when I went back to a second time, I realised just how much of a delight this really is.

I have not heard their earlier studio albums but can see I need to seek them out as is this is a fascinating piece of work.